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Brynhild, a MythSource painting
Norse

Brynhild

The Valkyrie · The Shield-Maiden · Sigrdrífa

01Identity

As a valkyrie and shield maiden, Brynhild is also called Sigrdrífa, a figure associated with battle, runes and heroic counsel. Sigurd awakens her from a binding spell and receives instruction in wisdom, conduct, oaths, healing, speech and public judgement. In another tale, she gives victory to Agnar although Odin favoured Hjalmgunnar, but that account does not say Odin punished her for disobeying him.

Top questions
  • Who is Brynhild?

    Brynhild is a Norse hero associated with battle and the choosing of the slain, shield-maiden warfare, runes and heroic counsel, oaths, love, and marriage, vengeance and tragic honour.
    Source

    Source

    • Price, The Viking Way
    • The Poetic Edda
    • Dictionary of Mythology
    • Norse Mythology
  • What is Brynhild associated with?

    battle and the choosing of the slain, shield-maiden warfare, runes and heroic counsel, oaths, love, and marriage, vengeance and tragic honour
    Source

    Source

    • Price, The Viking Way
    • The Poetic Edda
  • Is Brynhild in Dark Kingdom: The Dragon King?

    Yes. It is linked here to Brunhild’s Bridal Struggle.
  • What family links are recorded for Brynhild?

    Father: Buðli, Spouse: Gunnar, 1 child, 2 siblings.
  • What happens in Brunhild’s Bridal Struggle?

    Brunhild resists Gunther’s attempt to consummate their marriage, throwing Siegfried across the chamber and crushing him against a coffer while he stands in Gunther’s place.
    Source

    Source

    • the ancient sources
    • The Nibelungenlied
02Family

Parents above, children below, and the figure’s consorts named in between, the same family data as the fact box, laid out as a chart instead of a field list.

Buðli
BrynhildBekkhild BudladóttirEtzel

with Gunnar, Sigurd

Aslaug
03The names

Brynhildr

Old Norse form of her name

SourcePrice, The Viking Way

Sigrdrífa

Victory-driver; the name associated with her valkyrie identity

SourceThe Poetic Edda

Brunhild

Anglicized or simplified Germanic form of her name

SourceDictionary of Mythology

Brünnhilde

German form of her name

SourceNorse Mythology

04The myths

5 myths, each traced to its primary text and corpus sources, with 2 reviewed modern reworks linked where the evidence supports it.

Sigurd cut through the woman’s corslet with Gram, from the neck downwards, and released her from the spell that held her asleep. He had found her on Hindarfell, inside a shield-wall beneath a banner. She lay in helmet and armour, and the armour seemed to have grown into her flesh. When she awoke, she was called Sigrdrifa, and she was a valkyrie. This episode appears in Sigrdrífumál, with related material in the Völsunga saga.

Sigrdrifa told Sigurd why Odin had punished her. Two kings had fought. One was Hjalmgunnar, an old and powerful warrior whom Odin had promised to help. The other was Agnar, brother of Auda, whom no one wished to defend. Sigrdrifa brought Hjalmgunnar down in battle. Odin then struck her with a sleep-thorn. He decreed that she would never again win in battle and that she must marry. She answered that she had sworn a counter-oath to marry no man who knew fear.

Sigurd asked her to teach him wisdom, since she had knowledge from all the worlds. She invoked the Æsir, the goddesses, and the fruitful earth, asking them to grant the pair eloquence, understanding, and healing hands throughout their lives. She then gave him counsel about runes and conduct. Her teaching covered battle, oaths, medicine, speech, and proper behaviour. Among these were speech-runes, which were to be wound, woven, and set together at the public assembly where people gave judgement. Sigrdrífumál presents these runes as magical knowledge.

The poem breaks off after this teaching because the manuscript is incomplete. The Völsunga saga supplies a continuation in which Sigurd and the valkyrie become betrothed, after which he leaves for Giuki’s court. The poem itself preserves the awakening and the counsel; the betrothal and departure come from the later saga.

Brynhild’s Runes and Counsel, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

2 sources· checked 2026-08-19

  1. 1The Poetic EddaT1
  2. 2the ancient sourcesT1

    Quote

    Sigrdrífumál presents Sigrdrifa as a valkyrie who, after explaining her punishment, teaches Sigurd magical runes and wise conduct.

    the ancient sources

Gunnar’s horse refused to enter the wall of flame around Brynhild. She had promised to marry the man who crossed it. Sigurd and Gunnar exchanged their forms and weapons. Grane would carry no rider but Sigurd, so Sigurd mounted Grane and rode through the flame in Gunnar’s appearance. Brynhild took him for Gunnar.

In one telling, Sigurd held a wedding with Brynhild that same evening. He drew Gram from its sheath and placed it between them when they went to bed. In another telling, they slept together for three nights with the sword between them to safeguard her honour. Sigurd gave Brynhild the gold ring that Loke had taken from Andvare, and he received another ring from her as a keepsake. He then returned to Gunnar and the other Gjukungs, who were also called Niflungs.

Brynhild became Gunnar’s bride because she believed that Gunnar had crossed the flame. Sigurd later married Gudrun. Gudrun revealed the shape-changing deception to Brynhild after they quarrelled. Brynhild claimed that Sigurd had been her lover, despite the oaths he had sworn to Gunnar. She urged Gunnar and Hogni to kill him. They killed Sigurd, and Brynhild then took her own life.

Brynhild’s Deceptive Wooing, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1The Poetic EddaT1
  2. 2The NibelungenliedT1
  3. 3the ancient sourcesT1

    Quote

    Sigurd rides through Brynhild’s flames in Gunnar’s shape, while Gram lies between them in bed, and Brynhild later marries Gunnar, believing the disguise.

    the ancient sources

Brunhild refused to consummate her marriage to Gunther and declared that she would not yield to him. When night came, Gunther barred the chamber door with two stout bolts and hid the lights behind the bed curtains. Siegfried lay beside Brunhild in Gunther’s place, while Gunther remained nearby and listened. Brunhild soon threw Siegfried from the bed against a stool. His head struck it with great force, but he rose and tried again. This episode is told in the Nibelungenlied.

She seized him and carried him with irresistible strength, crushing him between the wall and a coffer. Siegfried fought back in silence. He closed with her and struggled until he overcame her. Brunhild gripped his hands so tightly that blood spurted from beneath his nails, yet he forced her to abandon the resolve she had declared. During the struggle, he took a golden ring from her finger and removed her girdle, a splendid ornament. He later gave both objects to Kriemhild. Gunther then lay with Brunhild, and her strength left her when the marriage was consummated. She became no stronger than any other woman.

The ring and girdle later became evidence in a quarrel between the two women. Kriemhild wore them and said that Brunhild had called her a paramour. Brunhild saw the girdle she had lost and her red gold ring. She accused Kriemhild of declaring that Siegfried had made her his concubine, and demanded that Gunther clear her honour. Gunther summoned Siegfried and asked him to answer the charge.

Kriemhild produced the objects as proof that Siegfried had been Brunhild’s first man. The same girdle was linked to Brunhild’s earlier struggle with Gunther, when he could not loosen it and she hung him against the wall. Gunther knew the facts, including Siegfried’s great strength and his horn-hard skin. Siegfried’s secret defeat of Brunhild had therefore left the signs of the struggle in Kriemhild’s possession.

Brunhild’s Bridal Struggle, a MythSource painting of the scene

In the modern world

Dark Kingdom: The Dragon King

Film

Siegfried, magically disguised, defeats Brunhild in single combat and then overpowers her privately, taking her belt as a token that later exposes the trick and turns her against him. This is the Nibelungenlied bridal-token betrayal, not the Norse flame-wall wooing.

Die Nibelungen

Film

Siegfried, wearing the invisibility cloak and Tarnhelm, overpowers Brunhild in athletic combat and then in the bedchamber, taking her arm-ring. The ring later surfaces and exposes the deception, again the wedding-night token myth rather than a flame-crossing.

2 sources· checked 2026-08-19

  1. 1The NibelungenliedT1
  2. 2the ancient sourcesT1

    Quote

    Siegfried defeats Brunhild in the bridal struggle while disguised as Gunther, takes her ring and girdle, and her great strength leaves her when Gunther consummates the marriage.

    the ancient sources

Brynhild urges Gunnar and his brothers to kill Sigurd. The precise manner of the murder varies between the Völsunga saga and the Poetic Edda, but both preserve his treacherous death. In one account, Brynhild claims that Sigurd was her lover and had broken the oaths he swore to Gunnar. In another, she admits that Sigurd had remained faithful to his foster-brothers, while her own slighted affection had turned her against the man she loved most. Her show of revengeful satisfaction conceals her true feelings.

The hostility began with a deception. Sigurd had rescued Brynhild, a valkyrie placed in a deep sleep within a wall of fire. He crossed the flames and found her wearing a helmet and coat of mail. In the account where he takes Gunnar’s form, Sigurd and Brynhild sleep together for three nights with a drawn sword between them. Brynhild then marries Gunnar, believing that Gunnar crossed the flames. Sigurd later marries Gudrun after being bewitched and loses his memory of Brynhild and their love. When Gudrun quarrels with Brynhild and reveals the shape-changing deception, Brynhild decides that Sigurd must die. In the Völsunga saga, he offers to leave Gudrun and marry Brynhild, but she remains determined to have him killed.

After Sigurd’s death, Gudrun is overcome by grief. Brynhild then kills herself. The Völsunga saga says that she asks to be burned with Sigurd on his funeral pyre before taking her own life. Her body is placed beside his, and the two are consumed by the same funeral fire. The Poetic Edda preserves the same linked deaths, though its treatment of the events differs from the saga.

Brynhild’s Final Funeral, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1The Prose EddaT1
  2. 2the ancient sourcesT1

    Quote

    Brynhild, having caused Sigurd’s death, takes her own life and is burned beside him on his funeral pyre.

    the ancient sources

  3. 3The Poetic EddaT1

Brynhild gave victory to the mortal king Agnar, although Odin had favoured the warrior Hjalmgunnar. Her choice made Agnar the victor and denied Hjalmgunnar the result that Odin had wanted for him. Brynhild acted as a valkyrie, and her decision went against Odin’s will.

The tale named Agnar and Hjalmgunnar as the two men involved. It called Agnar a mortal king and called Hjalmgunnar a warrior favoured by Odin. It gave no wider history for either man. It also gave no account of the contest beyond its result, so Agnar’s victory followed Brynhild’s choice without further details of the fighting.

Brynhild’s action was an act of disobedience. Odin had intended victory for Hjalmgunnar, but Brynhild awarded it to Agnar instead. The tale did not say that Odin imposed a punishment for this act, nor did it describe what happened to Agnar or Hjalmgunnar after the decision.

In another telling, a valkyrie disobeyed Odin and was placed in a deep sleep. A wall of flame surrounded her. That telling did not say that the punishment followed Brynhild’s choice between Agnar and Hjalmgunnar. It also did not identify either man. In parts of the story of Sigurd, Brynhild and Sigrdrifa remained distinct, while another telling combined some of their roles. These differences did not change the event: Brynhild disobeyed Odin by giving victory to Agnar instead of Hjalmgunnar.

Brynhild Chooses Agnar, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1The Poetic EddaT1
  2. 2the ancient sourcesT1

    Quote

    Brynhild chooses Agnar as victor over Hjalmgunnar, opposing Odin’s declared preference for the older warrior.

    the ancient sources

  3. 3Norse MythologyT1

Works that draw on more of the mythology than any single story: full retellings of the saga, and worlds built out of the material.

Brunhild's Dreams

film

The likely referent, a 2023 recital called Brunnhilde's Dream, uses her drugged sleep after Wotan's punishment as a frame to explore her interior emotional state and broader historical injustice against women, rather than retelling one myth's plot.

Ring des Nibelungen

music

Wagner's four-opera cycle restages Brynhild's whole arc in sequence: punished and ringed in fire, awakened by a hero who crosses that fire, betrayed when the same hero (disguised) crosses it again to win her for another man, and finally burned on his pyre. It reworks the full Brynhild legend rather than one episode.

Wotan Takes Leave of Brunhild

unknown

An 1892 painting by Konrad Dielitz illustrating Wagner's invented father-daughter farewell before Wotan puts Brunnhilde to sleep behind a wall of fire. The scene is original to Wagner's reworking, not a direct depiction of any single Eddic episode on this figure's list.

The myths across MythSource where Brynhild features, each on that figure’s page.

The film

The Underdrawing video on Brynhild embeds here once it publishes.

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