Fipindulule in Bemba tradition
Fipindulule is a father in a Bemba tale performed by Dismas Kampamba and recorded and translated by Robert Cancel. His name is glossed as describing someone who influences or changes things. He warns his four children to follow a honeyguide east, not west, when they seek honey. The children disobey, and his wife later follows the same western signal; both encounters lead to Kashimweshimwe, an ogre who swallows them. The repeated challenge turns on whether Fipindulule can change what has happened when he finally reaches the tree.
He binds and kills Kashimweshimwe, then asks a black ant how to recover his family. Following its advice, he heats a potsherd and rubs it over the ogre’s belly, and the swallowed people emerge. Defeating the ogre is not enough: he must accept help from a much smaller creature to save those inside. He then builds a village and becomes its chief.
SourceStorytelling in Northern Zambia (Robert Cancel, 2013): Chapter III, Bemba Storytelling 1, told by Dismas Kampamba, pp. 78–80
The quick answers
Who is Fipindulule?
Fipindulule is a Bemba hero.
The myths of Fipindulule
1 myth, with sources recorded for each.
Fipindulule and the Ogre Kashimweshimwe
Fipindulule lives with his wife and four children, and builds temporary shelters for the family in the bush. He tells the children to follow the honeyguide when it leads east to honey, but never to go west. The children eventually follow a western signal, find a huge tree and strike it with an axe. Kashimweshimwe, an ogre inside, asks who they are. They say they are Fipindulule’s children; when the ogre demands that they change things to prove their power, they say their father could do so. Kashimweshimwe swallows them. Later, the honeyguide leads Fipindulule’s wife west. She finds the axe, strikes the tree and repeats the same challenge about her husband; the ogre swallows her too.
Fipindulule goes to the tree himself. When Kashimweshimwe challenges him, he binds the ogre with a large leather belt, throws it down and kills it. He then asks what to do about his family and children. A black ant tells him to heat a potsherd and rub it over the ogre’s stomach. Fipindulule follows the advice, and his children and the other people swallowed by the ogre emerge. He builds a village and becomes its chief.

4 sources· checked 2026-10-02
- 1Storytelling in Northern Zambia (Robert Cancel, 2013)T1
- 2Storytelling in Northern Zambia (Robert Cancel, 2013)T1
- 3Storytelling in Northern Zambia (Robert Cancel, 2013)T1
- 4Storytelling in Northern Zambia (Robert Cancel, 2013)T1
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Written and maintained by MythSource. Last reviewed October 2, 2026. How a page gets built.
1 source is cited on this page and listed below.
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MythSource. (October 2, 2026). Fipindulule. https://www.mythsource.com/figures/fipindulule
"Fipindulule." MythSource, Oct. 2, 2026, www.mythsource.com/figures/fipindulule.
"Fipindulule." MythSource. Last modified October 2, 2026. https://www.mythsource.com/figures/fipindulule.
Source details
- Storytelling in Northern Zambia: Theory, Method, Practice and Other Necessary Fictions. Robert Cancel, author, recordist and translator; Laudon Ndalazi, performer of Bisa Storytelling 1 (The Old Woman with the Hump); Paolo Kaoma, storyteller of the Chibulu account; Stanley Kalumba, storyteller of the Kalulu account; Dismas Kampamba, performer of Bemba Storytelling 1 (Fipindulule); Elizabeth, performer of Bemba Storytelling 2 (Ntoole, Mweo and Nunde); Chipioka Patrick, performer of Tabwa Storytelling 3 (Biti Mupalume); Fred Kafankwa, performer of Bwile Storytelling 4 (Mupita); Timothy Kachela, storyteller of Bwile Storytelling 5 (The Beeswax-Born Daughter). Open Book Publishers, 2013. DOI 10.11647/OBP.0033. Source edition · Licence: CC BY 3.0. MythSource's accounts are adapted summaries in original wording, not source quotations. Source recordings and illustrations are not reproduced.
The mythology summaries and identity fields on this page are grounded in the sources listed above. The appearance table records candidates separately; only confirmed connections are presented as modern retellings in Overview.
