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Pan, a MythSource painting
Greek

Pan

Aegipan · Nomios · Lyterios

01Identity

Goat horns, a goat’s beard, and goat legs and hooves mark Pan as a rustic deity of striking appearance. He is the Greek patron of shepherds, huntsmen, rural work, fertility, music, and wild mountain places, and he plays the panpipes. Unlike the Roman Faunus named as his counterpart, Pan is distinguished in this material by his Greek identity and his power to cause sudden fear in lonely places.

Top questions
  • Who is Pan?

    Pan is a Greek deity associated with shepherds and flocks, wild nature and mountain wilderness, pastoral fertility and animal fecundity, music, dancing, and rustic song, sudden fear and panic.
    Source

    Source

    • Greek Myths & Tales
    • Tales About the Mythology of Greece and Rome
    • Greek Mysteries: The Archaeology and Ritual of Ancient Greek Secret Cults
    • Light and Darkness in Ancient Greek Myth and Religion
  • What is Pan the god of?

    shepherds and flocks, wild nature and mountain wilderness, pastoral fertility and animal fecundity, music, dancing, and rustic song, sudden fear and panic
    Source

    Source

    • Greek Myths & Tales
    • Tales About the Mythology of Greece and Rome
  • What family links are recorded for Pan?

    Father: Hermes, Mother: Callisto, Spouse: Aega, 7 children.
02Family

Parents above, children below, and the figure’s consorts named in between, the same family data as the fact box, laid out as a chart instead of a field list.

HermesCallistoContumeliaDryopeHybrisPenelope
Pan

with Aega

AcisCrenaeusCrotusGlaucusIambeIynxSilenus
03The names

Aegipan

Goat-Pan or goat-footed Pan

SourceGreek Myths & Tales

Nomios

Pastoral or shepherdly

SourceGreek Myths & Tales

Lyterios

The Deliverer or Liberator

SourceGreek Mysteries: The Archaeology and Ritual of Ancient Greek Secret Cults

Menalios

Of Mount Maenalus

SourceLight and Darkness in Ancient Greek Myth and Religion

04The myths

7 myths, each traced to its primary text and corpus sources.

Pan raised his pipe of seven reeds and claimed that he could play more skilfully than Apollo on the lyre. The challenge was accepted, and Tmolus, the mountain god, was appointed judge. He sat on his hill and cleared the trees from his ears so that he could hear the contest. He wore an oak garland, with acorns hanging around his brow.

Pan played his reed pipe and sang in a rough, rustic style. Midas, king of Phrygia, was present and enjoyed the performance. Apollo then played his lyre. The judges declared Apollo the winner. Midas alone objected to the decision. He preferred the uncouth sound of Pan's pipe to the refined music of Apollo's lyre. Apollo was angered by what he regarded as the king's foolish judgement. He changed Midas's human ears into the long, hairy, moving ears of an ass, while leaving the rest of his body unchanged.

Midas was horrified by his disfigurement. He hid the ears beneath a cap, described in one passage as purple, so that his subjects would not see them. His barber discovered the truth. Midas gave him gifts and ordered him never to reveal the secret. The barber could neither speak of it openly nor keep it to himself. He dug a hole in the ground, bent over it, and whispered that his master had ass's ears. He then covered the hole again and left, having hidden the words in the earth.

The Musical Contest of Pan and Apollo, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1Greek Myths & TalesT1
  2. 2Ovid, MetamorphosesT1

    Quote

    Tmolus awarded Apollo victory over Pan, and Apollo gave Midas ass’s ears for preferring the rustic pipe.

    Ovid, Metamorphoses

  3. 3Ultimate Greek MythologyT1

When Typhon rushed towards Olympus, Pan gave an uncanny cry and warned the Olympians of the danger. The gods fled in terror to Egypt and changed themselves into animals. Zeus became a ram, Apollo became a crow, Dionysus became a goat, Hera became a white cow, Artemis became a cat, Aphrodite became a fish, Ares became a boar, and Hermes became an ibis. Athene alone stood her ground and taunted Zeus for his cowardice. Zeus then resumed his true form, hurled a thunderbolt at Typhon, and struck him with a flint sickle.

Typhon seized Zeus, cut away his sinews, and carried them to the Corycian cave in Cilicia. He hid them in a bear skin and set the she-dragon Delphyne to guard them. Hermes and Aigipan took the sinews without being seen and fitted them back into Zeus. Zeus recovered his strength and returned to the fight.

In one telling, Pan helped the gods by warning them with his uncanny cry, and they escaped Typhon’s attack. In another, Pan lured Typhon from his lair with the promise of a banquet of fish, leaving him in the open so that Zeus could strike him with thunderbolts. In a further telling, Cadmus distracted Typhon with music while Zeus recovered his thunderbolts, and Hermes recovered the sinews.

Zeus pursued Typhon in a chariot drawn by winged horses. Typhon reached Mount Nysa, where the Fates tricked him into eating ephemeral fruits that weakened him. He fled to Thrace and hurled whole mountains at Zeus, but Zeus drove them back with thunderbolts. Typhon’s blood drenched the mountain, which became known as Mount Haemus. He then fled to Sicily, where Zeus hurled Mount Etna upon him and buried him beneath it. Fire belched from the mountain’s cone.

Pan Helps Zeus Against Typhon, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1The Greek MythsT1
  2. 2Hesiod, TheogonyT1

    Quote

    Pan warned the Olympians with his cry, while Hermes and Zeus recovered Zeus’s severed sinews and defeated Typhon.

    Hesiod, Theogony

  3. 3War in Greek MythologyT1

Dryope gave birth to Pan, the son of Hermes. The child had horns, a beard, a crooked nose, pointed ears, the tail of a goat, and goat legs. His appearance frightened his mother. She fled from him in dismay, leaving Hermes to take charge of the child.

Hermes picked up the strange infant. He wrapped Pan in a hare skin and carried him in his arms to Olympus. There he brought the child before the gods so that they could see him. Pan’s goat-like form amused the immortals. His merry behaviour also pleased them, and they welcomed him with laughter and delight. Dionysus took particular pleasure in the unexpected visitor.

The gods gave the child the name Pan because he had delighted them all. The account then connects him with the wild country of Arcadia, where his worship began. It does not provide a single, consistent account of his age or parentage. Some versions made Pan much older and called him a foster-brother of Zeus. The account of his birth to Dryope instead made him the son of Hermes. These versions differ in their treatment of Pan’s origins, while the account involving Dryope describes his birth and his reception among the gods.

The Birth of Pan, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1Greek Myths & TalesT1
  2. 2Hesiod, TheogonyT1

    Quote

    Hermes brought Pan, the goat-footed son of Dryope, to Olympus, where the gods welcomed him and gave him his name.

    Hesiod, Theogony

  3. 3The Greek MythsT1

Pan pursued the chaste nymph Syrinx as she fled from his persistent attentions. His appearance appalled her, and she tried to escape him. He followed her from Mount Lycaeum towards the river Ladon. Syrinx continued towards the river while Pan drew nearer.

At the banks of the Ladon, Syrinx saw that Pan was about to seize her. She believed that escape was impossible, so she called upon the gods for help. They answered her prayer by changing her into a reed. One account says that she became a single reed. Another says that she became a bundle of reeds. Pan reached the river, but Syrinx was no longer there in human form.

Pan could not identify which reed had been Syrinx. He cut several reeds at random and joined them together to make a pipe. This instrument became the syrinx, also called the Pan-pipe. Pan loved music, singing, and dancing. He played the pipe as he wandered through rocks, mountains, and grottoes. Nymphs of the forests and valleys danced around him to its cheerful music. The pipe was said to sing as sweetly as a nightingale in spring. The differing accounts concern Syrinx’s transformation, not Pan’s making of the instrument.

Pan and Syrinx, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1Greek Myths & TalesT1
  2. 2Ovid, MetamorphosesT1

    Quote

    Syrinx became reeds to escape Pan, who joined them into the pipe that bore her name.

    Ovid, Metamorphoses

  3. 3The Greek MythsT1

Pan pressed his advances on Echo, but Echo rejected him. She had already become known for repeating the words spoken by others. Her voice did not answer in the manner of an ordinary speaker. It repeated what another person had said, and this remained the way in which she communicated. Pan responded to her refusal with anger. He drove a group of shepherds into a frenzy and sent them against her.

The shepherds attacked Echo and tore her to pieces. Their violence destroyed her living body. They dismembered her until no part of her physical form remained as a whole. The attack ended Echo’s life as a bodily being, and her body then disappeared. The shepherds did not leave her body behind after they had torn it apart.

Only Echo’s voice remained. It continued to repeat the words spoken by other people, as it had done before the attack. Echo no longer possessed a living body, and she no longer spoke for herself, but her voice survived in its former manner of speech. Her fate followed Pan’s anger after she rejected him. The shepherds carried out the attack in their frenzy, and Echo’s voice endured after her dismemberment.

Pan and the Death of Echo, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

2 sources· checked 2026-08-19

  1. 1The Greek MythsT1
  2. 2Ovid, MetamorphosesT1

    Quote

    After Echo rejected Pan, he maddened shepherds who dismembered her, leaving only her voice to repeat the words of others.

    Ovid, Metamorphoses

Pan fell in love with Echo, a nymph. He was the god of flocks, shepherds and woods. He had a man’s body joined to a goat’s, with horns, hooves and a tail. The circumstances of their meeting were not given, and the manner of Pan’s pursuit was not told. They united, and their union was linked with the birth of Iynx or Iambe.

In one telling, Pan and Echo had Iynx as their child. In another, they had Iambe. Later Arcadian tellings named either Iynx or Iambe as the child of the union. Iynx then belonged to the story only as the child of Pan and Echo, while Iambe entered the story of Demeter at Eleusis.

Iambe became a servant to Celeus, king of Eleusis, and his wife Metaneira. Demeter came to Eleusis while she searched for Persephone. Iambe prepared kykeon for her by mixing water, barley and honey. Demeter grieved and refused the drink. Iambe then exposed her pudenda and made bawdy jokes. Demeter smiled, and she accepted the kykeon. Iambe’s part in this meeting followed the part given to Baubo in related tellings. Some tellings called Baubo the daughter of Celeus and Metaneira. Others made her a maid in their household. Those tellings changed Baubo’s identity or parentage, while Iambe remained associated with Pan and Echo.

Pan and Echo, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1The Greek MythsT1
  2. 2Ovid, MetamorphosesT1

    Quote

    Pan and Echo were said to have produced Iynx or Iambe, who later made Demeter smile at Eleusis with her coarse jokes.

    Ovid, Metamorphoses

  3. 3The Greek MythsT1

Pan gave a terrifying battle cry as the gods fought the Giants. His voice was frightful and deeply discordant. The sudden sound startled the enemy, who had not expected such a noise from the gods’ forces. The Giants fled from the battlefield, and the Olympians gained the advantage over them.

Pan’s cry belonged to the same group of frightening sounds associated with him elsewhere. Sudden and unaccountable noises in lonely places were attributed to Pan because of his alarming voice. In this battle, that voice became a weapon. Its blast disturbed the Giants and helped the Olympians overcome them.

Other accounts explain the Giants’ defeat through different sounds. One story tells how Zeus summoned the gods to war, and Dionysus, Hephaestus, the Satyrs, and the Sileni arrived riding donkeys. When the animals came near the enemy, they were terrified and brayed. The Giants had never heard such noises. They hastily fled and were defeated. A similar story assigns the deed to Triton. After hollowing out the shell trumpet he had invented, Triton carried it into battle and blew strange sounds through it. The Giants feared that the gods had brought some wild beast against them, so they took flight and fell into the power of their enemies.

Pan Frightens the Giants, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1Greek Myths & TalesT1
  2. 2Hesiod, TheogonyT1

    Quote

    Pan’s frightening cry caused the Giants to flee during the gods’ battle against them.

    Hesiod, Theogony

  3. 3War in Greek MythologyT1

The myths across MythSource where Pan features, each on that figure’s page.

The film

The Underdrawing video on Pan embeds here once it publishes.

  • Syrinx Syrinx becomes the reeds from which Pan fashions his pipes.