Atalanta in Greek tradition
Atalanta earned recognition through her courage in the hunt and her unmatched speed in footraces. She is a Greek figure raised among hunters after being exposed by her father, and she kept her virginity while carrying weapons in the wilderness. Unlike Hippomenes, who won her race through a stratagem involving golden apples, Atalanta relied on her own strength, skill, and speed in contests.
The quick answers
Who is Atalanta?
Atalanta is a Greek being associated with hunting and the chase, footracing, maidenhood and chastity, wilderness, heroic contests.Source
Source
- The Amazons: Lives and Legends of Warrior Women Across the Ancient World
- Classical Mythology a to Z
- The Greek Myths
- The Library of Greek Mythology (Oxford World's Classics)
What is Atalanta associated with?
hunting and the chase, footracing, maidenhood and chastity, wilderness, heroic contestsSource
Source
- The Amazons: Lives and Legends of Warrior Women Across the Ancient World
- Classical Mythology a to Z
- The Greek Myths
What family links are recorded for Atalanta?
Father: Iasus, Mother: Clymene, Spouse: Hippomenes, 1 child.
Atalanta’s family, at a glance
Parents above, children below, and the figure’s consorts named in between, the same family data as the fact box, laid out as a chart instead of a field list.
with Hippomenes, Melanion
The names Atalanta answers to
Atalante
Greek form of the name Atalanta
SourceThe Library of Greek Mythology (Oxford World's Classics)
Atalanta of Arcadia
The Arcadian version of Atalanta, daughter of Iasus
SourceClassical Mythology a to Z
Atalanta of Boeotia
The Boeotian version of Atalanta, daughter of Schoeneus
SourceClassical Mythology a to Z
Schoeneus's Daughter
Patronymic identifying the Boeotian Atalanta
SourceClassical Mythology a to Z
Iasus's Daughter
Patronymic identifying the Arcadian Atalanta
SourceClassical Mythology a to Z
The myths of Atalanta
3 myths, each traced to its primary text and corpus sources.
The Exposure and Raising of Atalanta
A baby’s cries rose from Mount Parthenion, also called the Parthenian Hill near Calydon. Atalanta, daughter of Iasus or Schoeneus, had been exposed there. A she-bear searching the slope for a lost cub heard her. It approached, nursed the child, kept her warm, and carried her towards its cave. One account says that Artemis sent the bear to help her. Atalanta did not fear the animal and accepted its care.
Atalanta grew among the bears and became an active, daring child. By the age of five, she had played with five litters of cubs. She climbed rocks, ran down hills, scrambled up trees, raced along the beach, and swam in the sea. She did not hibernate with the bears. As she grew, she became as strong and fleet as a wild animal. Her smooth skin marked her difference from her furry companions, but she remained at ease among them.
Hunters later found Atalanta and took her to live with them. They reared her, and she became their equal in the demanding work of the hunt. She carried weapons and remained a virgin. Once, while travelling, she was overcome by thirst. She reached Cyphanta, called on Artemis, and struck a rock with her spear. Water burst from the rock and formed a spring. Atalanta became an accomplished huntress, skilled in the arduous life of the hunters who had raised her. She did not yet accept her father, whoever he was.

In the modern world
No modern rework confirmed yet.
3 sources· checked 2026-08-18
- 1The Greek MythsT1
- 2Apollodorus, The LibraryT1
Quote
“Atalanta was exposed on Parthenion, where a she-bear nursed her until hunters found and raised her as a huntress.”
Apollodorus, The Library
- 3Monsters of Greek Mythology, Volume OneT1
Atalanta's Footrace with Hippomenes
Atalanta agreed to marry the suitor who could outrun her. She had wished to remain a huntress and virgin like Artemis, but yielded to her father’s requests that she consider marriage. Many men accepted the challenge. Atalanta defeated them, and the penalty for losing was death. Her speed seemed impossible to match.
Hippomenes entered the race despite the danger. He knew that speed alone could not defeat Atalanta, so he called on Aphrodite for help. The goddess answered and gave him three golden apples. One source places them in her sanctuary on Cyprus. Another says that they came from the garden of the Hesperides.
The race began. Hippomenes ran ahead and dropped an apple beside the course. Atalanta stopped to retrieve it, then regained her pace. He dropped a second apple, and she again left the course to pick it up before continuing. Hippomenes used the final apple in the same way. Atalanta pursued it, and the time she lost allowed him to reach the finish first.
Hippomenes won the race and took Atalanta as his bride. She had been a man-killer, but the passage states that she was not a man-hater. She accepted him as her mate. Their life together differed from a typical Greek marriage. They spent their days hunting together and became lovers. The account then begins another episode, in which they were chasing game, but the provided passage does not preserve what happened next.

In the modern world
No modern rework confirmed yet.
3 sources· checked 2026-08-18
- 1Greek Myths & TalesT1
- 2The Greek MythsT1
- 3Ovid, MetamorphosesT1
Quote
“Atalanta would marry the man who defeated her in a footrace, and Hippomenes won by dropping three golden apples that made her stop to collect them.”
Ovid, Metamorphoses
The Transformation of Atalanta and Hippomenes
Hippomenes entered the race for Atalanta’s hand, knowing that every unsuccessful suitor had paid for defeat with his life. Atalanta wished to remain a virgin and huntress like Artemis, but had agreed to marry the man who could outrun her. Many had tried and failed. Hippomenes prayed to Aphrodite for help, and the goddess gave him three golden apples from her sanctuary on Cyprus.
When the race began, Hippomenes threw the apples one by one towards the side of the course. Atalanta could not resist them. Each time, she ran to retrieve the apple before continuing the race. Her pursuit of the last apple gave Hippomenes the advantage he needed. He won the contest, and Atalanta became his bride. In time, she developed affection for him.
Their happiness led them to forget Aphrodite and fail to honour her for the help she had given. Aphrodite became angry at their ingratitude and caused them to offend Cybele. Another account says that Hippomenes was driven by lust and slept with Atalanta in a temple of Cybele, violating the sacred place.
Cybele punished the couple by taking away their human forms. She changed Atalanta into a lioness and Hippomenes into a lion. Their new forms reflected their characters. Atalanta had been a huntress who triumphed in the blood of her lovers, while Hippomenes had become her husband and master. Cybele yoked the lions to her carriage, where they appeared in representations of the goddess.

In the modern world
No modern rework confirmed yet.
3 sources· checked 2026-08-18
- 1Greek Myths & TalesT1
- 2Apollodorus, The LibraryT1
Quote
“For forgetting Aphrodite’s aid and profaning Cybele’s temple, Atalanta and Hippomenes were changed into a lioness and a lion and harnessed to the goddess’s chariot.”
Apollodorus, The Library
- 3The Greek MythsT1
Also appears in
The myths across MythSource where Atalanta features, each on that figure’s page.
- Cybele Punishes Atalanta and Hippomenes · on Cybele
- The Golden Apples of Hera · on Gaia
- Hypsipyle and Jason on Lemnos · on Hypsipyle
- Meleager and Cleopatra · on Meleager
- Meleager in the War Against the Curetes · on Meleager
- The Boar's Hide and the Thestiads · on Meleager
- The Calydonian Boar Hunt · on Meleager
5 works catalogued
This is the candidate catalogue for Atalanta: candidate reworks first, then references, then names used as atmosphere. Nothing here has been checked against a source yet. Only reviewed myth-to-work links are promoted in Overview.
Showing 5 of 5 works.
Film5
- HerculesRework
- AtalantaRework
- Atalanta: 32 Years LaterRework
- A Modern AtalantaReference
- Atalanta StrategyName only
These are catalogue candidates, not proof that every work retells this figure. Reviewed myth-to-work links appear in Overview.
What this page is built from
About this page
Written and maintained by MythSource. Last reviewed not yet recorded. How a page gets built.
5 sources are cited on this page, primary texts and corpus scholarship, listed below.
Cite this page
MythSource. (n.d.). Atalanta. https://www.mythsource.com/figures/atalanta
"Atalanta." MythSource, n.d., www.mythsource.com/figures/atalanta.
"Atalanta." MythSource. n.d. https://www.mythsource.com/figures/atalanta.
The mythology summaries and identity fields on this page are grounded in the primary texts and scholarship above. The appearance table records candidates separately; only reviewed joins are presented as modern reworks in Overview.
The film
The Underdrawing video on Atalanta embeds here once it publishes.
