Hippomenes in Greek tradition
Hippomenes entered the race for Atalanta's hand after first watching the suitors risk their lives. An oracle had warned Atalanta against marriage, so she challenged each suitor to outrun her and death was the recompense for a slower runner. Hippomenes saw her and chose to compete. He prayed to Venus, who gave him three golden apples. During the race, Atalanta stopped to retrieve each one, giving him time to win. They married, then entered Cybele's sanctuary and broke its sacred rule. Cybele changed them into lions. Venus recounts their story to Adonis as a warning about beasts that face danger rather than flee.
This Ovidian episode gives Hippomenes a place in the shared story of Atalanta and her husband. The existing Atalanta page already covers their race, marriage, and transformation, so this reference profile links to that card without creating another version of the event.
SourceThe Metamorphoses of Ovid, The Transformation of Atalanta and Hippomenes, printed pp. 370–375
The quick answers
Who is Hippomenes?
Hippomenes is a Greek hero.
The myths of Hippomenes
1 myth, with sources recorded for each.
The Transformation of Atalanta and Hippomenes
Atalanta has been warned away from marriage. She makes each suitor race her, with marriage for the winner and death for the one who loses. Hippomenes watches before volunteering. Once he sees Atalanta, his earlier judgement changes: he wants to compete and understands why others risk themselves. She hesitates over the young challenger, warns him of the danger, and admits that his courage unsettles her. But she still has the advantage of speed.
Hippomenes asks Venus for help. The goddess gives him three golden apples, and the race begins. Each time he throws one from the course, Atalanta turns aside to retrieve it. She regains ground after the first two, so the final throw must draw her farther away. The last apple lands at a slant; Venus adds weight as Atalanta lifts it, and the delay lets Hippomenes reach the finish first.
Winning does not end the story. The pair pass a sanctuary of the Mother of the Gods and enter its secluded chamber. Their conduct there profanes a sacred place. Cybele changes their smooth bodies: manes cover their necks, fingers become claws, and their shoulders take the shape of forelegs. The account leaves them as lions, bound to the goddess's chariot. Venus tells their story to Adonis as a warning about creatures that meet danger head-on rather than flee.

9 sources· checked 2026-10-01
- 1The Metamorphoses of OvidT1
- 2The Metamorphoses of OvidT1
- 3The Metamorphoses of OvidT1
- 4The Metamorphoses of OvidT1
- 5The Metamorphoses of OvidT1
- 6The Metamorphoses of OvidT1
- 7The Metamorphoses of OvidT1
- 8The Metamorphoses of OvidT1
- 9The Metamorphoses of OvidT1
Also mentioned in
Stories elsewhere on MythSource that mention Hippomenes, each on that figure’s page.
- The Transformation of Atalanta and Hippomenes · on Atalanta
- Atalanta's Footrace with Hippomenes · on Atalanta
- Cybele Punishes Atalanta and Hippomenes · on Cybele
- The Golden Apples of Hera · on Gaia
- The Death of Androgeus · on Minos
What this page is built from
About this page
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1 source is cited on this page and listed below.
Cite this page
MythSource. (n.d.). Hippomenes. https://www.mythsource.com/figures/hippomenes
"Hippomenes." MythSource, n.d., www.mythsource.com/figures/hippomenes.
"Hippomenes." MythSource. n.d. https://www.mythsource.com/figures/hippomenes.
The mythology summaries and identity fields on this page are grounded in the sources listed above. The appearance table records candidates separately; only confirmed connections are presented as modern retellings in Overview.
