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Gilgamesh, a MythSource painting
Mesopotamian

Gilgamesh

The Wild Bull · Lord of Kullab · He Who Saw the Deep

01Identity

As king of Uruk, Gilgamesh ruled with great strength and arrogance before his adventures transformed his understanding of mortality. He was made two thirds divine and one third human, and became known for heroic strength, wisdom, and the protection of his city. He travelled in search of life without end, lost the life restoring plant to a serpent, and returned to Uruk to point out its baked brick foundations and great wall as the lasting result of his labours.

Top questions
  • Who is Gilgamesh?

    Gilgamesh is a Mesopotamian hero associated with kingship, heroic strength, wisdom and knowledge, Uruk and its protection, the underworld and the dead.
    Source

    Source

    • Gilgamesh. A New Translation of the Ancient Epic (2021) [Retail]
    • THE EPIC OF GILGAMESH : an English version with an introduction
    • Babylonian Creation Myths
  • What is Gilgamesh associated with?

    kingship, heroic strength, wisdom and knowledge, Uruk and its protection, the underworld and the dead
    Source

    Source

    • Gilgamesh. A New Translation of the Ancient Epic (2021) [Retail]
    • THE EPIC OF GILGAMESH : an English version with an introduction
    • Babylonian Creation Myths
  • What family links are recorded for Gilgamesh?

    Father: Lugalbanda, Mother: Ninsun, 1 child.
  • What happens in The Gods Condemn Enkidu?

    After the Bull of Heaven and Humbaba were killed, the gods judged that one hero must die, and Enlil chose Enkidu.
    Source

    Source

    • the ancient sources
    • Gilgamesh. A New Translation of the Ancient Epic (2021) [Retail]
    • THE EPIC OF GILGAMESH : an English version with an introduction
  • What happens in Gilgamesh and Humbaba in the Cedar Forest?

    Gilgamesh and Enkidu entered the Cedar Forest with Shamash’s protection and confronted Humbaba, guardian of the trees.
    Source

    Source

    • the ancient sources
    • Gilgamesh. A New Translation of the Ancient Epic (2021) [Retail]
    • THE EPIC OF GILGAMESH : an English version with an introduction
02Family

Parents above, children below, and the figure’s consorts named in between, the same family data as the fact box, laid out as a chart instead of a field list.

LugalbandaNinsun
Gilgamesh
Ur-Nungal
03The names

Bilgamesh

Sumerian form of the name Gilgamesh

SourceTHE EPIC OF GILGAMESH : an English version with an introduction

The Wild Bull

A title emphasizing his force and heroic vitality

SourceGilgamesh. A New Translation of the Ancient Epic (2021) [Retail]

Lord of Kullab

A cult title linking Gilgamesh with the district of Kullab in Uruk

SourceTHE EPIC OF GILGAMESH : an English version with an introduction

He Who Saw the Deep

A title referring to his far-reaching experience and knowledge

SourceGilgamesh. A New Translation of the Ancient Epic (2021) [Retail]

04The myths

15 myths, each traced to its primary text and corpus sources, with 2 reviewed modern reworks linked where the evidence supports it.

Gilgamesh went abroad and defeated every man who could withstand his arms before he returned to Uruk. He stormed through the city by day and by night, proud of his strength and royal power. The men of Uruk said that he sounded the alarm for his own amusement and that his arrogance had no bounds. No son remained with his father because Gilgamesh took them all. They said that a king was a shepherd to his people.

The people also condemned Gilgamesh’s treatment of women. They said that his lust left no virgin with her lover. He claimed the bride-right and sought sex with another man’s bride on her wedding night. The complaints named a warrior’s daughter and a noble’s wife. The women prayed to their goddesses and repeated their sorrows month after month.

The men of Uruk appealed to the gods for relief. The gods of heaven heard their complaints and went to Anu, the god of Uruk. They said that Gilgamesh had been made strong as a savage bull, that no one could withstand his arms, and that he took the sons and brides of the city. Anu heard their lamentation, and the gods called on Aruru, the goddess of creation.

Gilgamesh's Tyranny in Uruk, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1Gilgamesh. A New Translation of the Ancient Epic (2021) [Retail]T1
  2. 2the ancient sourcesT1

    Quote

    The people of Uruk lamented that Gilgamesh took their sons and brides, exceeded the proper limits of kingship, and gave them no rest by day or night.

    the ancient sources

  3. 3THE EPIC OF GILGAMESH : an English version with an introductionT1

Gilgamesh returned through the gate by which he had first gone out, with Urshanabi travelling beside him. They journeyed for twenty leagues, then stopped to eat. After another thirty leagues, they halted for the night. Gilgamesh saw a well of cool water, went down to it, and bathed.

A serpent lay deep in the pool. It sensed the sweetness of the flower Gilgamesh carried, rose from the water, and seized it. The serpent sloughed its skin and slipped back into the well. Gilgamesh sat down and wept. He took Urshanabi by the hand and asked whether all his toil and suffering had brought him anything. The creature of the earth now possessed the prize. The stream had already carried the flower twenty leagues towards the channels where he had found it. He had found a sign and then lost it.

Gilgamesh continued with Urshanabi and reached Uruk again. He then directed Urshanabi to climb the city wall, walk its length, survey its foundation, and study its brickwork. The wall was made from oven-baked bricks. It marked what Gilgamesh had achieved for the city. The journey ended with Gilgamesh directing attention to Uruk and its enduring wall as the lasting work of his life.

Gilgamesh Returns to Uruk, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1THE EPIC OF GILGAMESH : an English version with an introductionT1
  2. 2the ancient sourcesT1

    Quote

    Gilgamesh came back through Uruk’s gate with Urshanabi and pointed to the city wall, its foundations, and its baked bricks as the work he had accomplished.

    the ancient sources

  3. 3Gilgamesh. A New Translation of the Ancient Epic (2021) [Retail]T1

After killing the Bull of Heaven, Gilgamesh and Enkidu returned to Uruk. They cut out the Bull’s heart and gave it to Shamash. In the palace, they washed their hands in the Euphrates, embraced, and went away. The heroes gathered in the streets, and Gilgamesh called to the singing girls. He asked who was the most glorious of heroes and the most eminent among men. They answered that Gilgamesh was both. Feasting and celebration continued in the palace, and the two heroes later lay down to sleep.

During the night, Enkidu dreamed that Anu, Enlil, Ea, and Shamash sat in council. Anu said that Gilgamesh and Enkidu had killed the Bull of Heaven and Humbaba, guardian of the cedar forest. Because of these killings, one of the two had to die. Enlil declared that Enkidu would die, while Gilgamesh would live.

Shamash objected. He asked whether the two had not killed the Bull and Humbaba at his command, and questioned why Enkidu should die. Enlil grew angry and asked why the Sun God had marched with them as a comrade in arms. The gods nevertheless chose Enkidu as the victim.

Enkidu rose and told Gilgamesh the dream, calling him his brother. He understood that death would separate them. Lying before Gilgamesh, he shed streams of tears and lamented that no one would bring him back from the dead. He would sit with the shades, cross the threshold of death, and never again see his companion. The judgement followed the deeds that had brought the two heroes together. Enkidu had refused Humbaba’s plea for mercy, broken the taboo of the gate, and insulted Ishtar. Gilgamesh had shared in the killings, but the punishment fell first on Enkidu.

The Gods Condemn Enkidu, a MythSource painting of the scene

In the modern world

Gilgamesh

Film

Enkidu's death and Gilgamesh's grief-driven confrontation with his own mortality carry over into this short film (alternate title Gilgamesh: The Death of Enkidu), building directly to his quest for immortality.

3 sources· checked 2026-08-19

  1. 1Gilgamesh. A New Translation of the Ancient Epic (2021) [Retail]T1
  2. 2the ancient sourcesT1

    Quote

    The gods decided that Enkidu should die because he and Gilgamesh had killed Humbaba and the Bull of Heaven, despite Shamash’s objection.

    the ancient sources

  3. 3THE EPIC OF GILGAMESH : an English version with an introductionT1

Gilgamesh wept for Enkidu and wandered through the wilderness. Enkidu had been his friend and younger brother. He had helped Gilgamesh kill the Bull of Heaven and overcome Humbaba in the cedar forest. After Enkidu died, Gilgamesh feared that death would also take him. He set out to find Utnapishtim the Faraway, whom the gods had taken after the deluge and granted everlasting life. They had settled him in Dilmun, in the garden of the sun.

After a long journey across wilderness and grasslands, Gilgamesh reached Utnapishtim. His cheeks were starved, his face was drawn, and his body showed the effects of heat and cold. Utnapishtim asked why he had come in such a state. Gilgamesh answered that despair filled his heart. His beloved friend had died, and wherever he placed his foot he found death. He had come to seek the life that Utnapishtim possessed.

Utnapishtim told him that no one could assemble the gods for his sake. He then offered Gilgamesh a test. Gilgamesh had to remain awake for six days and seven nights. He sat resting on his haunches, but sleep soon came over him. Utnapishtim pointed this out to his wife. She asked him to wake Gilgamesh and send him safely through the gate by which he had entered. Utnapishtim suspected that Gilgamesh would try to deceive them, so he told her to bake one loaf for each day and place it beside his head. She was also to mark the wall for every day he slept.

When Utnapishtim touched him, Gilgamesh claimed that he had hardly slept. Utnapishtim told him to count the loaves. The first was hard, the second like leather, the third soggy, the fourth mouldy, the fifth mildewed, the sixth fresh, and the seventh still over the embers. Gilgamesh understood that he had slept through the test. He asked where he could go, saying that death already inhabited his room. Utnapishtim ordered the ferryman Urshanabi to leave the harbour and described Gilgamesh as a man whose body was covered with foulness and whose former grace had been spoiled.

Gilgamesh Fails Utnapishtim's Test, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1THE EPIC OF GILGAMESH : an English version with an introductionT1
  2. 2the ancient sourcesT1

    Quote

    Utnapishtim required Gilgamesh to stay awake for six days and seven nights, but the loaves placed beside him showed that he had slept throughout the test.

    the ancient sources

  3. 3Gilgamesh. A New Translation of the Ancient Epic (2021) [Retail]T1

Gilgamesh went alone to the Temple of the Mountain, the home of Enlil, and wept for Enkidu. His ball had fallen into the underworld, and his bat had followed it. Enkidu had gone down to retrieve them, but the underworld had taken him. Gilgamesh said that Enkidu had not been taken by the God of Death, a demon, or Nergal’s merciless bailiff. Enlil did not answer. Gilgamesh went to Ur, the home of Sîn, and repeated his plea.

Before Enkidu descended, Gilgamesh warned him about the underworld. He must not wear sandals, raise his voice, kiss the wife he loved, strike the wife he hated, kiss the son he loved, or strike the son he hated. He must not carry a cudgel, since the spirits would tremble before him, or a stick, since those it struck would surround him. Enkidu ignored these instructions. He wore clean clothes, smeared himself with sweet oil, threw a stick, carried a cudgel, and wore sandals. The dead saw that he was a stranger, gathered around the scent of the oil, and the underworld took him.

Ea told the young hero Shamash, son of Ningal, that Enkidu’s spirit could return like a ghost if a hole were opened to the underworld. Shamash listened, opened a hole, and brought Enkidu’s spirit back. Gilgamesh and Enkidu embraced, kissed, and spoke. Gilgamesh asked about the laws of the underworld. Enkidu refused, saying that Gilgamesh would break down crying if he heard them. Gilgamesh replied that he would rather cry than remain ignorant.

Enkidu described the house of darkness, the home of Irkalla, which no one leaves. Its inhabitants longed for light, ate dust, and lived on clay. Wrapped like birds in feather cloaks, they saw no light. Dust covered the doors and bolts, and silence filled the house. Enkidu saw the crowns of dead kings and the high priests. He then said that his own body had become dust and was being eaten by a moth. Gilgamesh cried out and threw himself into the dust.

Gilgamesh and Enkidu's Ghost, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

2 sources· checked 2026-08-19

  1. 1Gilgamesh. A New Translation of the Ancient Epic (2021) [Retail]T1
  2. 2the ancient sourcesT1

    Quote

    Enkidu’s spirit returned through a passage opened by Shamash and told Gilgamesh that the dead lived in darkness, ate dust, and could not leave the house of Irkalla.

    the ancient sources

The gods decreed Gilgamesh’s death, and his life came to its end under their judgement. The decree was followed by an elaborate funeral, which forms the closing event in the Sumerian account of his story.

The funeral was conducted as a solemn lament. It was a ritual for the burial of the dead, with the mourning and ceremony receiving greater attention than any account of the circumstances of Gilgamesh’s death. He was laid to rest through this formal rite.

After the funeral, Gilgamesh received a new position among the dead. He was installed as a powerful judge in the land beyond life. The dead were placed under his authority, and his judgement became part of the order of that realm.

Gilgamesh was also established as a ruler among the dead. His death changed his condition without ending his authority. He passed from the world of the living into the company of the dead, where the gods appointed him to judge and govern. The Sumerian poem preserves this death and funeral as a separate part of the Gilgamesh cycle. It gives no further account of the circumstances that brought about his death.

The Death and Apotheosis of Gilgamesh, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

2 sources· checked 2026-08-19

  1. 1THE EPIC OF GILGAMESH : an English version with an introductionT1
  2. 2the ancient sourcesT1

    Quote

    After Gilgamesh’s death and funeral, the gods appointed him as a powerful judge and ruler over the dead in the land beyond life.

    the ancient sources

Enkidu stepped into the street and blocked the entrance to the wedding house. Gilgamesh had risen during the night and come to the house, where the bridal bed had been prepared for the goddess of love. The bride waited for the bridegroom. Enkidu put out his foot to prevent Gilgamesh from entering, and Gilgamesh met him at the gate.

They grappled like bulls. They seized each other, broke the doorposts, and made the walls shake. They snorted as they struggled. Gilgamesh planted his foot, bent his knee, and turned Enkidu until he threw him down. Gilgamesh’s fury then ended. Enkidu spoke to him, though the surviving passage does not preserve his words.

The men of Uruk had expected this meeting. They had said that Enkidu was bigger of bone and had been reared on the milk of wild beasts. They called him the strongest of all and rejoiced that Gilgamesh had found his match. Enkidu had once lived among wild animals, swift as a gazelle. After a woman from the city led him away, he learned to wear clothes, eat human food, herd sheep, and fight wolves and lions. He became the shepherds’ watchman before reaching Uruk.

He had heard of Gilgamesh’s conduct in the city. Gilgamesh was described as a man of great beauty, strength, and youthful dignity. His strength was complete, and he did not rest by night or day. The two men therefore met in hostility, but the contest showed each the other’s power. Once Enkidu had been thrown, Gilgamesh’s anger ended. They recognised each other as equals and became friends, remaining inseparable companions. Later, they are called brothers and comrades in arms.

Gilgamesh and Enkidu Become Friends, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1THE EPIC OF GILGAMESH : an English version with an introductionT1
  2. 2THE EPIC OF GILGAMESH : an English version with an introductionT1
  3. 3the ancient sourcesT1

    Quote

    Enkidu and Gilgamesh grappled at the wedding house, and after Gilgamesh threw him down, the two recognised each other as equals and became friends.

    the ancient sources

Gilgamesh washed his hair, cleaned his weapons, and threw off his stained clothes. He put on fresh garments, fastened his royal robes, and placed the crown on his head. Ishtar saw his beauty and invited him to become her husband. She promised him a chariot of lapis lazuli and gold, with golden wheels and copper fittings, drawn by mighty storm demons. When he entered her cedar-scented house, its threshold and throne would welcome him. Kings, lords, and nobles would bow before him and bring tribute from the mountains and plains. His ewes would bear twins, his goats triplets, and his animals would prosper.

Gilgamesh rejected her. He asked who would wash his body and clothes, provide his food, and pour beer fit for a king. He then recalled what had happened to those whom Ishtar had loved. She had loved a stallion eager for battle, but condemned it to whips, exhausting journeys, and muddy water. Its mother, Silili, was left in sorrow. She had loved a shepherd who baked bread and sacrificed a goat for her each day, but struck him and changed him into a wolf. His own shepherd boys drove him away, and his sheepdogs bit his thighs.

Gilgamesh also recalled Ishullanu, Ishtar’s father’s gardener. He brought her dates and prepared a shining table each day. When Ishtar saw his beauty, she invited him to take her fruit. Ishullanu refused. He said that he had already eaten his mother’s food and would not accept what was tainted. He also questioned whether a reed screen could protect him from frost. Ishtar struck him and changed him into a blind mole beneath the earth, whose desire remained beyond reach.

Gilgamesh asked whether he would receive the same treatment as the others she had loved. Ishtar fell into a bitter rage and went to heaven to her father Anu and her mother Antum. She complained that Gilgamesh had insulted her by recounting her shameful conduct and tainted acts. Anu replied that she had brought the rebuke upon herself, since Gilgamesh had merely described her conduct.

Gilgamesh Rejects Ishtar, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1Gilgamesh. A New Translation of the Ancient Epic (2021) [Retail]T1
  2. 2THE EPIC OF GILGAMESH : an English version with an introductionT1
  3. 3the ancient sourcesT1

    Quote

    Gilgamesh refused Ishtar’s proposal by recalling how she had mistreated and transformed the men and animals she had previously loved.

    the ancient sources

Utnapishtim revealed a secret kept by the gods. A plant grew beneath the water. It looked like a thistle, or like a rose with thorns that wounded the hands. Whoever found and plucked it would regain his life force. Gilgamesh dug a shaft down to the Apsû. He tied heavy stones to his feet, and they pulled him into the depths. He grasped the plant and plucked it, hurting his hand. He then cut the stones from his feet, and the water threw him back onto the shore.

Gilgamesh showed the plant to the boatman Urshanabi. He called it the plant of the pulsing heart and said that he would carry it to Uruk the Sheepfold. There, he would test it on an old man. The plant would restore the man’s youth, after which Gilgamesh would eat it himself. He and Urshanabi travelled back through the gate by which they had come. They went twenty leagues and broke their fast. After another thirty leagues, they stopped for the night.

Gilgamesh saw a well of cool water and went down to bathe. A serpent lay deep in the pool. It sensed the plant’s sweetness, rose from the water, and snatched the plant away. At once, it shed its skin and returned to the well. The serpent’s renewal showed what Gilgamesh had lost. His hope of recovering his life force was gone.

Gilgamesh sat down and wept. He took Urshanabi’s hand and asked whether all his toil and suffering had gained him anything. The beast of the earth now possessed the reward, while he had found a sign and lost it. The stream had carried the plant back towards the channels where he had found it. Gilgamesh abandoned the search and continued towards his city with Urshanabi.

The Plant of Life and the Serpent, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1THE EPIC OF GILGAMESH : an English version with an introductionT1
  2. 2Gilgamesh. A New Translation of the Ancient Epic (2021) [Retail]T1
  3. 3the ancient sourcesT1

    Quote

    Gilgamesh found the plant that could restore life, but a serpent seized it while he bathed and renewed itself by shedding its skin.

    the ancient sources

The gods fashioned Gilgamesh with a perfect body and gave him beauty, strength, and courage. He was two thirds god and one third human. Ninsun, the holy goddess of Uruk, nursed him as the calf of Lugalbanda. Lugalbanda was a god, a guardian of the city, and a former king of Uruk. He ruled for 1,200 years and stood in the royal line before Gilgamesh.

Gilgamesh became the fifth ruler of the first dynasty of Uruk after the Flood. He was a mighty king, known as the priest of Kullab, a part of Uruk. His power was compared with a riverbank, a shield for his soldiers, and a flood that could crush stone walls. His beauty and strength surpassed those of other men, yet his human nature remained part of him.

He built the walls of Uruk and raised a great rampart. He also built the temple of Eanna for Anu, the god of the firmament, and Ishtar, the goddess of love. Its outer wall shone like copper, and its inner wall had no equal. Gilgamesh became the king who knew the countries of the world, and his fame filled the city.

His rule was linked with great labours. He cut passes through the mountains, dug wells in the hills, and travelled towards the sunrise, crossing sea after sea. He searched in every direction for life without end and reached the distant Uta-napishti after much toil. He later returned to Uruk and engraved the story of his journey on stone. The people remembered him as Gilgamesh, lord of Kullab, the king to whom all things were known.

The Divine Birth and Kingship of Gilgamesh, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1THE EPIC OF GILGAMESH : an English version with an introductionT1
  2. 2the ancient sourcesT1

    Quote

    Gilgamesh was fashioned with a perfect body as two thirds god and one third human, ruled Uruk, built its walls and temple, and travelled widely in search of life without end.

    the ancient sources

  3. 3Gilgamesh. A New Translation of the Ancient Epic (2021) [Retail]T1

Aga of Kish moved against Uruk with an invading army. Fear spread through the city as the force approached, and the people were divided over how to respond. Gilgamesh took charge of the defence and called the elders to consider the danger.

The elders proposed submission. They advised accepting Aga’s authority rather than risking the city in war. Gilgamesh rejected their counsel. He appealed to the assembly of Uruk and argued that the city should resist. The people remained under pressure while Aga’s army advanced towards the walls.

The invaders surrounded Uruk. Gilgamesh led the men of the city out against them, and the fighting continued as the defenders held their ground. The divided population did not surrender. Uruk defeated the army of Kish, and Aga was captured or forced to withdraw, depending on how the Sumerian account is read.

The episode belongs to the poem usually called Gilgamesh and Akka, with Aga and Akka representing variant forms of the king’s name. Kish and Uruk were traditional rivals. The Sumerian King-list places Gilgamesh as the fifth ruler of Uruk’s first post-diluvian dynasty, after Kish had gained supremacy.

This is the fourth surviving Sumerian poem about Gilgamesh. The poems are separate compositions, not parts of one continuous work, though they preserve connected episodes about the hero. Sumerian versions were studied in Old Babylonian schools during the early second millennium BCE, when Sumerian was already a learned language rather than a spoken vernacular.

Gilgamesh's War with Aga, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1THE EPIC OF GILGAMESH : an English version with an introductionT1
  2. 2the ancient sourcesT1

    Quote

    When Aga of Kish attacked Uruk, Gilgamesh rejected the elders’ advice to submit and led the city’s forces to defeat the invaders.

    the ancient sources

  3. 3THE EPIC OF GILGAMESH : an English version with an introductionT1

Gilgamesh and Enkidu set out from Uruk towards the Cedar Forest. Gilgamesh wished to display his power and ambition by building great walls and temples. Enkidu knew the road and was skilled in battle, so the men of Uruk urged Gilgamesh to let him go first. Gilgamesh sought Shamash’s help and promised to build a temple in his honour. Shamash gave special protection to the expedition.

They travelled far each day. After twenty leagues they stopped to eat, then after another thirty leagues they rested for the night. In one day they covered fifty leagues. Within three days they had travelled as far as a journey of a month and two weeks. They crossed seven mountains and reached the forest gate. The gate was seventy-two cubits high and twenty-four cubits wide. Its pivot, ferrule, and jambs were perfectly made. Enkidu called on Gilgamesh to remember his boasts in Uruk and attack.

Humbaba guarded the cedars for Enlil. His howl was like a flood, his voice was fire, and his breath was death. He could hear every whisper for a thousand miles. As Gilgamesh and Enkidu entered the forest, songs and drums made for Humbaba thundered around them. A cedar cast its shadow over Gilgamesh, and terror seized him. His arms stiffened and despair struck his legs. Enkidu urged him to raise the battle cry. Gilgamesh answered that they had crossed the mountains together and must go on. Enkidu told him to forget death and pursue life.

Gilgamesh took up his axe, drew his sword, and thrust it into Humbaba’s neck. Enkidu struck the second blow. At the third blow Humbaba fell and lay still. The mountains and their ranges moved when the forest’s guardian died. Enkidu broke the cedar and uncovered the secret dwellings of the Great Ones. Gilgamesh felled the trees, and Enkidu cleared their roots as far as the banks of the Euphrates. They brought Humbaba before Enlil and Ninlil. The Annunaki, the Judges, seized him.

Gilgamesh and Humbaba in the Cedar Forest, a MythSource painting of the scene

In the modern world

Princess Mononoke

Film

A warrior enters a sacred forest and confronts its supernatural guardian over the forest's destruction, echoing Gilgamesh and Enkidu's confrontation with Humbaba, guardian of the Cedar Forest, though Miyazaki reworks the ending toward mediation rather than the guardian's death.

3 sources· checked 2026-08-19

  1. 1Gilgamesh. A New Translation of the Ancient Epic (2021) [Retail]T1
  2. 2the ancient sourcesT1

    Quote

    Gilgamesh and Enkidu killed Humbaba in the Cedar Forest, cut down its trees, and brought the guardian’s body before Enlil and Ninlil.

    the ancient sources

  3. 3THE EPIC OF GILGAMESH : an English version with an introductionT1

Ishtar went to her father, Anu, and demanded the Bull of Heaven. She said that she would use it to kill Gilgamesh in his home. If Anu refused, she threatened to destroy the houses of the underworld, open the gates to the land below, and raise the dead to eat the living. Anu replied that Uruk must first gather seven years of fodder for the Bull. Ishtar answered that this had already been done. The widows had gathered the fodder, and the farmers had grown the hay. Anu then gave her the reins, and Ishtar led the Bull down to earth.

The Bull reached the land and attacked Uruk. With its first snort it killed a hundred men, then two hundred more, and then three hundred. Its second snort brought down hundreds again. When it charged at Enkidu with its third snort, he moved aside and seized the beast. In one account, he caught it by the horns. He called to Gilgamesh and reminded him of their boast that they would leave enduring names behind them. He told Gilgamesh to drive his sword between the Bull’s neck and its horns.

Gilgamesh seized the Bull and killed it with his sword. Another account describes Enkidu sneaking behind the beast, grasping the tuft of its tail, and holding its hock while Gilgamesh thrust his sword between its neck, horns, and spine. Afterward, they cut out the Bull’s heart and gave it to Shamash, the Sun God. They stepped back and bowed before him, then sat down together.

Ishtar climbed the wall of Uruk, stamped her feet, and cried that Gilgamesh had disgraced her by killing the Bull of Heaven. Enkidu heard her. He tore off the Bull’s member and hurled it at her, saying that he would do the same to her if he could. The killing joined the two heroes in another act against a divine opponent, and it later formed part of the charge brought against them by the gods.

Gilgamesh and the Bull of Heaven, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

3 sources· checked 2026-08-19

  1. 1THE EPIC OF GILGAMESH : an English version with an introductionT1
  2. 2Gilgamesh. A New Translation of the Ancient Epic (2021) [Retail]T1
  3. 3the ancient sourcesT1

    Quote

    Ishtar released the Bull of Heaven against Uruk, and Gilgamesh and Enkidu killed it after the beast had slaughtered many of the city’s people.

    the ancient sources

Gilgamesh helped Inanna with the huluppu tree. The story did not state where the tree grew, what threatened it, or how Gilgamesh helped her. It gave no account of Inanna’s actions before or after his assistance. No other figure connected with the tree was named.

After this, Gilgamesh lost the magical pukku and mikku. The story did not say what these objects were, how he made them, or how he lost them. It gave no setting for their loss and named no one involved besides Gilgamesh. It also left the cause, immediate result, and later consequence of the loss unstated.

In another episode, Gilgamesh and Enkidu stood before the Cedar Forest. Gilgamesh took an axe and drew his sword. He struck Humbaba with the sword at the neck. Enkidu struck the second blow. After the third blow, Humbaba fell and lay deathly still. Humbaba, the guardian of the forest, died.

Gilgamesh then felled the trees of the forest, while Enkidu cleared their roots towards the banks of the Euphrates. This episode remained separate from the account of Inanna’s huluppu tree, and it gave no further details about the tree, the pukku, the mikku, or their loss.

Gilgamesh and the Huluppu Tree, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

2 sources· checked 2026-08-19

  1. 1Gilgamesh. A New Translation of the Ancient Epic (2021) [Retail]T1
  2. 2the ancient sourcesT1

    Quote

    The surviving passages connect Gilgamesh with Inanna’s huluppu tree and state that he later lost the pukku and mikku, without preserving further details.

    the ancient sources

Gilgamesh came to the gate of Siduri, the young woman who made wine. She lived in a house beside the sea, among vineyards and wine-vats. Her gate was barred with pitch and bitumen against him. He had eaten small creatures of the pastures and worn their skins during his wandering. When he reached her, he asked about the journey and begged her not to let him see the face of death, which he feared.

Gilgamesh told Siduri why he wandered. He had killed the Bull of Heaven and overthrown Humbaba in the cedar forest with Enkidu, his brother and dear companion. Enkidu had died, and Gilgamesh had wept for him for seven days and nights, until the worm fastened on the body. Because of his brother, he feared death and could not rest. He sought the life that the gods had kept for themselves.

Siduri told him that he would never find that life. When the gods created humanity, she said, they allotted death to people and kept life in their own possession. She urged him to fill his belly with good things, feast and rejoice, wear fresh clothes, bathe in water, and cherish the little child who held his hand. She then directed him towards Urshanabi, the ferryman of Utnapishtim. Urshanabi was in the woods beside the sea, with the stone objects of the boat, and was making its serpent prow.

Gilgamesh found Urshanabi and stood before him. In anger, he shattered the stone objects, then went with the ferryman to the boat. They sailed for more than a month’s journey in three days before reaching the Waters of Death. Urshanabi warned him not to touch the water and told him to use punting poles. Gilgamesh used pole after pole until the supply was exhausted. He then took off his clothes and held them up as a sail. Urshanabi brought him across to Utnapishtim, called the Faraway, who lived in Dilmun at the place where the sun passed east of the mountain. The gods had given everlasting life to Utnapishtim alone among men.

Gilgamesh Meets Siduri and Urshanabi, a MythSource painting of the scene

In the modern world

No modern rework confirmed yet.

2 sources· checked 2026-08-19

  1. 1THE EPIC OF GILGAMESH : an English version with an introductionT1
  2. 2the ancient sourcesT1

    Quote

    Siduri told Gilgamesh that the gods had assigned death to humanity, then directed him to Urshanabi, who ferried him across the Waters of Death to Utnapishtim.

    the ancient sources

Works that draw on more of the mythology than any single story: full retellings of the saga, and worlds built out of the material.

Archer and Armstrong

comics

Valiant's Archer & Armstrong #0 retells the epic's overall shape with the Anni-Padda brothers standing in for Gilgamesh and Enkidu, facing guardian monsters and a quest for an immortality-granting artefact. It reworks the mythology at large rather than one myth.

Chronicles - the custom of lamenting

music

Song of the Goat Theatre's stage production draws on Balkan lament-singing traditions to dramatise Gilgamesh's loss of Enkidu, his quest for immortality, and his eventual acceptance of mortality. It reworks multiple episodes of the epic rather than one myth.

Gilgamesh - A New Verse Translation

book

Simon Armitage's 2026 verse translation renders the complete epic, from Gilgamesh's tyranny and friendship with Enkidu through Enkidu's death and the quest for immortality. It reworks the whole epic rather than one myth.

Gilgamesh the immortal

comics

Gilgamesh's obsession with cheating death, here granted immortality by a crashed alien rather than by any ritual or divine means, launching a millennia-spanning odyssey

Gilgamesh the King

book

Silverberg's novel frames Gilgamesh's tyranny only as the opening of a first-person memoir that goes on to cover Enkidu's friendship, the killing of Humbaba, the Bull of Heaven, Enkidu's death, and Gilgamesh's own death and afterlife. It reworks the whole saga rather than one myth.

Gilgamesh, la quête de l’immortalité

book

This French edition presents Stephen Mitchell's complete verse rendering of the epic as an adventure narrative, covering the full story rather than one myth.

Gilgamesh: A New English Version

book

Stephen Mitchell's version retells the complete epic in eleven books, from Enkidu's creation and friendship with Gilgamesh through Enkidu's death to the journey to Utnapishtim and the Flood. It reworks the whole epic rather than one myth.

Gilgamesh: Romanzo

book

Gianfilippi's 1959 Italian novel retells the whole epic as historical fiction, part of a wave of full-saga novelisations rather than a single-myth retelling.

Gilgamesh: She Who Saw the Deep

film

This 2022 art film approaches the whole epic as a living text, using an all-woman Kurdish cast in the Tigris region to meditate on mortality and collective memory rather than dramatising one episode.

Ishtar and Izdubar

book

Hamilton's 1884 epic poem does stage Izdubar's rejection of Ishtar and his recital of her former lovers' ruin early on, but it expands into invented sieges, an underworld descent, and an invented deification ending. It reworks the epic's mythology at large rather than retelling one myth intact.

Sumerian Blood: Gilgamesh against the Gods

game

Gilgamesh as leader of humanity in open rebellion against the gods who created it

The Epic of Gilgamesh

film

the full arc of the epic recast as a personal 'manifesto of rebellion against the gods'

Thick as Thieves

book

No single myth is retold. Kamet recites an invented epic of Immakuk and Ennikar, legendary heroes of the book's Medean pantheon who are explicitly written to evoke Gilgamesh and Enkidu: reviewers describe their cycle as full of trials, monsters, being lost, one companion's death, and a friendship that mirrors and comments on the two lead characters' own bond.

The myths across MythSource where Gilgamesh features, each on that figure’s page.

The film

The Underdrawing video on Gilgamesh embeds here once it publishes.