Inanna in Mesopotamian tradition
Inanna descends to the Land of No Return, where Ereshkigal tricks her into removing her clothes, orders her killed, and leaves reproduction halted across the earth. Ea restores Inanna to life, but she must provide a substitute before leaving the Underworld. Tammuz and Geshtinanna consequently alternate residence there.
The quick answers
Who is Inanna?
Inanna is a Mesopotamian deity associated with love and sexuality, fertility and reproduction, war and conflict, kingship and political power, Venus and the morning and evening star.Source
Source
- The Oxford Companion to World Mythology
- Essential Visual History of World Mythology
- Dictionary of Mythology
What is Inanna the god of?
love and sexuality, fertility and reproduction, war and conflict, kingship and political power, Venus and the morning and evening starSource
Source
- The Oxford Companion to World Mythology
- Essential Visual History of World Mythology
Is Inanna in Ahat Ilī - Sister of Gods?
Yes. It is linked here to Inanna’s Descent to the Underworld.What family links are recorded for Inanna?
Father: Anu, Mother: Ningal, Spouse: Anu, 1 child, 2 siblings.What happens in Inanna’s Descent to the Underworld?
Inanna descended to the Land of No Return, where Ereshkigal tricked her into removing her clothes, ordered her killed, and left reproduction halted across the earth.Source
Source
- the ancient sources
- Babylonian mythology
Inanna’s family, at a glance
Parents above, children below, and the figure’s consorts named in between, the same family data as the fact box, laid out as a chart instead of a field list.
The names Inanna answers to
Ishtar
Akkadian name and counterpart of Inanna
SourceDictionary of Mythology
Ninanna
Lady or Queen of Heaven
SourceThe Oxford Companion to World Mythology
Ninsianna
Divine Lady of Heaven, associated with Venus
SourceThe Oxford Companion to World Mythology
Inanna of Uruk
Inanna’s principal cult form at Uruk
SourceThe Oxford Companion to World Mythology
The myths of Inanna
5 myths, each traced to its primary text and corpus sources, with 2 reviewed modern reworks linked where the evidence supports it.
Inanna and Enki: The Taking of the Me
Inanna travelled to Eridu and came before Enki. She entered the feast that Enki held there. While the feast continued, Enki gave her the divine powers called the me. The me belonged to the divine order. Inanna received them during the feast. No bargain or condition accompanied the gift. Enki did not keep the me with him after he gave them to her.
Inanna gathered the me and carried them away from Eridu. She travelled towards Uruk and intended to bring the powers into her possession there. Enki did not accept their removal. He tried to recover the me from Inanna while she travelled. The attempt did not stop her journey. Inanna continued towards Uruk and carried the me with her. She reached Uruk with the divine powers, and Enki failed to take them back. The me therefore passed from Enki at Eridu to Inanna at Uruk. Inanna remained in possession of them, and the powers came under her control in Uruk.
Also told of Ishtar in the Akkadian tradition.

In the modern world
No modern rework confirmed yet.
2 sources· checked 2026-08-19
- 1Babylonian Creation MythsT1
- 2the ancient sourcesT1
Quote
“Enki gives Inanna the me at a feast, but his attempt to reclaim them fails as she carries them to Uruk.”
the ancient sources
Inanna and An: The Claiming of Eanna
Inanna challenged An over possession of Eanna. The challenge had no stated setting. Inanna gave no recorded speech, and An gave no answer. No action followed between the challenge and its result. The dispute was not settled through a stated agreement, force, judgement, or other act. Inanna secured Eanna and its authority for herself and Uruk. No later event followed.
An, also called Anu, was the father of the gods and the sky god. He was the upper heavens and the firmament, not the air that moved over the earth. One Sumerian genealogy made him the first-born of the primeval sea. Each city had its own protecting deity, and that deity’s house stood within the city walls. These wider traditions did not add an action, speech, or settlement to Inanna’s challenge.
In one telling of Anu’s succession, Alala ruled in heaven for nine years before his son Anu deposed him. Anu was later succeeded by Kumarbi. In another telling, Babylonian divine arrangements included Anu being bound by Marduk. These were separate struggles over divine succession, not events in Inanna’s dispute. The story ended with Inanna holding Eanna and its authority for herself and Uruk.
Also told of Ishtar in the Akkadian tradition.

In the modern world
No modern rework confirmed yet.
3 sources· checked 2026-08-19
- 1THE EPIC OF GILGAMESH : an English version with an introductionT1
- 2the ancient sourcesT1
Quote
“Inanna obtains Eanna and its authority for herself and Uruk after challenging An.”
the ancient sources
- 3THE EPIC OF GILGAMESH : an English version with an introductionT1
Inanna’s Descent to the Underworld
Inanna descended to the Underworld, the Land of No Return, to visit her sister Ereshkigal. Before she left, she instructed her vizier, Ninshubar, to perform mourning rites if she did not return within three days. She also ordered him to ask the high gods to intervene on her behalf.
At the gates, Ereshkigal sent word that Inanna could enter only if she removed her clothes. Inanna followed this instruction at each stage of her passage. The demand was a trick, and it left her naked and vulnerable. When she reached Ereshkigal, the queen of the Underworld ordered her sister killed. Inanna’s body remained in the Underworld, and reproduction ceased across the earth.
Ninshubar sought help, and the god Ea, also called Enki, intervened. Ea hastily created two beings whose sole purpose was to rescue Inanna. They entered Ereshkigal’s realm and deceived her into releasing Inanna’s body. They then used the food and drink of divine immortality to restore Inanna to life. Reproduction immediately resumed across the earth.
Inanna could not leave the Underworld permanently without finding a substitute to remain there in her place. Guarded by some of Ereshkigal’s demons, she returned to the surface and searched for a replacement. She chose her mate, Tammuz, the Sumerian Dumuzi. Tammuz’s sister, Geshtinanna, tried to rescue him, but she failed. The major parties later reached an agreement that Tammuz and Geshtinanna would alternate residence in the dark depths of the Underworld.
Also told of Ishtar in the Akkadian tradition.

In the modern world
Ahat Ilī - Sister of Gods
MusicThe goddess descends to challenge the underworld ruled by her sister, restaged as a modernised, dystopian, feminist retelling.
Star Dancer
BookInanna's descent to the Netherworld to challenge its queen, her sister Ereshkigal, as the climax gathering multiple Mesopotamian god-and-goddess stories around her.
3 sources· checked 2026-08-19
- 1Babylonian mythologyT1
- 2the ancient sourcesT1
Quote
“Inanna dies in the Underworld, returns through Ea’s aid, and must provide a substitute, leading to Tammuz and Geshtinanna taking turns there.”
the ancient sources
- 3Babylonian mythologyT1
Inanna and Bilulu
The supplied passage did not tell the story of Inanna and Bilulu. It told of Ishtar and Ishullanu. Ishtar invited Ishullanu to become her lover and promised him food. Ishullanu refused her. He said that his mother had baked food and that he had already eaten. He asked why he should come to Ishtar for food that was tainted and rotten. He also mocked her protection, asking when a screen of rushes had been enough to guard against frost.
Ishtar heard his refusal and struck him. She changed him into a blind mole deep beneath the earth. His desire remained beyond his reach. The passage then referred to Ishtar’s earlier lovers and suggested that she would treat Ishullanu in the same way. Ishullanu’s transformation followed his rejection of her invitation.
After this, Ishtar became bitterly enraged. She went up to high heaven to her father Anu and her mother Antum. She told them that Gilgamesh had insulted her by recounting her shameful behaviour and corrupt acts. Anu answered that she had brought the rebuke upon herself, because Gilgamesh had spoken of her behaviour and deeds. The passage ended after Anu’s reply.
Also told of Ishtar in the Akkadian tradition.

In the modern world
No modern rework confirmed yet.
2 sources· checked 2026-08-19
- 1THE EPIC OF GILGAMESH : an English version with an introductionT1
- 2the ancient sourcesT1
Quote
“After Bilulu and her son kill Dumuzi, Inanna finds Bilulu and changes her into a skin-bag.”
the ancient sources
Inanna and Utu
No meeting took place between Inanna and Utu in the account that remained. Inanna made no request, and Utu granted no transformation. The account did not state why Inanna approached him, what experience she sought, or what change she wished to undergo. It gave no form for the requested transformation and preserved no exchange between the two siblings.
Utu appeared elsewhere as a judge of the nether regions. He turned the dark places to daylight and judged a case there. He also acted with Nanna as a judge below the earth, and the two gods issued decrees that could affect the living. These events belonged to other traditions and did not describe an encounter between Utu and Inanna.
The composition called Inanna and Utu was identified, but its story was not given. No purpose belonged to Inanna in the account that remained. No answer belonged to Utu. No transformation followed, and no consequence came after an exchange between them.
The events of the myth therefore ended before Inanna’s request, before Utu’s response, and before any change took place. Names, motives, actions, and outcomes beyond these limits could not be established.

In the modern world
No modern rework confirmed yet.
3 sources· checked 2026-08-19
- 1Gilgamesh. A New Translation of the Ancient Epic (2021) [Retail]T1
- 2the ancient sourcesT1
Quote
“The ancient sources supplied here identify Inanna and Utu but preserve no account of its events.”
the ancient sources
- 3Gilgamesh. A New Translation of the Ancient Epic (2021) [Retail]T1
Also appears in
The myths across MythSource where Inanna features, each on that figure’s page.
- Gilgamesh and the Huluppu Tree · on Gilgamesh
- Inanna Chooses Dumuzi · on Ishtar
- Inanna Claims An’s Temple · on Ishtar
- Inanna Takes the Divine Powers · on Ishtar
- Inanna’s Descent to the Underworld · on Ishtar
- Inanna’s Revenge on Bilulu · on Ishtar
- Dumuzi’s Capture and Seasonal Return · on Tammuz
- The Courtship of Inanna and Dumuzi · on Tammuz
16 works catalogued
This is the candidate catalogue for Inanna: candidate reworks first, then references, then names used as atmosphere. Nothing here has been checked against a source yet. Only reviewed myth-to-work links are promoted in Overview.
Showing 16 of 16 works.
Film7
- Anfa 8Rework
- Inanna, the Queen of HeavenRework
- Myth TrilogyRework
- Year OneRework
- Agatha and the Curse of IshtarReference
- InannaReference
- IshtarReference
Game4
- Arcade Archives: The Return of IshtarRework
- The Epic of InannaRework
- The Return of IshtarRework
- At Ishtar's GateName only
Book3
- Star DancerInanna’s Descent to the UnderworldRework
- V for VendettaRework
- The Second SexReference
Music2
- Ahat Ilī - Sister of GodsInanna’s Descent to the UnderworldRework
- Burning TimesReference
These are catalogue candidates, not proof that every work retells this figure. Reviewed myth-to-work links appear in Overview.
What this page is built from
About this page
Written and maintained by MythSource. Last reviewed not yet recorded. How a page gets built.
5 sources are cited on this page, primary texts and corpus scholarship, listed below.
Cite this page
MythSource. (n.d.). Inanna. https://www.mythsource.com/figures/inanna
"Inanna." MythSource, n.d., www.mythsource.com/figures/inanna.
"Inanna." MythSource. n.d. https://www.mythsource.com/figures/inanna.
The mythology summaries and identity fields on this page are grounded in the primary texts and scholarship above. The appearance table records candidates separately; only reviewed joins are presented as modern reworks in Overview.
The film
The Underdrawing video on Inanna embeds here once it publishes.
