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Hi'iaka, a MythSource painting
Polynesian

Hi'iaka

01Identity

When Pele's household needed someone willing to cross the islands and fetch her lover Lohiau from distant Kauai, only her young sister volunteered: Hiiaka-i-ka-poli-o-Pele, given the powers of a god so she could survive dangers no mortal could face. That divine body served her again later, when Pele herself wrapped her and Lohiau in flame and only Lohiau's body burned. She was an expert in sorcery and in the hula, arts the whole Pele family claimed as gods of generation, and after she once danced in her own sisters' place during a beach outing, the title stuck for good: every hula prayer chant since has been named under Hiiaka, even chants first composed for other gods such as Ku and Hina. Her own emblem is the lehua blossom, the flower she used to garland her dancing friends before taking their place.

  • granted the powers of a god so she could survive the journey to fetch Lohiau, and later shown to have a divine body that flame could not harm, unlike Lohiau's (Hawaiian Mythology (2021))
  • an expert in sorcery and in the hula (Hawaiian Mythology (2021))
Top questions
  • Who is Hi'iaka?

    Hi'iaka is a Polynesian deity associated with ; and supreme patroness of the hula: every hula prayer chant is named under her, even chants first composed for other gods such as Ku and Hina.
    Source

    Source

    • Hawaiian Mythology (2021)
  • What is Hi'iaka the goddess of?

    Hi'iaka is associated with ; and supreme patroness of the hula: every hula prayer chant is named under her, even chants first composed for other gods such as Ku and Hina.
    Source

    Source

    • Hawaiian Mythology (2021)
  • What family links are recorded for Hi'iaka?

    Father: Kāne, Mother: Haumea, 1 sibling.
02Family
KāneHaumea
Hi'iakaPele
03The names

Hi'iaka-i-ka-poli-o-Pele

the fuller name used for her when she alone volunteers to fetch Lohiau as Pele's messenger

SourceHawaiian Mythology (2021)

04The myths

4 myths, with sources recorded for each.

Pele had once slipped away from her own body in spirit, travelled in secret to a hula at Kauai, and won the young chief Lohiau as a husband. She left him after a few nights together with a promise that a messenger would come for him. Back among her own household at the crater, Pele called for a volunteer to fetch him, and only Hiiaka came forward. She asked for a god's own power to survive the journey and was given it, though the forty days Pele allowed for the whole errand would prove far too few.

Crossing Hawaii by the upland path, Hiiaka first had to clear it of hostile mo'o. With the war gods Kuliliaukaua and Kekakoi and three conch shell blowers at her side, she fought and beat one monster after another: the mo'o woman Panaewa, who blocked her three times over as fog, as driving rain, then as a candlenut tree, before Hiiaka trapped her and her followers in a tangle of vines; two more mo'o, Kiha and Puaaloa, caught in a flood of lava whose shapes still show there; a shark that had been seizing swimmers at Waipio, hunted down and killed; and Moolau, a mo'o chief, among them. On Molokai and Oahu she hunted down Kikipua, a mo'o who stole men from their wives and lured travellers to their deaths across a false bridge made of her own tongue, laying her own skirt down as a true bridge in its place, and greeted the standing rocks Makapuu and Malei on Oahu's shore as her own supernatural kin.

At Kauai the news was already grim: Lohiau had died of grief after the woman who came to him at the hula vanished. Two women of Honopu had stolen his body and hidden it in a cave high on the cliff at Kalalau. Hiiaka caught his spirit as it fluttered loose and destroyed the two women with a chant, then she and her companion Omao climbed the cliff and chanted for ten days while people below danced the hula in time with them. At the end of it Lohiau was alive again, and the three came down from the cliff on a rainbow and washed clean in the sea. The return journey still lay ahead, the forty days already spent, and at sea between Kauai and Oahu the shark gods Kua and Kaholeakane and the sea goddess Moananuikalehua raised a storm to keep their kinswoman from marrying a mortal.

The Journey to Fetch Lohi'au, a MythSource painting of the scene

5 sources· checked 2026-09-02

  1. 1Hawaiian Mythology (2021)T1
  2. 2Hawaiian Mythology (2021)T1
  3. 3Hawaiian Mythology (2021)T1
  4. 4Hawaiian Mythology (2021)T1
  5. 5Hawaiian Mythology (2021)T1

Hopoe was dancing hula alone beside the sea at Nanahuki, in the Puna district, the first time Hiiaka came across her. Hiiaka took to her at once and kept her as a favourite, closer than any other friend outside Pele's own family. For Hopoe's sake she planted that whole stretch of coast with lehua, red blossoms and white together, until the forest filled the district. From that planting, the flowering lehua tree became known as Hopoe's own emblem.

The friendship did not last. Pele's wrath came suddenly and without patience, and it reached Hopoe as lava, turning her into stone in the very pose she had held while dancing. For a long time afterwards the rock stood upright on that spot, balanced like a dancer caught mid step, close enough to her old shape that onlookers could still read a dancer in it. It has since fallen. Today the stone lies near Keaau, in Puna, no longer upright and no longer shaped like anyone dancing, only a rock among the district's other rocks. Her own story became one of the dance scenes drawn from the wider Hiiaka cycle in turn, one more piece the hula tradition kept for itself.

Hi'iaka and Hopoe, a MythSource painting of the scene

1 source· checked 2026-09-02

  1. 1Hawaiian Mythology (2021)T1

Two of Hiiaka's companions went ahead of her to tell Pele why the journey home was taking so long, and Pele, too furious to wait for an explanation, burned them both to death on the spot. Then, at the very edge of the crater and in full view of her own sister, Hiiaka let Lohiau embrace her, the first time she had allowed it. Pele ordered her own sisters to burn him for it; they refused, unwilling to harm someone so beautiful. She called on her fire gods next, and when they defied her too and blew the flames away, she banished them for their disloyalty to the bare lands of Hulinuu, where they took to the sea afterwards and became canoe builders in other lands.

Finally Pele closed on the two lovers herself and wrapped them both in flame. Hiiaka's body was divine and could not be burned, but Lohiau's could, and it was consumed. So Hiiaka went after his spirit a second time, digging straight down through the earth. At the first layer she passed the god of suicide; at the fourth she found the bodies of the same two friends burned earlier, and brought them back to life on her way past. She was about to break through the tenth layer when Wahine-omao stopped her, warning that it would let water in on her sister. Lohiau's spirit had already fled overseas by then, first to Kauai, where he told his friend Paoa to go to Pele, then on to Laa in Kahiki, where Kanemilohai, left there to guard the edge of the islands, caught him and restored him to life. He was listless at first, until Laa's two bird messengers, Plover and Turnstone, stirred his interest in the world again, and he and Hiiaka were reunited at last at Pele-ula's home.

Pele's Fire and the Second Restoration of Lohi'au, a MythSource painting of the scene

2 sources· checked 2026-09-02

  1. 1Hawaiian Mythology (2021)T1
  2. 2Hawaiian Mythology (2021)T1

Pele and her sisters went down to the beach one day, and there they caught sight of two of Hiiaka's friends dancing a hula unlike anything they had seen before. Pele was delighted, and asked her own sisters to dance the same way. They told her they did not know how. Hiiaka took up the challenge they had turned down, decorating her friends first with leis strung from her own famous lehua blossoms before dancing in their place herself.

That dance made her the hula's supreme patroness from then on. She was already an expert in sorcery and in the hula itself, arts that the whole Pele family, as gods of generation, claimed for their own special care. Once she held the title, every prayer chant used in a hula ceremony came to be named under Hiiaka, even chants first composed for other gods such as Ku and Hina: a chant named for a person became that person's property afterwards, the same as any other thing passed from one owner to another. Hula songs themselves were said to come only from the Pele spirits, taught to worshippers rather than composed by any mortal, and a dancer truly possessed by the goddess of the dance would not miss a step: a mistake in the dance meant the patroness had rejected the dancer.

Hi'iaka Becomes Patroness of the Hula, a MythSource painting of the scene

2 sources· checked 2026-09-02

  1. 1Handbook of Polynesian Mythology (Robert D. Craig)T1
  2. 2Hawaiian Mythology (2021)T1

Works that draw on more of the mythology than any single story: full retellings of the saga, and worlds built out of the material.

Holo Mai Pele

Television

Keeps Pele sending Hi'iaka to fetch Lohiau from Kauai as its throughline, then folds in Pele's jealous fire destroying Hi'iaka's forest and the sisters' rivalry, staged as one continuous epic that ends with the two reconciled and Hi'iaka raised to Pele's own rank.

Stories elsewhere on MythSource that mention Hi'iaka, each on that figure’s page.

05Different accounts
›One telling has Pele leave Lohiau after their third night together, another after their ninth; the record does not choose between them.

    The accounts that differ: Hawaiian Mythology (2021), Hi'Iaka Myth

    From “The Journey to Fetch Lohi'au”

    ›The two women who hid Lohiau's body are named as Honopu women only related to a woman called Kilioe, but a further noted version instead makes Kilioe herself Lohiau's sister and the one who hid the body.

      The accounts that differ: Hawaiian Mythology (2021), The Goddess Pele; Hawaiian Mythology (2021), Hawaiian Mythology

      From “The Journey to Fetch Lohi'au”

      ›One version has Lohiau restored and reunited with Hiiaka directly at Pele-ula's home; another (Rice's) instead has him sent back to Kauai by canoe.

        The accounts that differ: Hawaiian Mythology (2021), The Goddess P E L E

        From “Pele's Fire and the Second Restoration of Lohi'au”