Maui in Polynesian tradition
Taranga's youngest son was born too soon. Believing the unformed child dead, she wrapped him in her own hair and gave him to the sea, and he grew up far from his mother's house. Once grown, he tracked her down, forced her household to admit him as her own, and stood before his brothers while she named him there: Maui-tiki-tiki-a-Taranga, shaped inside her top-knot. Best, Grey and Robert Craig's handbook of Polynesian mythology all call him a demigod and a trickster, the youngest of a set of brothers who repeatedly outdoes them by cunning and shapeshifting rather than strength. His weapon of choice across tellings is a single enchanted jawbone, taken from a dead ancestor and used equally as a fishhook and a beating club. He dies still young: the one time his trickery fails outright, a companion's laugh wakes the very death-goddess he means to defeat, and she kills him before he can finish the trick that would have ended death for good.
- The youngest of Taranga's sons, born prematurely and given up for dead at birth. (Maori Religion and Mythology Part 2)
- A demigod and trickster, credited with cunning and shapeshifting rather than raw strength. (Handbook of Polynesian Mythology (Robert D. Craig))
- Mortal in the end: he is killed young, the one time a trick works against him instead of for him. (Maori Religion and Mythology Part 2)
The quick answers
Who is Maui?
Maui is a Polynesian hero.Source
Source
- The Big Book of World Mythology
- Maori Religion and Mythology Part 2
- Handbook of Polynesian Mythology (Robert D. Craig)
- Polynesian Mythology and Ancient Traditional History of the New Zealand Race
What family links are recorded for Maui?
Mother: Hina.
Maui’s family, at a glance
The names Maui answers to
Maui-potiki
Maui the younger, the name used for him as his mother's last-born son.
SourceMaori Religion and Mythology Part 2
Maui-tikitiki
a shorter form of his name, from the tikitiki, his mother's girdle, he was wrapped in as an infant.
SourceMaori Religion and Mythology Part 2
Maui-tiki-tiki-a-Taranga
his full name, given by his mother the moment she recognises him as her son; other tellings spell the ending 'o-Taranga' instead of 'a-Taranga'.
SourcePolynesian Mythology and Ancient Traditional History of the New Zealand Race
The myths of Maui
6 myths, with sources recorded for each.
Maui Snares the Sun
Days had grown too short to finish anything. The sun crossed the sky so fast that a man could barely start a task before night fell again, and the short nights left no one properly rested, so Maui decided the sun itself had to be caught and slowed. His brothers doubted a man could get near something so hot, but Maui reminded them of the things he had already managed to do, and they agreed to try. The brothers spent days plaiting flax rope, working out new ways to plait it as they went, until they had rope enough for a noose. Carrying the ropes, provisions and Maui's enchanted jawbone, the party walked only by night on the long road east, hiding themselves by day so the sun would not see them coming, and when they reached the pit the sun rose from, they built walls of clay and screens of boughs to hide behind.
Maui told his brothers to stay hidden until the sun's head and forelegs were caught fast, then haul the ropes tight from both sides while he went in close with the jawbone, and whatever the sun's screaming, they were not to let the ropes go slack out of pity. It went as planned. Beaten half senseless, the sun begged Maui to stop, admitted he could no longer keep up his old pace after such a thrashing, and agreed to cross the sky slowly from then on. Other tellings put different tools in Maui's hands: a Tahitian version has him tying ten ropes straight to the sun's own rays, with the strongest rope spun from his sister Hina's hair, and Robert Craig's telling drops the brothers and the jawbone altogether, arming Maui with a rope of his sister's hair and a club from his grandmother instead. A South Island telling skips the roping entirely and has the sun bargain over how long it takes Hina to cook a meal. In the Hawaiian telling the whole scene moves to a wiliwili tree, where Maui first has to win over a blind grandmother by stealing the bananas she is cooking before she will help him snare the sun's rays as it rises.

10 sources· checked 2026-09-02
- 1The Big Book of World MythologyT1
- 2The Big Book of World MythologyT1
- 3Polynesian Mythology and Ancient Traditional History of the New Zealand RaceT1
- 4Maori Religion and Mythology Part 2T1
- 5Polynesian MythologyT1
- 6Handbook of Polynesian Mythology (Robert D. Craig)T1
- 7Polynesian Mythology and Ancient Traditional History of the New Zealand RaceT1
- 8Maori Religion and Mythology Part 2T1
- 9Maori Religion and Mythology Part 2T1
- 10Hawaiian Mythology (2021)T1
Maui Fishes Up the Land
Maui's brothers always left him behind when they went fishing, wary of his tricks, so one day he hid himself in the bottom of their canoe and only revealed himself once they were far out to sea. His brothers had already filled the canoe after only two casts of their lines and wanted to turn back, but Maui asked for a little more time and produced a hook of his own, carved and set with mother-of-pearl and tufts of dog hair, its point cut from an ancestor's jawbone. When they would not spare him any bait, he struck his own nose until it bled and smeared the blood over the hook himself, then cast his line down into the deep, past a small carved figure on the roof of a house at the bottom of the sea and in through its doorway.
The line went taut on something enormous. Maui chanted an incantation to bring the catch up lightly, and a whole stretch of earth broke the surface on his hook, so heavy that the canoe ran aground under its weight. He told his brothers to leave the catch untouched and wait while he carried the proper offerings to the gods, but they began eating and cutting the fish up the moment he was gone, and it thrashed under the knife, tossing its head from side to side and lashing its tail and fins in fury. Best's telling names the catch outright as Aotearoa, the North Island, though he also records narrators who call it Hawaiki instead. Craig's shorter telling has the hook snag not a stretch of land at all but a great fish named Tonga, grandson of the sea god Tangaroa. Best also gives the jawbone hook two different owners depending on the version: Maui's grandfather in most of his telling, though Craig, telling the same feat, calls the very same bone his grandmother's.

10 sources· checked 2026-09-02
- 1Maori Religion and Mythology Part 2T1
- 2Maori Religion and Mythology Part 2T1
- 3Polynesian Mythology and Ancient Traditional History of the New Zealand RaceT1
- 4Polynesian Mythology and Ancient Traditional History of the New Zealand RaceT1
- 5Handbook of Polynesian Mythology (Robert D. Craig)T1
- 6Polynesian MythologyT1
- 7Maori Religion and Mythology Part 2T1
- 8Polynesian MythologyT1
- 9Maori Religion and Mythology Part 2T1
- 10Polynesian Mythology and Ancient Traditional History of the New Zealand RaceT1
Maui Steals Fire from Mahuika
Maui put out every fire in the village so that someone would have to go down to Mahuika and ask her for more. No one else dared face her, so Maui volunteered and got his parents' permission to go himself. Underground he found Mahuika and asked her for fire, and she pulled off one of her burning fingernails and gave it to him. Maui walked a little way off, put the flame out on purpose, then went back and said it had gone out by accident and asked for another. She gave him a second nail, then a third, working through all ten fingers and on into her toes, never once suspecting what he was doing until only one nail, on her last toe, was left.
When Maui asked for that last nail too, Mahuika understood she had been played for a fool. She wrenched it out and hurled it at the ground instead of handing it over, and the whole country caught fire at once. Maui turned himself into an eagle and flew for his life, but the flames kept pace with him even over water, so he called on his ancestors Tawhiri-ma-tea and Whatitiri-matakataka to send rain enough to drown the fire before it drowned him. It worked, though Mahuika saved what she could of the fire from the flood by throwing the last sparks into the trees. Best records that the littlest of her flame-children escaped that way into a tree called Hine-kaikomako, and Cook Islands and Moriori tellings agree that Maui ended up putting fire into wood and stone rather than losing it altogether, which is why it can still be rubbed out on two sticks today. One telling has Maui take the form of an owl and then a sparrow-hawk instead of an eagle as he flees, and gives Mahuika male pronouns throughout their meeting even while naming her Mahuika and having the hero introduce himself by his usual name, Maui-tikitiki-o-Taranga.

10 sources· checked 2026-09-02
- 1Polynesian MythologyT1
- 2Polynesian Mythology and Ancient Traditional History of the New Zealand RaceT1
- 3Beginnings : creation myths of the worldT1
- 4Handbook of Polynesian Mythology (Robert D. Craig)T1
- 5Maori Religion and Mythology Part 2T1
- 6Maori Religion and Mythology Part 2T1
- 7Maori Religion and Mythology Part 2T1
- 8Maori Religion and Mythology Part 2T1
- 9Beginnings : creation myths of the worldT1
- 10Maori Religion and Mythology Part 2T1
Maui's Birth and Return from the Sea
Taranga's last child came before his time, still unformed. Believing him dead, she wrapped the little body, in one telling in her own hair and in another in her girdle, and gave it to the sea; Best also records a version in which she sealed the unborn child inside the hollow stem of a length of kelp instead, closed up the opening, and dropped the stem into a deep pool before formally taking her leave of it. Who found him afterwards differs by telling too. One names the sea god Tangaroa, who nursed the drifting, seaweed-tangled child and brought him up; another names Mokomokouri, Taranga's own brother, who found him washed up in sea foam and put him in his wife's care; and Maui, telling the story of his own birth in the first person, simply describes an old man who found him wrapped in jellyfish, covered in flies and birds, and carried him home to the warmth of his fire.
Grown, Maui went looking for his mother and found her people dancing. He hid behind his brothers and followed them home, and that night, when Taranga counted her sons off one by one as she always did before bed, she found a fifth where there should only have been four and tried to send him away as no child of hers. Maui held his ground, named himself Maui-tiki-tiki-a-Taranga, and reminded her exactly where her people had once taken his body, until she admitted he was hers after all, her last-born, and called him in to sleep beside her while his older brothers looked on and muttered about the favour. The moment she knew him, Taranga told him that because of how the sea and the wind had shaped him into a person, death would have no power over mankind from then on, and afterwards his father took him to the water to be blessed.

11 sources· checked 2026-09-02
- 1Maori Religion and Mythology Part 2T1
- 2Maori Religion and Mythology Part 2T1
- 3The Big Book of World MythologyT1
- 4Maori Religion and Mythology Part 2T1
- 5Polynesian MythologyT1
- 6Maori Religion and Mythology Part 2T1
- 7Polynesian Mythology and Ancient Traditional History of the New Zealand RaceT1
- 8Polynesian MythologyT1
- 9Polynesian Mythology and Ancient Traditional History of the New Zealand RaceT1
- 10Polynesian MythologyT1
- 11Polynesian Mythology and Ancient Traditional History of the New Zealand RaceT1
Maui Turns Irawaru into the First Dog
Maui's telling of how dogs began starts with a grudge against his own brother-in-law, Irawaru. In one account the two men go fishing together and Irawaru keeps catching fish while Maui's hook, which has no barb to it, catches nothing; when Maui finally examines his brother-in-law's line he finds it barbed, and his anger curdles from there. In another account the two are walking home from a visit when Maui asks Irawaru to carry some food for the journey and Irawaru refuses, so Maui uses his powers to stretch the road out under their feet until they are both faint with hunger, having quietly kept his own food back for himself. Either way, once they reach the beach and haul up their canoe, Maui asks Irawaru to crawl underneath the outrigger and take its weight on his back. As soon as he is under it, Maui jumps on top and presses the whole weight of the canoe down on him, then tramples his body, stretches his backbone out into a tail, and turns him into the first dog anyone had ever seen.
Maui went home and told his sister Hina that her husband was waiting for her on the beach. When she got there and called his name, it was a dog that came bounding out of the bushes to her, barking and wagging its tail, and Maui's people have called their dogs to them with the same call ever since. Hina was distraught. She went back to the village weeping, took up an enchanted girdle, and threw herself into the sea to drown rather than live with what had become of her husband. Best records still other versions of the quarrel from different districts: in one, Irawaru simply ate all the bait on a fishing trip; in a South Island telling collected separately, the culprit is not Irawaru at all but a brother of Maui's who happens to share his mother's name Taranga, turned into a dog and renamed Irawaru after eating Maui's food.

11 sources· checked 2026-09-02
- 1Polynesian Mythology and Ancient Traditional History of the New Zealand RaceT1
- 2Polynesian MythologyT1
- 3Polynesian MythologyT1
- 4Polynesian Mythology and Ancient Traditional History of the New Zealand RaceT1
- 5Handbook of Polynesian Mythology (Robert D. Craig)T1
- 6Handbook of Polynesian Mythology (Robert D. Craig)T1
- 7Maori Religion and Mythology Part 2T1
- 8Handbook of Polynesian Mythology (Robert D. Craig)T1
- 9Polynesian Mythology and Ancient Traditional History of the New Zealand RaceT1
- 10Polynesian MythologyT1
- 11Maori Religion and Mythology Part 2T1
Maui's Death Inside Hine-nui-te-po
Hine-nui-te-po, the goddess of the underworld, held that people should die for good and be mourned in the earth. Maui argued instead that they should die the way the moon does, fading out only to return again as a new moon, and set out to prove his case by force. He meant to enter her body while she slept, work his way through her, and come out again through her mouth, which would kill death itself rather than him. He set off with a party of small birds as companions, and, after trying and rejecting the shape of a rat and then a reptile, chose to go in as a worm instead. He told the birds plainly what would happen if they laughed too soon: if they kept quiet until he was fully inside her and coming back out of her mouth, he would live and Hine would die; if they laughed the moment they saw him going in, she would wake and kill him at once.
They found Hine-nui-te-po asleep, and Maui went in as planned. He was barely inside her when one of the birds broke first. Grey's telling blames the water-wagtail, which Best elsewhere identifies as the fantail; Hine woke at the sound, closed her legs, and crushed him between teeth that one telling compares to a shark's, before he could reach the far end of his journey. Best also records a separate telling in which the culprit is a different bird entirely, the land-rail, present alongside Maui's own elder brothers on the same expedition. A version Robert Craig records drops the laughing bird altogether and gives a different cause outright: Mahuika, the fire goddess whose finger and toe children Maui had destroyed to win fire, taking her own revenge on him rather than any bird's mistake. Whichever the cause, the result held. Death has kept its hold on people ever since, and the saying for it blames the laugh itself: the water-wagtail's laugh at Maui-tikitiki-a-Taranga is what let Hine-nui-te-po kill him instead of the other way round.

11 sources· checked 2026-09-02
- 1Maori Religion and Mythology Part 2T1
- 2Maori Religion and Mythology Part 2T1
- 3Polynesian Mythology and Ancient Traditional History of the New Zealand RaceT1
- 4Maori Religion and Mythology Part 2T1
- 5World MythologyT1
- 6Handbook of Polynesian Mythology (Robert D. Craig)T1
- 7Maori Religion and Mythology Part 2T1
- 8Polynesian MythologyT1
- 9Maori Religion and Mythology Part 2T1
- 10Maori Religion and Mythology Part 2T1
- 11Polynesian Mythology and Ancient Traditional History of the New Zealand RaceT1
The wider mythology
Works that draw on more of the mythology than any single story: full retellings of the saga, and worlds built out of the material.
Maui (2016)
Game
Keeps Maui's world of Hawaiian gods, offerings and trials, but invents its own quest (rescuing a sister the gods have trapped) rather than retelling snaring the sun, fishing up the land, or any other single myth on file.
Maui The Shapeshifter
Game
Keeps Maui as a shapeshifting demigod hero who wields a magic fish hook and transforms into animals (a genuine trait of his myth cycle), but builds an original villain (Cemyk) and plot rather than retelling any one canonical myth on file.
Moana
Film
Maui's cast-into-the-sea origin, his hook Manaiakalani, and boasts of fishing up islands, snaring the sun and bringing fire survive as sung backstory; the film's actual plot, stealing and restoring Te Fiti's heart, is an invention.
SMITE
Game
The lore bio compresses four separate Maui feats, fishing up islands, snaring the sun, lifting the sky and bringing fire, into one hero biography rather than dramatising any single myth as a scene.
The Legends of Maui (2025)
Game
Keeps Maui as trickster hero across several of his defining feats staged as one continuous adventure: slowing the sun, fishing up islands, bringing fire to man, and confronting the goddess of death - drawn from across the myth cycle rather than retelling one single story.
Also mentioned in
Stories elsewhere on MythSource that mention Maui, each on that figure’s page.
- Mahuika and the Fire · on Mahuika
- The Pursuit and Final Battle with Namaka-o-kaha'i · on Pele
Different accounts
›The method for slowing the sun varies by island and teller. A Tahitian version ties ten ropes to the sun's own rays rather than roping it whole; a South Island telling replaces the beating with a bargain over cooking time; a Hawaiian telling moves the scene to a wiliwili tree and adds a blind grandmother Maui must win over first; and Robert Craig's telling swaps the ancestral jawbone for a rope of Maui's sister's hair and a club from his grandmother.
The accounts that differ: Maori Religion and Mythology Part 2; Hawaiian Mythology (2021), Hawaiian Mythology; Handbook of Polynesian Mythology (Robert D. Craig), Sun God
From “Maui Snares the Sun”
›Whose jawbone Maui fishes with is not settled. Best calls it his grandfather's in the versions he collected; Craig, telling the same feat, calls the identical bone his grandmother's.
The accounts that differ: Maori Religion and Mythology Part 2; Handbook of Polynesian Mythology (Robert D. Craig), M∂Ui
From “Maui Fishes Up the Land”
›What the catch becomes also differs. Best names it outright as Aotearoa, the North Island, but also records narrators who call it Hawaiki instead; Craig's telling has the hook catch a great fish named Tonga rather than land at all.
The accounts that differ: Maori Religion and Mythology Part 2; Handbook of Polynesian Mythology (Robert D. Craig), M∂Ui
From “Maui Fishes Up the Land”
›One receipt refers to Mahuika with male pronouns throughout the nail-by-nail trick, calling her 'he' and 'his elder' even while naming her Mahuika by name and having Maui give his usual name; every other approved receipt calls her a woman.
The accounts that differ: Maori Religion and Mythology Part 2
From “Maui Steals Fire from Mahuika”
›Maui escapes the fire as an eagle in the main tellings, but the same male-pronoun telling has him take the form of an owl and then a sparrow-hawk instead.
The accounts that differ: Polynesian Mythology; Handbook of Polynesian Mythology (Robert D. Craig), M∂Ui; Maori Religion and Mythology Part 2
From “Maui Steals Fire from Mahuika”
›How Taranga disposed of the dying infant differs. Most tellings have her wrap him in her own hair or her girdle before casting him into the sea; Best also records a version in which she seals him instead inside a hollow length of kelp.
The accounts that differ: Maori Religion and Mythology Part 2; The Big Book of World Mythology, How Maui Tamed the Sun
From “Maui's Birth and Return from the Sea”
›Who found and raised him afterwards also differs: Best names Taranga's brother Mokomokouri, a popular compilation names the sea god Tangaroa, and Maui's own first-person account names no one, only an old man who warmed him by his fire.
The accounts that differ: Maori Religion and Mythology Part 2; The Big Book of World Mythology, How Maui Tamed the Sun; Polynesian Mythology
From “Maui's Birth and Return from the Sea”
›What sparks Maui's rage changes by telling. In some accounts Irawaru outfishes him with a barbed hook, in others he refuses to share food on the road, and Best records still other regional versions where the offence is eating all the bait, or, in a South Island telling, a brother of Maui's confusingly also named Taranga eating his food, rather than Irawaru doing anything at all.
The accounts that differ: Polynesian Mythology; Polynesian Mythology and Ancient Traditional History of the New Zealand Race; Maori Religion and Mythology Part 2; Handbook of Polynesian Mythology (Robert D. Craig), Hina
From “Maui Turns Irawaru into the First Dog”
›Which bird's laugh wakes Hine-nui-te-po changes by telling. Grey's version blames the water-wagtail, which Best glosses elsewhere as the fantail; a separate telling Best records blames the land-rail instead, with Maui's own elder brothers present on that expedition.
The accounts that differ: Polynesian Mythology and Ancient Traditional History of the New Zealand Race; Maori Religion and Mythology Part 2
From “Maui's Death Inside Hine-nui-te-po”
›Most tellings blame a companion's laugh for waking Hine. A version Robert Craig records instead has Mahuika, the fire goddess, killing Maui in revenge for the destruction of her nail-children, with no laugh involved at all.
The accounts that differ: Maori Religion and Mythology Part 2; Handbook of Polynesian Mythology (Robert D. Craig), M∂Ui
From “Maui's Death Inside Hine-nui-te-po”
15 works catalogued
This catalogue brings together reviewed connections and candidates for Maui: reworks first, then references, then names used as atmosphere. A row is not proof by itself. Reviewed connections appear in Overview, beneath a story or under The wider mythology.
Showing 15 of 15 works.
Film7
- MoanaRework
- Moana 2Rework
- Fishing Maui Back in Time (2020)Reference
- Hoʻomalu ʻĀina Maui (2026)Reference
- Loading Sugar, Kahului, Maui, Hawaiian Islands (1907)Reference
- Maui Chant (1943)Reference
- The Waterfall Hunter: In Maui (2014)Reference
Game7
- SMITERework
- Maui (2016)Reference
- Maui Pong (2026)Reference
- Maui The ShapeshifterReference
- Maui Wowie CartReference
- Maui Wowie Smash UpReference
- The Legends of Maui (2025)Reference
Other1
- MauiReference
A catalogue row is not proof by itself. Reviewed connections appear in Overview, beneath a story or under The wider mythology.
What this page is built from
About this page
Written and maintained by MythSource. Last reviewed September 2, 2026. How a page gets built.
8 sources are cited on this page and listed below.
Cite this page
MythSource. (September 2, 2026). Maui. https://www.mythsource.com/figures/maui
"Maui." MythSource, Sep. 2, 2026, www.mythsource.com/figures/maui.
"Maui." MythSource. Last modified September 2, 2026. https://www.mythsource.com/figures/maui.
Scholarship
- The Big Book of World Mythology
- Polynesian Mythology and Ancient Traditional History of the New Zealand Race
- Maori Religion and Mythology Part 2
- Polynesian Mythology
- Handbook of Polynesian Mythology (Robert D. Craig)
- Hawaiian Mythology (2021)
- Beginnings : creation myths of the world
- World Mythology
The mythology summaries and identity fields on this page are grounded in the sources listed above. The appearance table records candidates separately; only confirmed connections are presented as modern retellings in Overview.



