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Ravana, a MythSource painting
Indian

Ravana

01Identity

Ravana burned nine of his own ten heads into a ring of sacrificial fires before Brahma appeared and stopped his hand, restoring the heads and granting him safety from gods, demons and every divine order he could name, an immunity he never thought to ask against ordinary men. He ruled Lanka from the Pushpaka, the flying palace he took by force from his half-brother Kubera, and fought with ten faces, twenty arms and a command of illusion that let him take a tiger's shape, a cloud's, or a hill's in the same battle. Shiva himself gave him his name after crushing his arms under Mount Kailasa: the howl that shook the three worlds made him Ravana. Son of the sage Vishrava and grandson of the sage Pulastya, brother to Kumbhakarna and Vibhishana, he turned his strength and his boon against gods, kings and unwilling women alike, until the woman he carried off to Lanka turned out, by a curse two lifetimes deep, to be the reason a mortal man could finally kill him.

  • Born with ten heads and twenty arms, a shape he kept for the whole of his life (The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: Uttarakāṇḍa)
  • Protected by Brahma's boon against gods, demons and every rank of divine being he named, but never against ordinary men (The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: Uttarakāṇḍa)
  • A master of illusion, able to take the shape of animals, natural features or other beings at will in battle (The Ramayana)
Top questions
02Family
Vishrava
RavanaKumbhakarṇaSurpanakhaVibhīṣaṇa

with Dhanyamālinī, Mandodarī

AkshayakumaraAtikayaIndrajit
03The names

Dasagriva

ten-necked; the name he carried before Shiva renamed him after the Kailasa episode (rendered Dashagriva in some translations)

SourceThe Ramayana

Dashanana

ten-faced; a distinct epithet for the same figure

SourceMahabharata Vol. 3 (Penguin Translated Texts)

04The myths

10 myths, with sources recorded for each.

Ravana climbed into the Himalaya and lit four fires around a bare rock, with the sun standing over him as a fifth. There he sat in penance for ten thousand years without food, and at the end of every thousand he drew his sword, cut one of his own ten heads from his neck, and fed it to the flames while he called on Shiva's name. Nine heads went into the fire this way, and Ravana did not flinch once. His brothers Kumbhakarna and Vibhishana kept their own vigils beside him through the same years, one lying on the ground eating nothing, the other fasting on a single dry leaf, but it was Ravana's own body that paid the penance its full price.

When the tenth head was in his hand and the fire waiting for it, Brahma came down among the gods to stop him. Pleased with such exertion, he told Ravana to name his wish, and Ravana, stammering with excitement, asked first for immortality outright. Brahma refused it: no creature born could live forever. So Ravana asked instead to be safe from death at the hands of gods, demons, yakshas, serpents and every other order of being he could list, sparing not a thought for the animals and men he ranked beneath his notice. Brahma granted it, then restored the nine heads Ravana had burned and gave him the power to take any shape he chose. Ravana's roar of triumph shook the Himalaya and set the sea rolling against its shores. He had won, by his own reckoning, a body no power in heaven or earth could kill, all because he had judged mankind too small to fear.

Ravana's Penance and Brahma's Boon, a MythSource painting of the scene

8 sources· checked 2026-09-02

  1. 1The RamayanaT1
  2. 2The RamayanaT1
  3. 3The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1
  4. 4The RamayanaT1
  5. 5Mahabharata Vol. 3 (Penguin Translated Texts)T1
  6. 6Ramayana UnravelledT1
  7. 7Mahabharata Vol. 3 (Penguin Translated Texts)T1
  8. 8The RamayanaT1

Flush with his conquest of Kubera, Ravana was crossing Kailasa in the Pushpaka when the craft stopped dead in the air. He found Nandi blocking the way, a guardian who told him the mountain was Shiva's own playground and forbidden to everyone. Ravana mocked the guardian's monkey-like face and pushed on toward the peak regardless, so Nandi cursed him on the spot: for the insult, monkeys as strong as Ravana himself would one day bring him down. Undeterred, Ravana reached the mountain, thrust his twenty arms under it and, boasting of his own strength before Shiva, wrenched the whole peak up by its roots, deer, trees and beasts of prey still clinging to its slopes.

Shiva only smiled and pressed the mountain back down with his big toe. The weight crushed Ravana's arms where they lay trapped beneath the rock, and his scream tore through the three worlds so loudly that gods, animals and men alike thought the world was ending. Far from angry, Shiva was delighted by the strength and daring the howl proved, and freed him, giving him a new name on the spot: Ravana, the one whose cry made the worlds reverberate. His own ministers, astonished, watched their king stand humbled but renamed, carrying out of Kailasa the very title he would answer to for the rest of his story.

Ravana Lifts Mount Kailash, a MythSource painting of the scene

7 sources· checked 2026-09-02

  1. 1The RamayanaT1
  2. 2Ramayana UnravelledT1
  3. 3Ramayana UnravelledT1
  4. 4The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1
  5. 5The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1
  6. 6The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1
  7. 7Sita: An Illustrated Retelling of the RamayanaT1

Outside the gates of Kishkindha, Ravana stopped to stare at a heap of bones, some whole and some crushed to powder. Tara warned him that these belonged to men who had tested their strength against the monkey king Vali and lost, and that not even the nectar of immortality would save him from the same death. She told him he would find Vali at the southern shore, deep in his evening prayers. Ravana sneered at the warning and flew there anyway in the Pushpaka, boasting that he would show the world how a monkey fought against Ravana of Lanka. He found Vali sitting on the sand like a golden mountain, face turned to the setting sun, and crept up on him in silence, meaning to seize him from behind before he could rise.

Vali was faster. He caught Ravana first, tucked him under one arm as if he weighed nothing, and rose into the sky before the rakshasas who rushed to help their king could follow. They could not match his speed and fell behind. Carrying Ravana the whole way, dangling from his armpit like a doll, Vali flew to the western ocean and performed his evening rites standing waist deep in the water, holding the rakshasa king against his side as if Ravana were nothing more than one of his own limbs. He did the same at the northern ocean, then the eastern, before turning at last for home and setting Ravana down in a garden outside Kishkindha.

Ravana's Humiliation by Vali, a MythSource painting of the scene

5 sources· checked 2026-09-02

  1. 1The RamayanaT1
  2. 2The RamayanaT1
  3. 3The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1
  4. 4The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1
  5. 5The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1

Hearing that the thousand-armed king Kartavirya Arjuna was the mightiest kshatriya alive, Ravana flew to his city of Mahishmati and demanded to know where he was. Arjuna's ministers refused to say and stood in his way, so Ravana's rakshasas cut them down in moments, eating many of the dead before more of Arjuna's soldiers arrived and were slaughtered in turn. Ravana then found Arjuna himself downstream on the Narmada, sporting in the river with his wives while Ravana was still setting up a golden Shivalinga on the bank to worship. Arjuna, showing off for his women, had stretched all one thousand of his arms bank to bank across the river like a dam, and Ravana's scouts came back frightened, describing a stranger with arms like tree branches holding back the whole current.

The two kings fought with maces that struck like earthquakes. Arjuna's blow should have killed anyone alive, but it shattered to dust against Ravana's chest, which Brahma's boon had made impervious to gods and demons alike. Even so, Arjuna beat him down, seized him in his thousand arms as Garuda seizes a serpent, and carried him bound into Mahishmati while the city showered its returning king with flowers. Ravana's grandfather, the sage Pulastya, heard of the capture in heaven and travelled down to plead for him, telling Arjuna that he had won fame enough already in binding a grandson before whom the sea and wind themselves stood still. Arjuna freed Ravana without condition, loaded him with gifts, and swore before a sacred fire that neither would ever attack the other again. Ravana went home to Lanka bound by that oath, with no king left anywhere who dared stand against him.

Ravana's Capture by Kartavirya Arjuna, a MythSource painting of the scene

10 sources· checked 2026-09-02

  1. 1The RamayanaT1
  2. 2The RamayanaT1
  3. 3The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1
  4. 4The RamayanaT1
  5. 5The RamayanaT1
  6. 6The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1
  7. 7The RamayanaT1
  8. 8The RamayanaT1
  9. 9The RamayanaT1
  10. 10The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1

Claiming Lanka as his birthright through their rakshasa grandfather, Ravana sent word to his half-brother Kubera, lord of wealth, demanding the island for himself. Kubera answered only with a warning, sent through a messenger, telling Ravana to give up his lawless and oppressive ways. Drunk on his own power, Ravana flew to Kailasa and attacked him there instead. Kubera met him with a weapon of fire, which Ravana doused with a weapon of his own, then the fight turned to illusion: Ravana took the shape of a tiger, a boar, a cloud, a hill, a tree, even a yaksha, hunting Kubera's soldiers through every form before vanishing outright and cutting down the invisible dead where they stood. When he showed himself again, he struck Kubera down with an iron club.

Beaten and terrified, Kubera surrendered his realm and withdrew to live on Mount Kailasa, leaving Ravana to take both Lanka and the Pushpaka, Kubera's flying palace, by force. As Kubera left, he laid a curse on the vimana he had lost: it would carry, one day, the very man who killed Ravana. Vibhishana, who had followed Kubera loyally, was made general of the combined armies of yakshas and rakshasas, and it was after this conquest that the assembled rakshasas crowned Dashagriva their king.

Ravana's Conquest of Kubera, a MythSource painting of the scene

6 sources· checked 2026-09-02

  1. 1The RamayanaT1
  2. 2Mahabharata Vol. 3 (Penguin Translated Texts)T1
  3. 3The RamayanaT1
  4. 4Ramayana UnravelledT1
  5. 5Valmiki's RamayanaT1
  6. 6The RamayanaT1

Fresh from a string of conquests, Ravana met the wandering sage Narada in the sky and was told that mortal men fooled themselves into thinking they were immortal, when the only true lord over them was Yama, god of death. Subdue Yama, Narada said, and real fame would follow. Ravana had already planned to conquer the netherworld and churn the ocean for the nectar of immortality, but Narada turned him instead toward Yama's own city, and Ravana set out at once with his counsellors, declaring he would put the tormentor of all living things to death.

Arriving in the kingdom of the dead in the Pushpaka, Ravana watched the souls of sinners reaping the fruit of their own deeds while Yama's servants tormented them, and he attacked those servants outright, forcing the souls free with a roar that echoed from all ten of his heads. The freed dead cried his name in gratitude as Yama's legions swarmed the Pushpaka in their hundreds of thousands, battering it with every weapon they carried. Only the protection of Brahma kept the flying palace aloft, and Ravana's own counsellors fought on beside him, bleeding from every limb. When Yama heard that his army had been destroyed, he called for his golden chariot and rode out with the kaaladanda, the staff of time, blazing at his side, and a burning noose in his other hand. Ravana's own ministers fainted or fled at the sight, but Ravana did not move.

Yama raised the staff to strike him down, but he could not: Brahma's boon protected Ravana from every god, and no blow could land. Yama set his weapon aside. If he could not kill the rakshasa, he said, there was no reason to fight on, and he vanished from the field with his chariot and his horses, leaving Ravana the victor. Ravana's roar of triumph shook the world. He flew home in the Pushpaka covered in his own blood, gashes torn across his arms and broken bones showing through his skin, yet he only smiled, and his ministers and commanders roared his name to the sky as the rakshasa who had conquered Death itself.

Ravana's Invasion of Yama's Realm, a MythSource painting of the scene

10 sources· checked 2026-09-02

  1. 1The RamayanaT1
  2. 2The RamayanaT1
  3. 3The RamayanaT1
  4. 4The RamayanaT1
  5. 5The RamayanaT1
  6. 6The RamayanaT1
  7. 7The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1
  8. 8The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1
  9. 9The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1
  10. 10The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1

Wandering the earth not long after his humbling on Kailasa, Ravana came upon a young ascetic named Vedavati, living alone in a forest and given entirely to austerity. Struck by her beauty, he mocked her vows as fit only for the old and asked who this Vishnu was, for whose sake she wasted her youth. She told him Vishnu was lord of the three worlds and that only a fool would ask so scornfully. Ravana descended from the Pushpaka, seized her by the hair with his own hand, a violation in itself, and forced himself on her despite her cries.

Vedavati cut off her defiled hair rather than let him keep hold of it, then kindled a fire on the spot, determined to end her life before he could do her any more harm. Rising over him, she swore that her ruin would not go unanswered: she would be born again, and that rebirth would be his death. She burned herself alive where she stood. Years later, beaten and humiliated by Rama in battle, Ravana admitted the whole story to his own rakshasas, telling them he suspected Sita was Vedavati come back to finish what her curse had promised, and that he now feared the old prophecy of a prince from the House of the Sun had meant Rama all along.

Ravana and Vedavati, a MythSource painting of the scene

6 sources· checked 2026-09-02

  1. 1Ramayana UnravelledT1
  2. 2The RamayanaT1
  3. 3The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1
  4. 4The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1
  5. 5The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1
  6. 6The RamayanaT1

After his sister Shurpanakha fled to Lanka with her nose and ears cut off and told Ravana how Rama's brother Lakshmana had maimed her, and how their own cousins Khara and Dushana had died with fourteen thousand rakshasas trying to avenge her, Ravana brooded on the insult. Shurpanakha pressed him further, telling him Rama's wife Sita was the loveliest woman alive and that whoever won her would win everything. Ravana decided the only way to destroy Rama was to take his wife where he could never find her, and he flew to the hermit Maricha to demand his help. Maricha begged him to leave Rama alone, warning that the prince was no ordinary man and that the attempt would end in Ravana's own death, but Ravana would not be turned aside. He threatened and cajoled his uncle in turn until Maricha, trembling, agreed to become a golden deer and lure Rama away from the hermitage at Panchavati.

The deer, dappled in silver and gold, wandered close to the hermitage until Sita saw it and begged Rama to catch it alive for her. Enchanted himself, Rama went after it with Lakshmana close by. Disguised now as a wandering ascetic, his head shaved and carrying an ascetic's three-poled staff, Ravana made his way to the undefended hermitage and there took Sita. As his chariot rose into the sky with her aboard, the old vulture Jatayu, who had long watched over the hermits, spread his wings across its path and fought Ravana in the air, tearing at him with beak and talon until Ravana's sword cut through one of the bird's wings and sent him tumbling to the earth below. Ravana carried Sita on to Lanka.

The Abduction of Sita, a MythSource painting of the scene

12 sources· checked 2026-09-02

  1. 1The RamayanaT1
  2. 2RamayanaT1
  3. 3Sita: An Illustrated Retelling of the RamayanaT1
  4. 4The RamayanaT1
  5. 5Ramayana UnravelledT1
  6. 6The RamayanaT1
  7. 7The RamayanaT1
  8. 8Mahabharata Vol. 3 (Penguin Translated Texts)T1
  9. 9Ramayana UnravelledT1
  10. 10Mahabharata Vol. 3 (Penguin Translated Texts)T1
  11. 11The RamayanaT1
  12. 12The RamayanaT1

As ill omens gathered over Lanka after Hanuman's fire had scorched half the city, Ravana's brother Vibhishana came again and again to warn him. Sacred fires smoked and would not catch, crows flocked in their hundreds on the palace roofs, vultures circled overhead, and horses and elephants stood off their food while jackals howled through the day as well as the night. Vibhishana told him plainly that every rakshasa in the city, men and women alike, had seen the same signs, and that there was only one way to turn them aside: give Sita back to Rama before the war destroyed them all. Ravana would not hear it. Once he simply waved the whole council from the hall and sat alone weeping into the sea below his window. When Vibhishana pressed him again the next morning in private, and again later before the full court, Ravana told him he had ruled Lanka well without any brother's help and that Sita was dearer to him than the whole world, born to be his queen.

Vibhishana warned him one last time that he was choosing carrion for the rakshasas of Lanka over his own life, and that he spoke only out of love, however harshly it came out. Ravana answered by calling him a traitor and driving him from the court. Vibhishana bowed to his older brother, walked out of the city he would never rule, and left his own wives and children behind in Lanka. He crossed to the shore where the monkey army of Rama and Sugriva had camped, announced himself from the air as Ravana's own brother, and asked for sanctuary with the very enemy his king had refused to appease.

Ravana Rejects Vibhishana's Counsel, a MythSource painting of the scene

9 sources· checked 2026-09-02

  1. 1RamayanaT1
  2. 2The RamayanaT1
  3. 3The RamayanaT1
  4. 4The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VI: YuddhakāṇḊaT1
  5. 5The RamayanaT1
  6. 6Ramayana UnravelledT1
  7. 7The RamayanaT1
  8. 8The RamayanaT1
  9. 9Ramayana UnravelledT1

By the time Indra sent down his own chariot and charioteer Matali to even the fight, Rama and Ravana had been duelling for what felt like the whole day. Rama began to get the better of him, cutting off Ravana's central head with a single arrow, only to watch another sprout in its place before the Rakshasa's scream had even died away. Ravana struck at Matali himself rather than at Rama, which only drove Rama to loose arrow after arrow until the seas themselves seemed to boil with the force of it. Still, every head he severed grew straight back, and Ravana fought on with each fresh head as if he had only just entered the battle. Through it all his mind ran on his own griefs: Surpanakha's bleeding face, Hanuman's mockery, the burning towers of Lanka, Vibhishana's desertion, his daughter-in-law Sulochana on Indrajit's funeral pyre, his brother Kumbhakarna's dismembered body, and his queen Mandodari's laments, and every memory fed his fury higher.

Then, with no warning the omens could explain, Ravana's own strength began to fail him. His aim went wide, his hands shook, and it seemed to those watching that every curse and every debt of his whole life had finally come due at once. Matali told Rama plainly that heads alone would never finish this enemy: only the Brahmastra, Brahma's own weapon, could end him. Rama called the astra into his hands, Vayu its wings and Agni its head, heavy as the mountain Meru, and with Sita's face before Rama's own eyes, he loosed it at Ravana. The weapon struck home and killed him instantly, and for the length of one thunderclap it was daylight again over the battlefield, though the sun had already set.

The Death of Ravana, a MythSource painting of the scene

8 sources· checked 2026-09-02

  1. 1The RamayanaT1
  2. 2The RamayanaT1
  3. 3The RamayanaT1
  4. 4The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VI: YuddhakāṇḊaT1
  5. 5The RamayanaT1
  6. 6Sita: An Illustrated Retelling of the RamayanaT1
  7. 7The RamayanaT1
  8. 8Valmiki's RamayanaT1

Works that draw on more of the mythology than any single story: full retellings of the saga, and worlds built out of the material.

Adipurush

Film

Retells the whole war across a single film: Lankesh's boon of invincibility against gods and demons, Shurpanakha's maiming and the push for revenge that follows it, the golden-deer ruse used to draw Rama and Lakshmana off so Sita can be taken, Vibhishana's banishment for opposing the abduction, and a final duel where Rama finds and uses a hidden weakness to kill him.

Asura: Tale of the Vanquished

Book

Retells the Ramayana from Ravana's own side across his whole life: an ambitious young leader trying to unite and lift up a broken Asura people, told against the eyes of a common man, Bhadra, rather than around one bounded old episode.

Raavan: Enemy of Aryavarta

Book

Ravana's own life is rebuilt from the ground up: born and hidden as a Naga child, a childhood spent protecting Kumbhakarna, a lost love named Vedavati whose death hardens him, a rise from smuggler to general under Kubera, marriage to Mandodari, and a siege of Mithila, ending with Sita's abduction thirteen years later.

Ramayan (1987 TV series)

Television

The whole epic runs across 78 episodes: Sita's abduction and Jatayu's death, Ravana's court and his rejection of counsel, and the final battle ending in his death, with the rakshasas given a fuller, more human treatment than the usual pure-villain portrayal.

Ramayana: The Legend of Prince Rama

Film

Runs from Rama's exile through Sita's abduction by Ravana, taken in revenge for Shurpanakha's maiming, to the alliance with Hanuman and Sugriva and the war that defeats Ravana's forces and frees Sita.

Ravana: Roar of the Demon King

Comics

His path from an ascetic's hermitage to conqueror of the world, on through the abduction of Sita, to the final battle at his island fortress of Lanka.

Siya Ke Ram

Television

The abduction of Sita, his refusal to release her despite Vibhishana's warnings, and his death to Rama's arrow, retold across the series from Sita's viewpoint.

Smite

Game

The self-sacrifice of nine of his own heads in penance for a boon of invulnerability, his conquest of Kubera's throne, his abduction of Sita, and his final call to battle against Rama.

05Different accounts
›Menon's own retelling notes that some versions have Ravana direct this penance and self-mutilation to Shiva rather than Brahma, calling both accounts true for different ages, and one passage has him invoking Shiva's name specifically as he burns each head.

    The accounts that differ: The Ramayana

    From “Ravana's Penance and Brahma's Boon”

    ›One retelling gives Ravana a different reason for lifting the mountain: not a boast of strength but a wish to keep Shiva's company, even to carry him back to Lanka. In that version Shiva's family beg Ravana to stop, the mountain crushes his back rather than only his arms, and he wins his freedom by composing a hymn of apology rather than being renamed on the spot.

      The accounts that differ: Sita: An Illustrated Retelling of the Ramayana, Book Seven: Freedom; Ramayana Unravelled; The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: Uttarakāṇḍa, C H A R A C T E R S O F T H E U T T A R A K Ā Ṇḍa

      From “Ravana Lifts Mount Kailash”

      ›The two translations disagree on who Tara is. Menon's retelling makes her Vali's wife, delivering the warning about the bone heap in person, while another verse names 'Lord Tara' as a minister of Vali instead.

        The accounts that differ: The Ramayana; The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: Uttarakāṇḍa, U T T A R A K Ā Ṇḍa

        From “Ravana's Humiliation by Vali”

        ›This telling places the origin of the name Ravana here, straight after the Kubera conquest and coronation, on the same reasoning given elsewhere for the Kailasa story: that his cry made the worlds scream.

          The accounts that differ: Mahabharata Vol. 3 (Penguin Translated Texts), Section Forty-Two

          From “Ravana's Conquest of Kubera”

          ›Menon's retelling has Ravana force himself on her after seizing her hair. Another translation and its own commentary treat the hair-seizing itself, in the Indian tradition, as the sexual violation, without describing further violence in the verse.

            The accounts that differ: The Ramayana; The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: Uttarakāṇḍa, U T T A R A K Ā Ṇḍa; The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: Uttarakāṇḍa, C H A R A C T E R S O F T H E U T T A R A K Ā Ṇḍa

            From “Ravana and Vedavati”

            ›The accounts differ on what drove the decision. One has Ravana reason it out coldly, as the only way to destroy a dangerous enemy; another has Shurpanakha herself describe Sita's beauty to him and claim she had already tried to seize her for him.

              The accounts that differ: The Ramayana; The Ramayana, CHAPTER21

              From “The Abduction of Sita”

              ›The detail of Ravana himself dying with Sita's face in mind does not hold up against the approved receipts. It is Rama who has her face before his eyes as he looses the Brahmastra; Ravana's own thoughts in the duel run on his list of grievances and losses, not on Sita.

                The accounts that differ: The Ramayana; Sita: An Illustrated Retelling of the Ramayana, Book Six: Rescue

                From “The Death of Ravana”