Indra in Indian tradition
Indra rules heaven from Mount Meru, and in one conversation in Debroy's translation of the Mahabharata he is called Shakra, Vasava and Purandara. In another telling of his war against the demon Vritra, he is Svargapati, lord of heaven, Meghavahana, rider of the clouds, and Vajri, the thunderer. He kills Vritra only by trick, with a foam neither wet nor dry and no weapon at all, since Vritra cannot be killed by anything wet, dry, made of stone or wood, or by any weapon, day or night. The killing leaves him guilty of a brahmin's death, and he shrinks small enough to hide inside a lotus stalk until the gods find him. His body still carries an older failure: a thousand eyes, granted by Brahma in place of a thousand marks of shame, after the sage Gautama caught him in Gautama's own sleeping place, disguised as Gautama himself. Indra later loses his throne to the mortal Nahusha, and is dragged captive to Lanka by Ravana's son Indrajit, freed only after Brahma buys his release with a near-unkillable boon.
- Indra rules the three worlds as king of the gods from Mount Meru, but is willing to take another god's or another man's exact shape to get what he wants. (Larousse Encyclopedia of Mythology (ed. Félix Guirand, 1959))
- His rule is not secure: guilt over killing a brahmin, a mortal usurper, and a rival prince's magic each cost him his throne or his freedom in turn. (Mahabharata: Volume 4)
- He fights with the vajra, yet wins his hardest battle with a trick instead: a weapon that is neither wet nor dry and not a weapon at all. (Mahabharata: Volume 4)
The quick answers
Who is Indra?
Indra is an Indian deity.Source
Source
- Mahabharata: Volume 4
- The Ramayana
- Larousse Encyclopedia of Mythology (ed. Félix Guirand, 1959)
What family links are recorded for Indra?
Spouse: Indrāṇī, 4 children.What happens in Indra's Capture by Indrajit?
In the war for Lanka, Ravana's son Indrajit trapped Indra in battle and dragged him captive to the city in triumph.Source
Source
- The Ramayana
- The Ramayana
Indra’s family, at a glance
The names Indra answers to
Shakra
the name used for Indra throughout Bibek Debroy's translation of the Mahabharata
SourceMahabharata: Volume 4
Vasava
a name for Indra used in the same Debroy conversation between Agastya and Indra
SourceMahabharata: Volume 4
Purandara
a name for Indra used in the same conversation, restored to him after Nahusha's fall
SourceMahabharata: Volume 4
Mahendra
a title given to Indra alongside Sakra in a comparative account of his war with Vritra
SourceLarousse Encyclopedia of Mythology (ed. Félix Guirand, 1959)
Svargapati
lord of heaven, one of three names given to Indra in that same account
SourceLarousse Encyclopedia of Mythology (ed. Félix Guirand, 1959)
Meghavahana
rider of the clouds, given to Indra in the same account
SourceLarousse Encyclopedia of Mythology (ed. Félix Guirand, 1959)
Vajri
the thunderer, given to Indra in the same account
SourceLarousse Encyclopedia of Mythology (ed. Félix Guirand, 1959)
Satakratu
a name given to Indra in Ramesh Menon's Ramayana at the moment Gautama's curse marks appeared on his body
SourceThe Ramayana
Shatakratu
a variant spelling of the same name, used for Indra in Bibek Debroy's translation of the Mahabharata
SourceMahabharata: Volume 4
the Thousand-Eyed God
a standing name for Indra; one telling ties its origin to Brahma softening Gautama's curse into a thousand eyes
SourceThe Ramayana
The myths of Indra
6 myths, with sources recorded for each, with 1 reviewed modern rework linked where the evidence supports it.
The Slaying of Vritra
Tvashtri, a Brahmin who resented Indra, made a son named Trishira strong enough to threaten his throne. Trishira had three heads: one recited the Vedas, one ate, and the third watched every direction at once. Fearing what the boy might grow into, Indra struck first, hurling his vajra at Trishira in a fury and killing him on the spot.
Tvashtri's grief turned to rage. He touched water, made offerings into the fire, and out of his own austerities shaped a new enemy, Vritra, telling him only to grow strong enough to kill Shakra. Vritra grew until he touched the sky. In the battle that followed he swallowed Indra whole, jaws closing over the king of the gods, and the terrified gods could only trick the demon into opening his mouth again, letting Indra contract his body and leap free. Humiliated, Indra fled to Vishnu for counsel, and the rishis brokered a truce: Vritra would never be killed by anything wet or dry, by stone or wood, by any weapon or the vajra, by day or by night.
Indra broke that truce by trick rather than force. Watching Vritra on the shore of the ocean at dusk, in the one hour that is neither day nor night, he saw sea foam heaped like a mountain, neither wet nor dry, and no weapon at all. Murmuring a prayer to Vishnu, who had promised to enter Indra himself, the vajra, and the earth so the trick would hold, Indra flung the foam and killed him.
The killing broke him. He had already killed Trishira, a reciter of the Vedas, and now Vritra by deceit, and the weight of a brahmin's death sent him out of his senses to the ends of the earth, hiding in water and writhing like a serpent. In Bibek Debroy's translation of the Mahabharata, the world itself went dark with him: the rivers stopped, the groves dried, and the rains failed until Indra could be found again.

8 sources· checked 2026-09-02
- 1Mahabharata: Volume 4T1
- 2Larousse Encyclopedia of Mythology (ed. Félix Guirand, 1959)T1
- 3Larousse Encyclopedia of Mythology (ed. Félix Guirand, 1959)T1
- 4Mahabharata: Volume 4T1
- 5Mahabharata: Volume 4T1
- 6Mahabharata: Volume 4T1
- 7The RamayanaT1
- 8Mahabharata: Volume 4T1
Ahalya and Gautama's Curse
Gautama's austerities were so complete that Brahma made him a wife without equal, Ahalya, and they lived together at his hermitage. Indra saw her and wanted her. One morning, while Gautama went down to the river for his bath, Indra took on the sage's shape and came to Ahalya's door. In Ramesh Menon's telling, she knew at once who stood before her despite the disguise, the thousand eyed god underneath, but she stayed anyway, flattered that a god desired her, and let him lie with her on the very floor where she slept beside her husband. In Ami Ganatra's Ramayana Unravelled, she went further, telling him afterwards that she was glad to have consented, and wanted only him gone before Gautama returned.
Gautama came back before Indra could get away, in Ganatra's telling needing only a look to understand it. What followed was the same shock in most versions. In the translation credited to Valmiki and rendered by Arshia Sattar, present twice in this pack under two titles, Gautama cried that Indra had taken his form to do a wicked thing, and at that moment the thousand eyed god's testicles fell to the ground. Egenes's translation instead had Gautama curse him only never to father a child, with no mention of the testicles. Gautama then turned on his own wife, cursing her to live on air, sleep on ashes, and stay invisible to every creature until Rama, son of Dasaratha, came to the hermitage and freed her by his presence alone.
Indra went to the gods, crying that he had ruined a good man's penance. The gods and ancestors tore the testicles from a ram and grafted them onto him, which is why, in the Many Ramayanas anthology edited by Paula Richman, the Ancestors have eaten castrated rams ever since. In Menon's fuller telling, Indra sat in penance a thousand divine years before Brahma relented and changed his thousand marks of shame into a thousand eyes, though half the guilt of every adultery in the world was left on him as the first to commit it. Ahalya waited out her curse as dust on the ground in Menon's telling, or as a black stone in the Richman anthology's account, until Rama walked through on his way to Mithila. The dust of his footsteps was enough: she rose again in her own form, restored exactly as Gautama had sworn.

12 sources· checked 2026-09-02
- 1The RamayanaT1
- 2Valmiki's RamayanaT1
- 3Many Ramayanas: The Diversity of a Narrative Tradition in South AsiaT1
- 4Ramayana UnravelledT1
- 5The RamayanaT1
- 6The RamayanaT1
- 7Many Ramayanas: The Diversity of a Narrative Tradition in South AsiaT1
- 8The RamayanaT1
- 9Many Ramayanas: The Diversity of a Narrative Tradition in South AsiaT1
- 10The RamayanaT1
- 11Many Ramayanas: The Diversity of a Narrative Tradition in South AsiaT1
- 12The RamayanaT1
Trishanku's Ascent Halted
Vishwamitra, the sage the epics also call Kaushika, set out to send King Trishanku bodily into heaven. As the assembled rishis watched, Trishanku rose from the ground and vanished into the clouds, his hands folded to his guru in rapture. Indra was not pleased. He called down that Trishanku was no deva, that the curse on him still held, and that he belonged back on the earth.
Trishanku fell, screaming for Vishwamitra to save him, and Vishwamitra raised a hand and froze him where he was, hanging between the land of humans and the land of the gods. Rather than accept Indra's verdict, Vishwamitra began building Trishanku a heaven of his own: new galaxies, the seven rishis of the firmament, the fixed star Dhruva, the Milky Way, and worlds of men to fill them. Devdutt Pattanaik's Sita records that Vishwamitra had by then gained enough power to stop Trishanku falling, but not yet enough to overpower Indra outright, and that Indra, fearing what more austerity might buy the sage, sent the apsara Menaka to distract him from it.
Indra gave way in the end. Facing a heaven built to rival his own and a sage who would not back down, he told the assembled gods and rishis that Kaushika's creation could stand forever, and that Trishanku would be a king among its devas, his power and fame immortal, just as Indra's own were. Ramesh Menon's retelling closes the standoff there: the rishis and gods went home, and Vishwamitra, spent from the effort, went west to a lake at Pushkarakshetra to recover the tapasya he had spent keeping one mortal king in the sky.

3 sources· checked 2026-09-02
- 1The RamayanaT1
- 2Sita: An Illustrated Retelling of the RamayanaT1
- 3The RamayanaT1
The Theft of Sagara's Sacrificial Horse
Travelling south to Videha with the princes of Ayodhya and the princesses of Mithila, Vishwamitra told the story of the Ganga as they went, and in Devdutt Pattanaik's Sita it begins with King Sagara's horse. Sagara had loosed the horse for his Ashwamedha, the sacrifice that let a king claim whatever land the animal crossed unchallenged as his own. Indra watched it wander and grew afraid that if it reached his own city of Amravati unopposed, Sagara would end up ruling over him instead. So Indra stole the horse himself and hid it far off, in the hermitage of a sage named Kapila, lost at the time in his own meditation.
Sagara's sons went out to find the missing horse, and when they finally traced it to Kapila's hermitage, they found only the animal and a silent sage beside it, and accused him outright of the theft. Kapila had done nothing wrong. He was lost in his tapasya until that moment, and it was their accusation that broke his stillness and brought his eyes open. When they did open, flame poured out of them, all the tapa he had built through his meditation, and it caught every one of Sagara's sons where they stood, burning them down to a single heap of ash. Sagara asked whether his sons could ever live again. They could, Kapila told him, on one condition: that Sagara carry their ashes to the Ganga and let the river take them.

1 source· checked 2026-09-02
- 1Sita: An Illustrated Retelling of the RamayanaT1
Nahusha Seizes Indra's Throne
After the killing of Vritra left Indra sick with the guilt of a brahmin's death and hiding from the world, heaven stood without a king. The gods and rishis turned to the mortal Nahusha and asked him to rule in their place. Nahusha refused at first, protesting that he lacked the strength, so the gods poured their own power into him until he did. He grew arrogant with it. His gaze alone could drain the strength from anyone he looked at, and he made the very sages who had helped raise him up draw and carry him wherever he wished to go.
Nahusha wanted Shachi, Indra's wife, next, and when the gods told him to leave another god's wife alone, he silenced them by pointing out that Indra had once forced himself on the sage Gautama's wife Ahalya while her husband still lived, and had never been called to account for it. Meanwhile Agni searched every water and every lake until he found the missing Indra shrunk small inside a lotus stalk, and reported back to Brihaspati; the gods and rishis praised his old victories there, over Vritra, over the demon Namuchi with that same trick of a foam neither wet nor dry, over Shambara and Bala, until he was drawn back into the world. Indra, still too weak to fight Nahusha by force, sent Shachi instead with a message crafted for her to speak alone: that she would happily submit to him if he came to her on a vehicle borne by the rishis themselves.
The sages who now carried him everywhere were exhausted by it, and one day, as they bore him along, they asked whether certain mantras, the ones chanted over cattle at a sprinkling rite, were accurate as they had learned them. Confounded by his own arrogance, Nahusha answered wrongly, and when the sages told him he was ignoring dharma, he lost his temper in the middle of the argument and drove his foot into the head of the sage Agastya, one of the very men carrying him. Agastya cursed him on the spot, and Nahusha fell from heaven to earth, his body changing into that of a serpent.
Bibek Debroy's translation of the Mahabharata closes the episode with Indra restored: reunited with Indrani, mounted again on his elephant Airavata, and praised by the gods, gandharvas and apsaras who had waited out his absence.

9 sources· checked 2026-09-02
- 1Mahabharata: Volume 4T1
- 2Mahabharata: Volume 4T1
- 3Mahabharata: Volume 4T1
- 4Mahabharata: Volume 4T1
- 5Mahabharata: Volume 4T1
- 6Mahabharata: Volume 4T1
- 7Mahabharata: Volume 4T1
- 8Mahabharata: Volume 4T1
- 9Mahabharata: Volume 4T1
Indra's Capture by Indrajit
Ravana himself rode into the battle against the Devas, and for the first time ever he was driven back, matched and beaten by the Adityas and Vasus without much effort on their part. Indra, on the other side of the field, drove into the rakshasa army until the two sides met after a hundred bloody yojanas, and Indra fought with such ferocity that Ravana himself was forced to retreat. The rakshasas cried out that they were undone.
Indrajit, Ravana's son, watched his proud father shamed and could not bear it. He flew into the battle invisible, cloaked in a power Shiva had granted him, and Indra could see nothing of his attacker but a storm of arrows. They smashed his chariot to pieces and wounded his charioteer Matali. Indra fled the field, remounted his white elephant Airavata, and returned to the fight, but Indrajit's coiling weapon caught him and held him fast. Indrajit called across the field to his father: the war was won, Indra was his captive, and the three worlds were theirs to rule. Ravana rode to his son and embraced him as the saviour of their race, and Indrajit carried his captive home to Lanka to a hero's welcome.
Brahma came to broker Indra's freedom, telling Indrajit he must not carry the sin of holding heaven's king prisoner, and offering whatever price he named. Indrajit asked first for immortality. Brahma refused him that, since even he himself would die one day, but granted a second wish instead: that whenever Indrajit worshipped Agni before going into battle, a chariot of fire would answer, and while he sat in it no one could kill him, though skipping the rite would leave him open to any warrior able to do it. Indrajit spoke the mantra that had bound Indra, the coils fell away, and the king of the Devas went free, humiliated by a capture he never lived down. Later in the same war, when Indrajit rode out against Rama behind that same cloak of invisibility, he taunted the monkeys defending Rama with exactly that memory, in Ramesh Menon's telling of the battle and in Linda Egenes's translation alike: he had beaten Indra himself once, so what hope did they have?

In the modern world
Sati Sulochana (Indrajeet) (1961)
FilmMeghnad defeats Indra in battle and drags him captive to Ravana's feet at Lanka, earning the name Indrajit ("conqueror of Indra") - kept as the film's inciting episode before it turns to Sulochana's devotion.
4 sources· checked 2026-09-02
- 1The RamayanaT1
- 2The RamayanaT1
- 3The RamayanaT1
- 4The RamayanaT1
The wider mythology
Works that draw on more of the mythology than any single story: full retellings of the saga, and worlds built out of the material.
The Fullmoon Tradition: Indra (1981)
Film
Indra survives only as the ancestral deity behind the protagonist Shudra's bloodline; the plot (a journey to a "Moon Gate" to purify the world Purusha) is an original science-fiction saga built from borrowed Hindu cosmological names (Indra, Purusha, Shudra), not a retelling of any single myth of Indra's own.
Also mentioned in
Stories elsewhere on MythSource that mention Indra, each on that figure’s page.
- Ahalya, Indra and the Curse of Gautama · on Ahalya
- The Ascent to Indra's Heaven and the War on the Nivatakavachas · on Arjuna
- The Burning of the Khandava Forest · on Arjuna
- The Duel with Bhagadatta and the Elephant Supratika · on Arjuna
- The Penance on Mount Indrakila and the Winning of the Pashupata · on Arjuna
- Urvashi's Curse and the Year as Brihannala · on Arjuna
- Astika Stops the Snake Sacrifice · on Astika
- The Slaying of Draupadi's Sons and Her Reckoning with Ashwatthama · on Draupadi
- Bringing Rama and Sugriva Together · on Hanuman
- The Leap at the Sun · on Hanuman
- The Leap to Lanka · on Hanuman
- Harishchandra's Conquest and Royal Sacrifice · on Harishchandra
- Karna Gives His Armour and Earrings to Indra · on Karna
- Karna Spends the Shakti on Ghatotkacha · on Karna
- The Lifting of Govardhana · on Krishna
- Nala and Damayanti Choose Each Other · on Nala
- The Duel with Ravana and His Death · on Rama
- The Death of Ravana · on Ravana
- The Birth and Beheading of Ganesha · on Shiva
- Sita Insists on Following Rama into Exile · on Sita
- Urvashi and Pururavas · on Urvashi
- Urvashi's Proposal to Arjuna and Her Curse · on Urvashi
- Ushinara Protects a Dove · on Ushinara
- Utanka Retrieves His Teacher’s Earrings · on Utanka
- Vibhishana Is Crowned King of Lanka · on Vibhishana
Different accounts
›Most tellings have Gautama curse Indra with the loss of his testicles on the spot, later softened by Brahma into a thousand eyes. Linda Egenes's translation instead has Gautama curse him simply never to father a child, with no mention of the testicles in this exchange.
The accounts that differ: The Ramayana, abridged translation by Arshia Sattar, Chapter Nine; The Ramayana; The Ramayana, CHAPTER4
From “Ahalya and Gautama's Curse”
›The tellings differ on how willing Ahalya was. Ramesh Menon's and Ami Ganatra's versions have her recognise Indra and stay regardless, flattered, or in Ganatra's own words glad to have consented. The Many Ramayanas anthology's account of the approach itself lingers instead on Indra's own scheming desire, without showing her response before the passage breaks off.
The accounts that differ: The Ramayana; Ramayana Unravelled; Many Ramayanas: The Diversity of a Narrative Tradition in South Asia, TwoThree Hundred Ramayanas: Five Examples and Three Thoughts on Translation
From “Ahalya and Gautama's Curse”
›The curse takes different physical forms across the tellings. The translation credited to Valmiki and rendered by Arshia Sattar has Ahalya remain a living, invisible penitent who sleeps on ashes and eats only air. Ramesh Menon's retelling instead turns her bodily into dust on the ground. A separate passage within the Many Ramayanas anthology turns her into a black stone, restored to life only when the dust from Rama's feet touches the rock.
The accounts that differ: The Ramayana, abridged translation by Arshia Sattar, Chapter Nine; Valmiki's Ramayana; The Ramayana; Many Ramayanas: The Diversity of a Narrative Tradition in South Asia, TwoThree Hundred Ramayanas: Five Examples and Three Thoughts on Translation
From “Ahalya and Gautama's Curse”
›The same speech that welcomes Indra back from hiding credits him with killing not only Vritra but also the demon Namuchi, using that identical trick of a weapon neither wet nor dry. This suggests more than one telling of the foam trick circulated, though only Vritra's death appears in this pack as a full story with a beginning and an end.
The accounts that differ: Mahabharata: Volume 4, Section Forty-Nine
From “Nahusha Seizes Indra's Throne”
17 works catalogued
This catalogue brings together reviewed connections and candidates for Indra: reworks first, then references, then names used as atmosphere. A row is not proof by itself. Reviewed connections appear in Overview, beneath a story or under The wider mythology.
Showing 17 of 17 works.
Film4
- Sati Sulochana (Indrajeet) (1961)Indra's Capture by IndrajitRework
- INDRA's Net (2009)Reference
- The Fullmoon Tradition: Indra (1981)Reference
- Uncharted: Eye of Indra (2009)Reference
Television1
- Uncharted: Eye of Indra (2009)Reference
Game1
- Indra no Hikari (1987)Reference
Other11
- Brahma, Indra and Shiva conversing with BrahmanaReference
- Figure of Indra, god of rain, storms, and warReference
- Images in Rocks: Indra and Indrani on AiravataReference
- Indra fighting with MahisasuraReference
- Indra praying to KrishnaReference
- Indra receiving Yamaraja at the door of a palaceReference
- Indra seated on throneReference
- Indra with Raja HarishchandraReference
- Krishna and Indra on Mount GovardhanaReference
- Relief depicting the Buddha’s descent from the Heaven of the Thirty-three godsReference
- Vritrasura challenging IndraReference
A catalogue row is not proof by itself. Reviewed connections appear in Overview, beneath a story or under The wider mythology.
What this page is built from
About this page
Written and maintained by MythSource. Last reviewed September 2, 2026. How a page gets built.
7 sources are cited on this page and listed below.
Cite this page
MythSource. (September 2, 2026). Indra. https://www.mythsource.com/figures/indra
"Indra." MythSource, Sep. 2, 2026, www.mythsource.com/figures/indra.
"Indra." MythSource. Last modified September 2, 2026. https://www.mythsource.com/figures/indra.
Source details
- The Ramayana. Traditionally attributed to Valmiki; abridged and translated by Arshia Sattar. Penguin abridged English translation; ebook edition identifier under review.
The mythology summaries and identity fields on this page are grounded in the sources listed above. The appearance table records candidates separately; only confirmed connections are presented as modern retellings in Overview.

