Rama in Indian tradition
Rama's naming took place on the eleventh day after his birth, at an hour marked by five planets in exaltation and the nakshatra Punarvasu rising. He was Kausalya's son, the eldest of four brothers born after King Dasharatha's fire sacrifice yielded a bowl of payasa shared between his three queens, and Goldman's introduction to the Uttarakanda describes each brother as carrying a portion of Vishnu's own power in proportion to what his mother drank. Addressed by the epithet Raghava, after his family's descent from King Raghu, Rama strung and broke the bow of Shiva at Janaka's court to win Sita in marriage, then gave up the throne he was due to inherit for fourteen years in the forest at his stepmother Kaikeyi's demand. He killed Ravana with the brahmastra after a night of matched weapons in a borrowed chariot, and was crowned king of Ayodhya on his return. One retelling calls him maryada purushottam, the supreme upholder of rules, then turns the title over as a question rather than settled praise: whose rules, and at what cost.
- Regarded as an embodiment of Vishnu, born as the eldest of four brothers who each carried a share of the god's own power from the same sacrificial payasa (The Ramayana)
The quick answers
Who is Rama?
Rama is an Indian deity associated with Prince and later king of Ayodhya, of the Raghu and Ikshvaku royal line, as well as An archer able to wield weapons no other suitor or warrior in the story could use, including Shiva's bow and the brahmastra.Source
Source
- Ramayana
- The Ramayana
- Mahabharata Vol. 3 (Penguin Translated Texts)
- Sita: An Illustrated Retelling of the Ramayana
What is Rama the god of?
Rama is associated with Prince and later king of Ayodhya, of the Raghu and Ikshvaku royal line, as well as An archer able to wield weapons no other suitor or warrior in the story could use, including Shiva's bow and the brahmastra.Source
Source
- Ramayana
- The Ramayana
Is Rama in Sri Rama Rajyam?
Yes. It is linked here to The Banishment of Sita.What family links are recorded for Rama?
Father: Dasharatha, Mother: Kauśalyā, Spouse: Sita, 2 children, 4 siblings.What happens in The Banishment of Sita?
Hearing that his subjects gossiped about Sita's time in Ravana's house, Rama sent her away to protect the throne from suspicion.Source
Source
- Ramayana
- The Ramayana
- The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: Uttarakāṇḍa
- Ramayana Unravelled
- The Ramayana
Rama’s family, at a glance
The names Rama answers to
Raghava
of the Raghu lineage, an epithet used for Rama
SourceMahabharata Vol. 3 (Penguin Translated Texts)
Maryada Purushottam
the supreme upholder of rules, an epithet one book weighs rather than simply praises
SourceSita: An Illustrated Retelling of the Ramayana
The myths of Rama
9 myths, with sources recorded for each, with 1 reviewed modern rework linked where the evidence supports it.
The Birth of Rama
Childless after years on the throne, King Dasharatha performed a putrakameshti sacrifice at Ayodhya to win an heir, and a huge red being rose from the fire itself carrying a bowl of payasa. It told Dasharatha to divide the bowl among his three queens, Kausalya, Kaikeyi and Sumitra, and within a day all three were pregnant. Under stars read as the most auspicious in ages, with five planets in exaltation and the nakshatra Punarvasu rising, Kausalya gave birth first. She felt no pain, only the calm of a still lake, and the child born to her did not cry.
The moon moved on, and Kaikeyi's son Bharata followed, then Sumitra's twins Lakshmana and Shatrughna after a further twenty hours, each born from a share of the same bowl of payasa. Goldman's introduction to the Uttarakanda describes the four brothers as each carrying a portion of Vishnu's own power, in proportion to what their mothers drank. Ayodhya kept festival for days: drums sounded, dancers and singers filled the streets, and Dasharatha gave out jewels, silver and cattle to the crowds. On the eleventh day the sage Vasishtha performed the naming rite and called Kausalya's son, the eldest of the four and his father's favourite, Rama, upholder of dharma from that hour on; Bharata, Lakshmana and Shatrughna were named beside him.

7 sources· checked 2026-09-02
- 1The RamayanaT1
- 2RamayanaT1
- 3Sita: An Illustrated Retelling of the RamayanaT1
- 4The RamayanaT1
- 5The RamayanaT1
- 6The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1
- 7Valmiki's RamayanaT1
The Breaking of Shiva's Bow
At Janaka's court in Mithila, the sage Viswamitra brought his young student forward to the casket holding the bow of Shiva. Janaka feared the prince might fail: he had already set his heart on giving his daughter Sita to Rama alone, and no one else. Viswamitra pressed the king regardless, and Rama himself asked, in a clear voice, whether he might try to lift and string it. The crowd rose to its feet, sensing something great about to happen, and king and sage answered together: he might.
Before he touched the shaft, Rama asked Janaka's leave a second time and paused to invoke his ancestors, his parents and his teachers. He lifted the bow from its casket as easily as a weapon he carried on his back every day, surprised at how light it felt in his hands. He set its lower end against his right toe, stretched the string with his right hand and bent the shaft with his left, working the loose end of the string toward the free end of the shaft. Sita watched in dread, since the rule of the contest let her marry only the man who could complete that stringing; for a moment Rama's concentration wavered as his eyes met hers, then steadied again. The bow's shaft detonated in a crack of thunder, and the ground shook so hard that onlookers fell where they stood.

2 sources· checked 2026-09-02
- 1The RamayanaT1
- 2Sita: An Illustrated Retelling of the RamayanaT1
The Exile at Kaikeyi's Demand
News of Rama's coronation reached Kaikeyi's hunchback maid Manthara, who hurried to turn the queen against it. She warned Kaikeyi that once Rama held the kingdom, her own son Bharata would be finished, and reminded her of two boons Dasharatha had promised years before, when Kaikeyi nursed him back from a battle wound in the war between the gods and the asuras. Kaikeyi took the bait. She tore off her jewels, loosened her hair and lay down in the palace's chamber of anger, refusing to speak until Dasharatha came to her in alarm.
When the king begged to know what troubled her, Kaikeyi invoked the sun, the moon, the planets and every god as witness to his old promise, then named her price: the coronation prepared for Rama was to crown Bharata instead, and Rama was to live as a hermit in the Dandaka forest for fourteen years. Dasharatha begged her to reconsider, calling her heartless and pleading that he would rather give up his own life, his other queens or his throne than his son, but as a scion of the Raghu line he could not break a sworn word. Rama, sent for and told the news, accepted it without protest and made ready to leave for the forest the next day.

9 sources· checked 2026-09-02
- 1The RamayanaT1
- 2Sita: An Illustrated Retelling of the RamayanaT1
- 3Valmiki's RamayanaT1
- 4RamayanaT1
- 5RamayanaT1
- 6The RamayanaT1
- 7The RamayanaT1
- 8The RamayanaT1
- 9Ramayana UnravelledT1
The Golden Deer and the Death of Maricha
A deer unlike any other stepped out of the trees near Sita's forest home, its hide gleaming gold and its horns studded with gems. Sita called Rama and Lakshmana to see it and begged Rama to catch it alive as a pet, or failing that, to bring her its skin. Lakshmana warned that the creature was unnatural and guessed it for the work of the sorcerer Maricha, but Rama, no less taken with its beauty than Sita was, agreed to try to catch it, telling her that if it did turn out to be Maricha after all, he would kill it. He ordered Lakshmana to stay and guard Sita with his life, then followed the deer deep into the forest as it led him on, vanishing and reappearing among the trees.
When Rama finally cornered the deer and shot it through the heart, its body convulsed and dropped its disguise: the creature was Maricha the rakshasa all along. Dying, Maricha used his last breath to cry out in a voice identical to Rama's own, calling for Sita and Lakshmana as if in mortal danger. Rama, hearing the rakshasa scream in his own voice, felt dread grip him and turned back towards the ashram at a run. In Panchavati, Sita heard the false cry break the quiet and begged Lakshmana to go to Rama's aid, certain her husband was dying. Lakshmana held his ground at first, telling her that no one alive could strike Rama down and that the voice was surely one of Maricha's tricks, just as he had warned before the chase began, but Sita would not be calmed, and pressed him again and again as her fear for Rama grew.

9 sources· checked 2026-09-02
- 1The RamayanaT1
- 2The RamayanaT1
- 3The RamayanaT1
- 4Valmiki's RamayanaT1
- 5Ramayana UnravelledT1
- 6RamayanaT1
- 7The RamayanaT1
- 8Mahabharata Vol. 3 (Penguin Translated Texts)T1
- 9RamayanaT1
The Killing of Vali
To make an ally against Ravana, Rama struck a pact with the exiled vanara Sugriva: Rama would help him win back Kishkindha and his wife Tara from his brother Vali, and Sugriva's monkey army would help Rama find Sita. Sugriva challenged Vali to single combat, but the two brothers looked so alike in the fight that Rama, waiting hidden with his bow, could not tell them apart and held his arrow. Beaten and bleeding, Sugriva fled back to Rama and demanded to know why he had not shot. Rama admitted the mistake and had Lakshmana hang a garland of flowers round Sugriva's neck so he could be told apart the next time. Sugriva challenged Vali again the following morning, and as the two brothers grappled once more, an arrow flew from hiding and struck Vali in the back.
Vali fell, and as Rama came forward unstringing his bow, the dying vanara accused him to his face: Vali had been fighting his own brother, not Rama, and had never wronged Ayodhya or its king, yet he had been shot down like a coward from hiding, not met face to face. His wife Tara, holding him as he died, cursed Rama for killing her husband to win the help of her rival Sugriva. Rama answered that he had acted as Bharata's representative and Sugriva's ally in a matter of dharma, and one telling has him state plainly, 'I did it,' owning the act without disguise. Sugriva took the kingdom of the vanaras from that day, and even Tara, in time, accepted him as her lord.

9 sources· checked 2026-09-02
- 1The RamayanaT1
- 2Sita: An Illustrated Retelling of the RamayanaT1
- 3Sita: An Illustrated Retelling of the RamayanaT1
- 4Sita: An Illustrated Retelling of the RamayanaT1
- 5Ramayana UnravelledT1
- 6Sita: An Illustrated Retelling of the RamayanaT1
- 7RamayanaT1
- 8Valmiki's RamayanaT1
- 9The RamayanaT1
The Bridge to Lanka
At the shore of the southern sea, the vanara army camped for days with no way to cross to Lanka. On the advice of Ravana's own brother Vibhishana, who had defected to his side, Rama sat in meditation before the ocean god Varuna for three days and three nights, asking for a path across, but the sea gave no answer. His patience gone, Rama threatened to dry up the ocean itself with a celestial arrow, and only Lakshmana's pleading held him back a moment before he fitted the shaft to his bow. He loosed it regardless: darkness fell, the mountains trembled and the depths of the sea churned in terror.
Varuna rose from the water at last, crowned and followed by the great rivers, and begged Rama to stop, promising a way across instead. He pointed to the vanara Nala, son of the divine architect Vishvakarma, and said Nala could raise a bridge that the sea itself would hold firm and never sink. Nala set to work at once, and under Rama and Lakshmana's watch the vanaras hurled rocks and trees into a channel of water that Varuna kept unnaturally still and calm on both sides of it. In five days the bridge stretched a hundred yojanas across the water, wide enough for the whole army, and Rama, Lakshmana and Sugriva led the vanaras over it to set foot on the shore of Lanka.

12 sources· checked 2026-09-02
- 1Ramayana UnravelledT1
- 2The RamayanaT1
- 3The RamayanaT1
- 4The RamayanaT1
- 5Larousse Encyclopedia of Mythology (ed. Félix Guirand, 1959)T1
- 6Ramayana UnravelledT1
- 7The RamayanaT1
- 8Valmiki's RamayanaT1
- 9The RamayanaT1
- 10Sita: An Illustrated Retelling of the RamayanaT1
- 11RamayanaT1
- 12Mahabharata Vol. 3 (Penguin Translated Texts)T1
The Duel with Ravana and His Death
Rama and Ravana fought through a long night in matched chariots. Indra sent down his own charioteer, Matali, together with his chariot, bow and lightning arrows, to give Rama an equal footing against a demon king who could not be beaten on foot. The two traded astra for astra: a gandharvastra met a gandharvastra and both fell hissing into the sea, a devastra was answered by a devastra, and when Ravana loosed conjured lions and tigers out of the sky at him, Rama burned them away with an astra of fire. When Rama began to cut off Ravana's heads, new ones grew back in their place before he could press the advantage, and doubt gripped him for the first time in the fight.
Matali warned Rama that Ravana's power would only grow through the night, and that ordinary weapons would never finish him. At the charioteer's word, Rama called for the brahmastra, the terrible weapon entrusted to him by the sage Agastya, and it appeared in his hands as heavy as the sacred mountain Meru. With Sita's face fixed in his mind, Rama drew the bowstring to his ear and loosed the arrow. Thunder split the sky and, for a moment, day broke again over the battlefield as if the sun itself had returned. The brahmastra swallowed Ravana, his chariot, his horses and his charioteer in flame, burning him so completely that almost nothing of his body remained; gods, gandharvas and sages who had gathered to watch rejoiced that the rakshasa king was dead, killed at last by Rama's own hand.

12 sources· checked 2026-09-02
- 1The RamayanaT1
- 2Sita: An Illustrated Retelling of the RamayanaT1
- 3Mahabharata Vol. 3 (Penguin Translated Texts)T1
- 4The RamayanaT1
- 5The RamayanaT1
- 6The RamayanaT1
- 7RamayanaT1
- 8The RamayanaT1
- 9The RamayanaT1
- 10The RamayanaT1
- 11The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VI: YuddhakāṇḊaT1
- 12The RamayanaT1
The Return to Ayodhya and the Coronation
Fourteen years to the day after he left, Rama flew home to Ayodhya in the flying chariot Pushpaka, once Ravana's own. At Nandigrama he found Bharata still living as an ascetic, ruling only as a placeholder in his brother's name. Bharata came forward at once, lifted Rama's sandals from the throne and set them down at his feet, telling him the kingdom, its treasury, granary and army, had all grown tenfold under that borrowed authority. Rama drew his brother into an embrace as the assembled crowd wept for joy, then greeted his mothers, Kausalya, Sumitra and Kaikeyi, in turn, touching Kausalya's feet first.
Bharata declared he could no longer rule, comparing himself to a newborn calf unfit for the burden, and called for Rama's coronation without delay. Sugriva, Hanuman and Ravana's own brother Vibhishana, who had fought at Rama's side, asked to come to Ayodhya and share in the celebration, and Rama welcomed them as dearly as he held Lakshmana himself. Pushpaka was summoned once more to carry the whole company home, and the priests and sacred materials were gathered for the ceremony. Rama was crowned king of Ayodhya before a city that had waited fourteen years for that single day, his mothers, his brothers and his allies gathered around the throne to see it done.

8 sources· checked 2026-09-02
- 1The RamayanaT1
- 2The RamayanaT1
- 3The RamayanaT1
- 4Valmiki's RamayanaT1
- 5The RamayanaT1
- 6The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VI: YuddhakāṇḊaT1
- 7RamayanaT1
- 8RamayanaT1
The Banishment of Sita
In open court, one of Rama's own informers asked to speak with him alone and, once the room had cleared but for his brothers, told him that the people of Ayodhya were gossiping: they could not understand how Rama had taken Sita back after her long stay in another man's house. Rama's mood darkened. He told his brothers that as king he could not ignore what his subjects said, however unjust the talk was, since a ruler's first duty was to them and dishonour was worse to him than death. The next day he told Lakshmana to take Sita to visit the sages' wives in the forest, as if granting a wish she had voiced herself, and ordered him to leave her at the sage Valmiki's ashram and return alone.
Lakshmana drove Sita out of the city in near silence, fighting back tears he would not explain. At the bank of the river, while Sita stepped down to wash her face, he turned the chariot and drove away, abandoning her as commanded. When he finally forced himself to speak, weeping, he told her that Rama had ordered her left there because of rumours in the kingdom about her time in Ravana's house, and that his own honour as king demanded it. Sita, carrying Rama's unborn child, said she held no complaint against Lakshmana for obeying his brother's command, and sent back word that she would go on living as a faithful wife should, whatever judgement the people of Ayodhya passed on her.

In the modern world
Sri Rama Rajyam
FilmKeeps the spies reporting public gossip about Sita's time in captivity, Rama ordering Lakshmana to abandon the pregnant Sita in the forest, her refuge with the sage, and the birth of the twins before the reunion.
10 sources· checked 2026-09-02
- 1RamayanaT1
- 2The RamayanaT1
- 3The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1
- 4The RamayanaT1
- 5RamayanaT1
- 6Ramayana UnravelledT1
- 7The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: UttarakāṇḍaT1
- 8Ramayana UnravelledT1
- 9The RamayanaT1
- 10The RamayanaT1
The wider mythology
Works that draw on more of the mythology than any single story: full retellings of the saga, and worlds built out of the material.
Adipurush
Film
Keeps the exile, the golden-deer decoy that draws Rama away, Sita's abduction, the vanara army's bridge to Lanka, and the final duel and coronation, run together as a sequence of episodes rather than one story.
Mahayoddha Rama (2016)
Film
Keeps Rama's birth to King Dasharatha and his identity as Vishnu's avatar, and his adult war against the ten-headed Ravana, retold end to end from Ravana's own viewpoint.
Ram: Scion of Ikshvaku
Book
Keeps Rama's birth under the cloud of Dasharatha's defeat, his upbringing under Vashistha, winning Sita at her swayamvara against Raavan, and the start of his exile, run together as one continuous story rather than a single old episode.
Rama
Television
Keeps the character identities of Rama, Shinta and Rahwana and the idea of a fated Rama-and-Shinta romance, transplanted into a present-day setting rather than any one classical episode.
Sita Sings the Blues
Film
Keeps the exile at Kaikeyi's demand, the golden deer, the abduction, the rescue, the fire ordeal, and the banishment while pregnant, interwoven with the director's own life.
Siya Ke Ram
Television
Keeps all seven traditional book-divisions of the epic in sequence, retold from the wife's viewpoint rather than the husband's.
Also mentioned in
Stories elsewhere on MythSource that mention Rama, each on that figure’s page.
- Ahalya, Indra and the Curse of Gautama · on Ahalya
- Bharata Rules Through Rama's Sandals · on Bharata
- Bringing Rama and Sugriva Together · on Hanuman
- Fetching the Mountain of Healing Herbs · on Hanuman
- Finding Sita in the Ashoka Grove · on Hanuman
- Hanuman and the Ring in the Netherworld · on Hanuman
- Rescuing Rama and Lakshmana from Mahiravana · on Hanuman
- The Boon of Undying Life · on Hanuman
- The Burning of Lanka · on Hanuman
- Ahalya and Gautama's Curse · on Indra
- Indra's Capture by Indrajit · on Indra
- Jatayu Fights Ravana and Dies · on Jatayu
- Kaikeyi Claims the Two Boons · on Kaikeyi
- Manthara Turns Kaikeyi Against Rama's Coronation · on Manthara
- Ravana and Vedavati · on Ravana
- Ravana Rejects Vibhishana's Counsel · on Ravana
- The Abduction of Sita · on Ravana
- The Death of Ravana · on Ravana
- Shurpanakha Mutilated in the Forest · on Shurpanakha
- Sita Becomes Kali and Slays the Second Demon · on Sita
- Sita Insists on Following Rama into Exile · on Sita
- Sita Raises Her Sons in Valmiki's Hermitage · on Sita
- Sita Refuses Ravana in the Ashoka Grove · on Sita
- Sita Returns to the Earth · on Sita
- Sita's Ordeal by Fire · on Sita
- Sugriva's Pact with Rama Against Vali · on Sugriva
- Vibhishana Is Crowned King of Lanka · on Vibhishana
Different accounts
›One retelling has Dasharatha's wives share the payasa by an exact scheme, half each to Kausalya and Kaikeyi and a quarter of each of their shares passed to Sumitra, while Goldman's introduction to the Uttarakanda says the precise division is remembered differently across versions even though the birth order is not in question.
The accounts that differ: Sita: An Illustrated Retelling of the Ramayana, Book One: Birth; The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: Uttarakāṇḍa, H I S T O R I C I T Y A N D S O V E R E I G N T Y
From “The Birth of Rama”
›The Mahabharata's embedded Ramopakhyana has Rama recognise Maricha's true rakshasa nature before he loosed the arrow, while the fuller retellings show him genuinely enchanted by the deer's beauty and unsure until the dying voice-trick revealed the truth.
The accounts that differ: Mahabharata Vol. 3 (Penguin Translated Texts), Section Forty-Two; The Ramayana; The Ramayana, CHAPTER22
From “The Golden Deer and the Death of Maricha”
›Vali's own dying words call the killing a coward's ambush against a man who had wronged him in nothing; Rama's reply asserts the act's justice as Sugriva's ally, and the introduction to one translation lays out Rama's defence in full without saying which view the story itself endorses.
The accounts that differ: The Ramayana; Sita: An Illustrated Retelling of the Ramayana, Book Five: Anticipation; Ramayana Unravelled; The Ramayana, abridged translation by Arshia Sattar, Introduction
From “The Killing of Vali”
›Most accounts name Nala alone, son of Vishvakarma, as the bridge's builder, but one retelling has Varuna name Nala's brother Nila alongside him, both sons of Agni, as the vanaras who carry the stones that will not sink.
The accounts that differ: Sita: An Illustrated Retelling of the Ramayana, Book Six: Rescue; Ramayana, Lanka; The Ramayana
From “The Bridge to Lanka”
›One retelling has Lakshmana, not Rama, fire the arrow that breaks the vessel of nectar at Ravana's navel and leaves him open to death, since Rama himself would not aim below the head or heart; other accounts give no such second archer and have Rama alone force the fight to its end.
The accounts that differ: Sita: An Illustrated Retelling of the Ramayana, Book Six: Rescue
From “The Duel with Ravana and His Death”
›One account has Rama send the Pushpaka chariot back to its owner Kubera the moment he reaches Bharata's settlement; another has Vibhishana declare the same chariot a lasting gift to Rama, one that would return to him whenever he thought of it.
The accounts that differ: The Ramayana, CHAPTER52; Ramayana, King Rama
From “The Return to Ayodhya and the Coronation”
›One telling has Rama learn of the gossip from an unnamed informer who asks to speak privately in court; the introduction to another translation names the confidant who first tries to answer Rama's question as Bhadra, and ties the timing to Sita's newly visible pregnancy rather than a court session.
The accounts that differ: Ramayana, King Rama; The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: Uttarakāṇḍa, C H A R A C T E R S O F T H E U T T A R A K Ā Ṇḍa
From “The Banishment of Sita”
25 works catalogued
This catalogue brings together reviewed connections and candidates for Rama: reworks first, then references, then names used as atmosphere. A row is not proof by itself. Reviewed connections appear in Overview, beneath a story or under The wider mythology.
Best known from
- AdipurushFilmTurns up across 4 figures on this site
- Ramayan (1987 TV series)TelevisionTurns up across 3 figures on this site
- Siya Ke RamTelevisionTurns up across 3 figures on this site
- Sri Rama RajyamFilmThe Banishment of Sita
- Ramayana: The EpicFilmTurns up across 2 figures on this site
- Sita Sings the BluesFilmTurns up across 2 figures on this site
Showing 25 of 25 works.
Film9
- AdipurushRework
- Ramayana: The EpicRework
- Sita Sings the BluesRework
- Sri Rama RajyamThe Banishment of SitaRework
- Ramayana (2026 film)Rework
- Mahayoddha Rama (2016)Reference
- Ramayana : The Legend of Prince Rama (1993)Reference
- RRRReference
- Sri Rama Pattabhishekam (1978)Reference
Television6
- Ramayan (1987 TV series)Rework
- Siya Ke RamRework
- janaki raghava (2017)Reference
- Ramayan (2008)Reference
- Kisah Rama ShintaReference
- RamaReference
Game1
- Rama's Quest (2024)Reference
Book2
- Ram: Scion of IkshvakuRework
- Vinaya PatrikaReference
Comics1
- RamaReference
Other6
- Keertanalu (Saraswathi compilation)Reference
- Sreeramadootham Sirasa NamamiReference
- Srimad Ramayana Kalpavruksha AntardarshanamReference
- Balak RamReference
- RamakienReference
- Valmiki Ramayanamu (Maithili Venkateswara Rao adaptation)Reference
A catalogue row is not proof by itself. Reviewed connections appear in Overview, beneath a story or under The wider mythology.
What this page is built from
About this page
Written and maintained by MythSource. Last reviewed September 2, 2026. How a page gets built.
9 sources are cited on this page and listed below.
Cite this page
MythSource. (September 2, 2026). Rama. https://www.mythsource.com/figures/rama
"Rama." MythSource, Sep. 2, 2026, www.mythsource.com/figures/rama.
"Rama." MythSource. Last modified September 2, 2026. https://www.mythsource.com/figures/rama.
Scholarship
- The Ramayana
- Ramayana
- Sita: An Illustrated Retelling of the Ramayana
- The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: Uttarakāṇḍa
- Valmiki's Ramayana
- Ramayana Unravelled
- Mahabharata Vol. 3 (Penguin Translated Texts)
- Larousse Encyclopedia of Mythology (ed. Félix Guirand, 1959)
- The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VI: YuddhakāṇḊa
Source details
- The Ramayana. Traditionally attributed to Valmiki; abridged and translated by Arshia Sattar. Penguin abridged English translation; ebook edition identifier under review.
The mythology summaries and identity fields on this page are grounded in the sources listed above. The appearance table records candidates separately; only confirmed connections are presented as modern retellings in Overview.





