Arjuna in Indian tradition
At Kurukshetra, Arjuna looked across the battle line at his own grandfather and his teachers and threw down his bow Gandiva, telling Krishna he would not fight them. He was the third of the five Pandava brothers, and several of the gods who met him called him a son of Indra who nonetheless lived and fought as a mortal man. Shiva, Yama and Indra each told him he was the ancient sage Nara returned to the world, Krishna's own eternal companion. Across the stories gathered here he wins Gandiva and two quivers that never ran empty from the fire god Agni, receives weapons from the four guardians of the directions in Indra's own heaven, does penance on a mountain to win Shiva's Pashupata, is cursed into a year as a eunuch dance teacher, and carries out one of his own oaths by beheading a king with the sun blotted from the sky.
- The gods who meet him call him the ancient sage Nara returned to the world, Krishna's own eternal companion. (Mahabharata: The Greatest Spiritual Epic of All Time)
- He is a son of the god Indra, though he himself lives and fights as a mortal man. (The Puffin Mahabharata)
- He is the third of the five Pandava brothers. (The Mahabharata: A Modern Rendering (2 Vols.))
The quick answers
Who is Arjuna?
Arjuna is an Indian hero.Source
Source
- Mahabharata Vol. 2 (Penguin Translated Texts)
- Mahabharata: The Greatest Spiritual Epic of All Time
- The Great Golden Sacrifice of the Mahabharata
What family links are recorded for Arjuna?
Father: Indra, Mother: Kuntī, Spouse: Chitrangada, 3 children, 5 siblings.
Arjuna’s family, at a glance
with Chitrangada, Draupadī, Subhadrā, Ulūpī
The names Arjuna answers to
Partha
used by gods and by Krishna to address him directly in these accounts
SourceMahabharata Vol. 2 (Penguin Translated Texts)
Dhananjaya
used as his name in the account of events at Dwaraka before Subhadra's abduction
SourceMahabharata Vol. 2 (Penguin Translated Texts)
Gudakesha
used as his name at the moment Indra's chariot arrives to carry him to heaven
SourceMahabharata Vol. 2 (Penguin Translated Texts)
Savyasachi
used as his name for his archery while the Khandava forest burns
SourceMahabharata Vol. 2 (Penguin Translated Texts)
Phalguni
used as his name by Shiva while Arjuna does penance on the mountain
SourceMahabharata: The Greatest Spiritual Epic of All Time
Jishnu
used as his name by Bhishma when he goads Arjuna over his refusal to fight
SourceThe Great Golden Sacrifice of the Mahabharata
Kounteya
used by Varuna as he grants Arjuna his weapon in Indra's heaven
SourceMahabharata Vol. 2 (Penguin Translated Texts)
The myths of Arjuna
9 myths, with sources recorded for each.
Arjuna's Despair and Refusal to Fight
Arjuna asked Krishna to drive their chariot into the space between the two armies gathered at Kurukshetra, so that he could see who had come to fight for Duryodhana. Krishna brought the chariot forward and stopped it facing Bhishma, Drona and the massed ranks behind them. Looking across the field, Arjuna picked out his own grandfathers, his teachers, his uncles, his brothers, his sons and his closest friends, all armed and ready to kill one another. Grief and compassion overwhelmed him where he stood. He felt an awful weakness spread through his body, his mouth went dry, his head swam, and his bow arm would not hold steady. He sank down onto the seat of the chariot, his legs unable to support him any longer.
He turned to Krishna and set out his case against the war. Even supposing the Kauravas were driven only by greed, he said, that gave him no cause to imitate them by killing his own teachers and elders for a kingdom. He would rather be cut down unarmed than raise Gandiva against Bhishma or Drona, men he had been taught since childhood to honour. Not even rule over all three worlds was worth their deaths, he said, let alone a single kingdom on earth. A war that tore a great family apart this way would finish it completely, ending its old rites and turning the whole clan toward ruin, and no victory bought at that price could bring him any happiness. Weeping, he threw down his bow and his arrows, his heart heavy with sorrow, and told Krishna plainly, in front of the assembled armies, that he would not fight.

8 sources· checked 2026-09-02
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- 8The Mahabharata: A Modern Rendering (2 Vols.)T1
The Burning of the Khandava Forest
Resting on the bank of a river near the Khandava forest, Krishna and Arjuna were approached by a brahmin who told them he was hungry and asked them to feed him. When they offered to prepare a meal, he said ordinary food could not satisfy him. He was Agni, the fire god, and what he wanted to eat was the forest itself. For years he had tried to burn it down, he explained, but each time the flames rose, Indra sent torrents of rain to save it, because his friend the naga Takshaka lived there. Agni asked Krishna and Arjuna to hold off the rain while he burned the forest to ash. They agreed at once, though Arjuna pointed out that he had no bow fit for the task and no inexhaustible supply of arrows. Agni himself gave Krishna a discus called the Sudarshana chakra, Varuna gave Krishna a mace, and Arjuna received the great bow Gandiva along with two quivers that would never run empty and a chariot to carry him.
With his weapons in hand, Arjuna told Agni to blaze up as fiercely as he liked. Agni surrounded the forest in flame on every side while Krishna drove the chariot around its edge at tremendous speed, and Arjuna shot down every creature that tried to flee the fire, so that nothing escaped alive. When Indra saw what was happening he sent down a flood of rain to save the forest and his friend Takshaka, but Arjuna raised a dense net of arrows across the sky and stopped every drop from reaching the ground. Takshaka's wife and son were caught in the blaze as they tried to fly clear of it. Arjuna cut down the mother with a single arrow, and when Indra raised a violent wind to daze him, the son escaped in the confusion. Furious, Arjuna turned his bow on Indra himself, meeting the god's thunderbolt with the Vayavya wind weapon and clearing the black clouds from the sky. Beaten, Indra withdrew, and the forest burned to the ground with everything in it, its heat drying up its own lakes and rivers before the ashes finally settled.

12 sources· checked 2026-09-02
- 1The Puffin MahabharataT1
- 2Mahabharata: The Greatest Spiritual Epic of All TimeT1
- 3The Mahabharata: A Modern Rendering (2 Vols.)T1
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- 7Mahabharata: The Greatest Spiritual Epic of All TimeT1
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- 10Mahabharata Vol. 2 (Penguin Translated Texts)T1
- 11The Mahabharata: A Modern Rendering (2 Vols.)T1
- 12Mahabharata Vol. 2 (Penguin Translated Texts)T1
Urvashi's Curse and the Year as Brihannala
In Indra's heaven the apsara Urvashi came to Arjuna and asked for his love. He refused her gently, telling her that he honoured the Pandavas' own line as descending from her, so that he could only think of her as an ancestress rather than a lover. No man had ever refused Urvashi before, and her fine eyes flashed with fury at the insult. She cursed him on the spot: proud as he was of his manhood, she said, he would lose it entirely and spend his days as a eunuch, dancing among women for their amusement. Arjuna went to his father Indra in despair. Indra told him that a curse from Urvashi could not simply be undone, since she was already hurt enough by the refusal, but he went to her himself and persuaded her to limit it to a single year. Indra praised his son as the first man who had ever resisted Urvashi, and pointed out that the curse might yet prove useful, since the Pandavas were due to spend their thirteenth year of exile in hiding.
That year came, and Arjuna turned the curse to his advantage. He put on a woman's dress, jewellery and a false hairpiece, and presented himself at the court of King Virata as Brihannala, a eunuch trained in music and dancing by the gandharva Chitrasena. Virata had him examined to confirm he was no threat to the women of the palace, and then appointed him to teach dancing and singing to his daughter, the princess Uttara. Arjuna lived among the court's women for months, protected from any disturbance by Urvashi's own curse, and became a favourite in their company. His powerful shoulders and heavily muscled arms sometimes drew a second look from Virata, who suspected there was more to his daughter's teacher than he let on, but no one in the court ever worked out that the eunuch dance teacher was the Pandava archer Arjuna, hidden among them until the year of exile ran out.

11 sources· checked 2026-09-02
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- 2The Mahabharata: A Modern Rendering (2 Vols.)T1
- 3The Great Golden Sacrifice of the MahabharataT1
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- 5Mahabharata: The Greatest Spiritual Epic of All TimeT1
- 6The Mahabharata: A Modern Rendering (2 Vols.)T1
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- 8MahabharataT1
- 9The Puffin MahabharataT1
- 10Mahabharata: The Greatest Spiritual Epic of All TimeT1
- 11The Mahabharata: A Modern Rendering (2 Vols.)T1
The Penance on Mount Indrakila and the Winning of the Pashupata
Before the war, Arjuna travelled north into the Himalayas to win the gods' weapons, since his father Indra had promised him his whole arsenal once he had first pleased Shiva and been given the Pashupata. He crossed the mountains Grandhamadana and Himavan and reached the peak called Indrakila, where an old ascetic asked why he had come to so lonely a place. The ascetic was Indra in disguise, and once he revealed himself he told Arjuna to perform his penance there and Shiva would come to him. Arjuna sat in meditation, living for weeks on nothing but roots and leaves, until his austerities grew so fierce that the earth itself began to smoke with the heat of them. Alarmed, the celestial sages went to Shiva and asked him to stop Arjuna before his penance disturbed the whole order of the universe. Shiva answered that he understood Arjuna's purpose and would grant it himself, and came down the mountain disguised as a golden skinned hunter, with his wife Parvati beside him dressed as a huntress.
While Arjuna sat absorbed in prayer, a demon took the shape of a wild boar and charged at him, and he shot it without a thought. In the same instant the hunter's own arrow struck the same boar, and the hunter claimed the kill as his. Arjuna would not give way, and a fight broke out between them, first with arrows and then hand to hand, until Arjuna's strength finally gave out against a man he could not place. Exhausted, he offered a silent prayer and a garland of flowers to Shiva, begging for help, and when he opened his eyes again he saw that same garland hanging from the hunter's bow. Only then did he understand that the hunter he had been fighting was Shiva himself. He fell at the god's feet and begged forgiveness for his rashness. Shiva raised him up, revealed his true form with his trident and the serpent at his throat, and told Arjuna he was the ancient sage Nara come again as a man. He returned Arjuna's bow to him and granted him the Pashupata, the most destructive of all his weapons, on the condition that Arjuna would never use it unless there was no other way.

12 sources· checked 2026-09-02
- 1MahabharataT1
- 2The Puffin MahabharataT1
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- 4The Great Golden Sacrifice of the MahabharataT1
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- 11MahabharataT1
- 12MahabharataT1
The Ascent to Indra's Heaven and the War on the Nivatakavachas
Once his penance was rewarded with the Pashupata, Arjuna was met on the mountain by the four guardians of the directions. Yama gave him his own weapon and told him he had once been the sage Nara, sent back into the world to carry out a great task. Varuna and Kubera each gave him a weapon of their own and blessed him in turn, and then they vanished. Arjuna then saw what looked like a second sun rising in the sky: it was Indra's own chariot descending, drawn by thousands of tawny horses and driven by the charioteer Matali, loaded with every kind of celestial weapon. Matali carried Arjuna up to Indraloka, Indra's own heaven, where his father greeted him and told him the true reason he had been summoned.
A race of demons called the Nivatakavachas lived in a fortress hidden in the depths of the ocean of the heavens, Indra explained. Brahma had granted them a boon that no god could ever kill them, only a mortal man, and their power now reached down to the earth, feeding tyrants such as Duryodhana. Arjuna agreed at once to fight them. He sailed to their underwater city and blew his conch to announce the challenge, and the Nivatakavachas came out to meet him. Their magic and illusions overwhelmed him at first, but he called on the Mohini weapon to strip their power away and force them into open battle. Once they stood before him without their tricks, he aimed Indra's own thunderbolt, the Vajra, and it fell on them like lightning, shattering their armour and leaving the demons broken on the ground like fallen mountains. Arjuna returned to Indra's court in triumph and later came home to tell his brothers everything that had happened to him in heaven.

12 sources· checked 2026-09-02
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- 6Mahabharata Vol. 2 (Penguin Translated Texts)T1
- 7Mahabharata: The Greatest Spiritual Epic of All TimeT1
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- 9The Mahabharata: A Modern Rendering (2 Vols.)T1
- 10The Mahabharata: A Modern Rendering (2 Vols.)T1
- 11Mahabharata: The Greatest Spiritual Epic of All TimeT1
- 12MahabharataT1
The Vow to Kill Jayadratha
Jayadratha alone had managed to close the Chakravyuha formation behind Arjuna's son Abhimanyu, trapping him inside where six Kaurava warriors together finally brought him down. When Arjuna learned how his son had died, he swore a vow over the body in front of the whole army: he would kill Jayadratha before the sun set the following day, or walk into a blazing fire himself rather than live with the failure. Word of the oath reached the Kaurava camp and terrified Jayadratha, who wanted to run. Instead the Kauravas kept him with the army and built a wall of their finest warriors around Jayadratha, Drona and Karna and Duryodhana and Kripa among them, screening him from Arjuna's sight through an entire day of fighting. Karna alone held Arjuna back for a long stretch of that final afternoon, so that as the sun sank toward the horizon Arjuna still had not broken through to his target.
With almost no light left in the sky, Krishna told Arjuna to trust him and keep the Pashupata ready. He raised his discus, the Sudarshana, and covered the disc of the sun with it, and darkness fell suddenly over the whole field. The Kauravas cheered, certain that sunset had come and Arjuna had failed his vow, and Jayadratha lifted his head to look for the sun that would save him. That was Krishna's signal. Arjuna loosed the Pashupata and it took Jayadratha's head from his shoulders in an instant, and only then did the true sun reappear, so that the Kauravas realised, too late, that they had been tricked. Jayadratha's father had once been given a boon that whoever caused his son's head to strike the ground would die himself, so at Krishna's instruction Arjuna sent the flying head across the battlefield to fall gently into his father's lap as the old man sat at his evening prayers many miles away, far from the fighting.

12 sources· checked 2026-09-02
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- 2The Mahabharata: A Modern Rendering (2 Vols.)T1
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- 5Mahabharata: The Greatest Spiritual Epic of All TimeT1
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- 12The Mahabharata: A Modern Rendering (2 Vols.)T1
Arjuna's Death and Revival at Manipura
Following the sacrificial horse of Yudhishthira's Ashvamedha, Arjuna reached the kingdom of Manipura, ruled by his own son Babhruvahana, born years before to the princess Chitrangada. The young king came out to greet his father with gifts of gold and gems and made no move to resist him, but Arjuna was angry rather than pleased, seeing no honour in a son who would not fight for his own kingdom. At the urging of his stepmother Ulupi, a Naga princess and one of Arjuna's other wives, and at his father's own repeated insistence, Babhruvahana finally agreed to meet him in battle. He had his men seize the sacrificial horse to force the issue, and the two began to fight in earnest. Both father and son fought without holding back, and although Arjuna was struck hard in the shoulder and nearly lost his senses, he recovered enough to praise his son's skill before the fighting resumed. In the end an arrow from Babhruvahana's bow found its mark, and Arjuna fell from his chariot and lay dead on the ground.
Seeing what he had done, Babhruvahana collapsed in grief beside his father's body and prepared to starve himself to death rather than live with the killing. Chitrangada, hearing that her husband and son had both fallen, ran to the field and turned on Ulupi in fury for pushing the duel. Ulupi then explained herself. After Bhishma's fall in the great war, the Vasus, the gods to whom Bhishma belonged, had gone to the river goddess Ganga and sworn to curse Arjuna to death for killing her son unfairly. Ulupi's own father, king of the Nagas, had begged the Vasus for mercy on Arjuna's behalf, and they had answered that only one thing could lift the curse: Arjuna's own son striking him down in battle. The duel had been Ulupi's way of paying that price safely. With her mystic power she brought a glowing gem from the Naga kingdom that could restore the dead, laid it on Arjuna's chest, and watched him open his eyes and sit up, his wound already healed. Babhruvahana wept with relief and begged his father's forgiveness. Arjuna told Ulupi that everything she had done was agreeable to him.

6 sources· checked 2026-09-02
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- 5Mahabharata: The Greatest Spiritual Epic of All TimeT1
- 6The Great Golden Sacrifice of the MahabharataT1
The Abduction of Subhadra
Arjuna had heard of Krishna's sister Subhadra long before he met her, from Krishna's cousin Gada, who described her as more beautiful than any woman he had seen, and by the time Arjuna reached Dwaraka during his year as a wandering ascetic his heart was already set on her. Krishna welcomed him warmly and let him stay through the rainy season, and as the months passed Arjuna's longing for Subhadra only grew. When the rains ended, Krishna told him of an approaching festival on Raivataka hill, where the whole Yadu clan would gather and Subhadra would be among them. Since there was no easy way to win her openly, Krishna said, the surest course open to a kshatriya was to carry her off from the crowd, a form of marriage no one could rightly call dishonourable. He left his own chariot, yoked to his finest horses, for Arjuna to use.
At the festival Arjuna shed his ascetic's dress for his armour, found Subhadra, and had her take the reins of Krishna's chariot herself, since she was a skilled driver and their escape needed speed. They sped away together while the astonished Yadu guards, seeing how sure she looked at the reins, did not give chase. Word soon spread through Dwaraka that the yati who had lodged with Balarama was in truth Arjuna, and that he had eloped with Subhadra. Balarama's fury shook the whole court: he swore to destroy Arjuna and burn Indraprastha to the ground for the insult. Krishna calmed him, pointing out that Subhadra herself had asked for the chariot and driven it away, so that no true dishonour had been done to anyone, and proposed instead that the couple be brought back and married with proper ceremony. Balarama agreed, and a rider was sent after the couple with the invitation. Arjuna and Subhadra chose to spend one more night together in the wild before returning to Dwaraka the following day to be married as befitted a princess.

12 sources· checked 2026-09-02
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- 10Mahabharata Vol. 2 (Penguin Translated Texts)T1
- 11The Mahabharata: A Modern Rendering (2 Vols.)T1
- 12Mahabharata: The Greatest Spiritual Epic of All TimeT1
The Duel with Bhagadatta and the Elephant Supratika
While Arjuna fought the Trigarta army elsewhere on the field, the aged king Bhagadatta rode his armoured elephant Supratika through the Pandava ranks and nobody could stop him, not even Bhima. Hearing the elephant's screams from a distance, Arjuna told Krishna that only the two of them knew how to deal with Supratika and its rider, an old friend of his own father Indra grown too sure of himself, and asked to be driven there at once. Bhagadatta and Arjuna traded shot after shot, and Arjuna broke Bhagadatta's bow more than once and cut away the elephant's armour piece by piece while dodging spears and darts thrown by the furious king. At one point Bhagadatta drove Supratika straight at their chariot, and only Krishna's skill at the reins carried them clear of the charge by a hair's breadth.
Maddened at being held off by a man so much younger than himself, Bhagadatta finally chanted a mantra over the ordinary goad he used to drive his elephant and hurled it at Arjuna as the terrible Vaishnava missile, a weapon once belonging to the demon Naraka that could kill any single being it was aimed at. As it flew toward Arjuna certain to kill him, Krishna rose in the chariot and took the blow himself on his chest, where it struck the jewel Kaustubha and did him no harm. Krishna explained that he alone could survive the missile, and that Bhagadatta, having spent it, had lost the power that had made him and his elephant impossible to defeat. Arjuna wasted no time. He killed Supratika first with a single well placed shot, and as the great animal fell dead beneath him, he sent a second arrow into Bhagadatta's chest that killed the old king outright, and both king and elephant lay dead together on the field.

11 sources· checked 2026-09-02
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- 11The Great Golden Sacrifice of the MahabharataT1
The wider mythology
Works that draw on more of the mythology than any single story: full retellings of the saga, and worlds built out of the material.
Alli Arjuna (1935)
Film
Arjuna paired with the Tamil folk queen Alli, dramatised from an existing stage play of the same name; which specific incident is not detailed on the page.
Arjun: The Warrior Prince
Film
Keeps his training under Drona, the swayamvara marriage to Draupadi, the dice-game loss and exile, the penance that wins him a divine weapon, and his reveal at Virata's court to fight in the cattle-raid battle, strung into one continuous life story.
Chitrangada
Other
Keeps Arjuna's marriage to Chitrangada, the mythological princess of Manipur, as the drama's subject.
Earth Maiden Arjuna (2001)
Television
Reworks the Krishna-counsels-Arjuna dynamic as a mentor character modelled on Krishna guiding the Arjuna-derived heroine, keeps the bow name Gandiva, and recasts the setting as a near-future ecological crisis.
Kahaani Hamaaray Mahaabhaarat Ki
Television
Casts Arjuna as one of the five Pandava brothers in a serialised retelling of the full epic.
Kalyug
Film
Recasts Arjuna as Bharat Raj, a son in one of two feuding business families, keeping the shape of the Pandava-Kaurava rivalry in a contemporary corporate setting.
Kurukshetra (2019 film)
Film
Keeps Arjuna as one of the Pandava brothers across the dice-game loss, exile and the Kurukshetra War, retold from Duryodhana's side.
Mahabharat (1965 film)
Film
Keeps Arjuna as one of the Pandava brothers across a condensed run of the epic's major beats - the dice game, Draupadi's disrobing, and the war.
Mahabharat (1988 TV series)
Television
Keeps Arjuna's full lineage and marriages (son of Kunti and Indra, husband of Draupadi, Ulupi, Chitrangada and Subhadra) across a serialised retelling of the whole epic.
Parva
Book
Keeps Arjuna as one of several first-person narrators reflecting on the Pandava-Kaurava split as the Kurukshetra War begins.
The Mahabharata (1989 film)
Film
Keeps Arjuna as one of the Pandava brothers across an abridged filming of the whole epic (the dice game, exile and war).
The Mahabharata (play)
Other
Keeps Arjuna as one of the Pandava brothers across a three-part staging of the whole epic (the dice game, the forest exile, and the war).
Also mentioned in
Stories elsewhere on MythSource that mention Arjuna, each on that figure’s page.
- Bhima Breaks Duryodhana's Thighs · on Bhima
- Bhima Kills Hidimba · on Bhima
- Bhima's Wrestling Match with Jarasandha · on Bhima
- Bhishma's Arrow Bed and Final Release · on Bhishma (Devavrata)
- Draupadi's Birth from the Sacrificial Fire · on Draupadi
- Draupadi's Fall on the Final Journey · on Draupadi
- Draupadi's Swayamvara and Her Choice · on Draupadi
- The Slaying of Draupadi's Sons and Her Reckoning with Ashwatthama · on Draupadi
- Drona's Revenge on Drupada · on Drona
- Ekalavya Gives Drona His Thumb · on Ekalavya
- Karna Gives His Armour and Earrings to Indra · on Karna
- Karna Spends the Shakti on Ghatotkacha · on Karna
- Karna's One-Man Conquest of the Earth · on Karna
- The Death of Karna · on Karna
- The Tournament and the Crown of Anga · on Karna
- Krishna Shields and Revives Parikshit · on Krishna
- Krishna's Birth and Escape to Vrindavana · on Krishna
- The Bhagavad Gita · on Krishna
- The End of Dvaraka and Krishna's Death · on Krishna
- The Killing of Kamsa · on Krishna
- Maya Builds the Pandavas’ Assembly Hall · on Maya, the Asura Builder
- Ravana's Capture by Kartavirya Arjuna · on Ravana
- Urvashi's Proposal to Arjuna and Her Curse · on Urvashi
Different accounts
›Accounts differ on how Krishna first reacts. One rendering holds him silent while Arjuna makes his case; others have him answer at once with a rebuke, telling Arjuna to give up his weakness and get up and fight.
The accounts that differ: The Mahabharata: A Modern Rendering (2 Vols.); Mahabharata: The Greatest Spiritual Epic of All Time, Chapter Four. The Bhagavad-gita; Mahabharata, Sanjaya As He Related It To Dhritarashtra.
From “Arjuna's Despair and Refusal to Fight”
›The two tellings of Agni's approach do not agree on the circumstances. One has him appear as a gaunt, starving brahmin while Krishna and Arjuna are out walking by the forest; another has him appear glowing like molten gold while the pair sit resting on a riverbank after a meal.
The accounts that differ: The Puffin Mahabharata, The Story of the Mahabharata; Mahabharata, Part Of The Way With The Pandavas And Bade Them Farewell.
From “The Burning of the Khandava Forest”
›The refusal itself is told two ways. One account has Arjuna give Urvashi a reason, naming her an ancestress of his own line; another has him give no reason at all, only a plain apology.
The accounts that differ: Mahabharata, From Dharma".; The Puffin Mahabharata, The Story of the Mahabharata
From “Urvashi's Curse and the Year as Brihannala”
›The quest begins two different ways. One account has the sage Vyasa instruct Yudhishthira to send Arjuna north to seek Shiva's weapon; another has Indra himself, met on the mountain in disguise, send him on the penance directly, with no mention of Vyasa.
The accounts that differ: The Puffin Mahabharata, The Story of the Mahabharata; The Mahabharata: A Modern Rendering (2 Vols.)
From “The Penance on Mount Indrakila and the Winning of the Pashupata”
›Translations disagree on which weapon Yama and Varuna each gave him. One has Yama give a noose and Varuna a mace; two others reverse it, giving Varuna a noose and giving Yama a mace or a rod called the danda instead.
The accounts that differ: The Puffin Mahabharata, The Story of the Mahabharata; Mahabharata: The Greatest Spiritual Epic of All Time, Chapter Twenty-five. Arjuna Goes to Heaven; The Mahabharata: A Modern Rendering (2 Vols.)
From “The Ascent to Indra's Heaven and the War on the Nivatakavachas”
›The retellings disagree on when the fatal blow lands. Most have Arjuna behead Jayadratha while the false darkness still covers the sun, with daylight returning only afterwards; one has Krishna lift the darkness and restore the sun first, and Arjuna shoot only once it is light again.
The accounts that differ: Mahabharata, Part In It.; The Puffin Mahabharata; The Mahabharata: A Modern Rendering (2 Vols.); Mahabharata: The Greatest Spiritual Epic of All Time, Chapter Eighteen. Krishna's Mystic Power
From “The Vow to Kill Jayadratha”
›The revival itself is told two ways. One account has Ulupi alone restore Arjuna with the Naga gem. Another, told as Arjuna's own memory of the day, says the bards later sang the same gem story but that the truth was closer to a potion Chitrangada mixed together with Ulupi's Naga magic.
The accounts that differ: Mahabharata: The Greatest Spiritual Epic of All Time, Chapter Thirty-three. Yudhisthira's Ashvamedha Sacrifice; The Great Golden Sacrifice of the Mahabharata
From “Arjuna's Death and Revival at Manipura”
›Accounts differ on how Supratika the elephant died and in what order. Two have Arjuna kill the elephant with an arrow before turning on Bhagadatta; another has him attack Bhagadatta first, then bring the elephant down with a thrown lance rather than an arrow.
The accounts that differ: The Mahabharata: A Modern Rendering (2 Vols.); Mahabharata, Part Of The Field. Everyone Was; Mahabharata: The Greatest Spiritual Epic of All Time, Chapter Fourteen. "Yudhisthira Will Be Captured"
From “The Duel with Bhagadatta and the Elephant Supratika”
19 works catalogued
This catalogue brings together reviewed connections and candidates for Arjuna: reworks first, then references, then names used as atmosphere. A row is not proof by itself. Reviewed connections appear in Overview, beneath a story or under The wider mythology.
Showing 19 of 19 works.
Film10
- Kurukshetra (2019 film)Rework
- Mahabharat (1965 film)Rework
- The Mahabharata (1989 film)Rework
- Arjun: The Warrior PrinceRework
- KalyugRework
- Alli Arjuna (1935)Reference
- Arjuna (1954)Reference
- Itllu Arjuna (2026)Reference
- Parth Kumar (1934)Reference
- Projotne, Partha (2024)Reference
Television4
- Mahabharat (1988 TV series)Rework
- Mahabharat (2013 TV series)Rework
- Kahaani Hamaaray Mahaabhaarat KiRework
- Earth Maiden Arjuna (2001)Reference
Game1
- Arjuna (Fate)Reference
Book2
- ParvaRework
- Jaya: An Illustrated Retelling of the MahabharataRework
Other2
- The Mahabharata (play)Rework
- ChitrangadaReference
A catalogue row is not proof by itself. Reviewed connections appear in Overview, beneath a story or under The wider mythology.
What this page is built from
About this page
Written and maintained by MythSource. Last reviewed September 2, 2026. How a page gets built.
6 sources are cited on this page and listed below.
Cite this page
MythSource. (September 2, 2026). Arjuna. https://www.mythsource.com/figures/arjuna
"Arjuna." MythSource, Sep. 2, 2026, www.mythsource.com/figures/arjuna.
"Arjuna." MythSource. Last modified September 2, 2026. https://www.mythsource.com/figures/arjuna.
Source details
- Mahabharata Vol. 2 (Penguin Translated Texts). Bibek Debroy, translator. Penguin Books Ltd. Stored ebook ISBN matches the publisher's Volume 2 listing; package and catalogue dates differ. ISBN 9788184754032. Source edition
The mythology summaries and identity fields on this page are grounded in the sources listed above. The appearance table records candidates separately; only confirmed connections are presented as modern retellings in Overview.






