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Draupadi, a MythSource painting
Indian

Draupadi

01Identity

A voice from the sky spoke the moment Draupadi rose from her father's sacrificial fire, fully grown and dark skinned: she would be the ruin of the kshatriya order. Drupada had prayed to the fire for a son who could kill Drona; it gave him a son, and, unasked, a daughter the sage Vyasa later called an expansion of the goddess Lakshmi. She married all five Pandava brothers once Vyasa told her father the match carried Shiva's own sanction, and the rest of her story keeps the same pairing of extremity and composure. She is dragged into open court by the hair while Duhshasana tries to strip her, sets a fatal trap for a general who will not leave her alone, is carried off from an empty hermitage, and buries five murdered sons in one morning. She asks Krishna for war and asks mercy for men who wronged her within the same handful of years. The fullest tellings here range from Mahabharata: The Greatest Spiritual Epic of All Time to the Penguin and Puffin translations.

  • she rose fully grown from a sacrificial fire rather than being born of a mother (Mahabharata)
  • a voice from the sky foretold at her birth that she would bring about the ruin of the kshatriya order (The Mahabharata: A Modern Rendering (2 Vols.))
  • the sage Vyasa named her an expansion of the goddess Lakshmi (Mahabharata: The Greatest Spiritual Epic of All Time)
Top questions
  • Who is Draupadi?

    Draupadi is an Indian hero.
    Source

    Source

    • Mahabharata Vol. 1 (Penguin Translated Texts)
    • Mahabharata Vol. 3 (Penguin Translated Texts)
    • The Puffin Mahabharata
  • Is Draupadi in Shri Krishna (1993)?

    Yes. It is linked here to The Dice Game and Draupadi's Disrobing.
  • What family links are recorded for Draupadi?

    Father: Drupada, Spouse: Arjuna, 3 children, 2 siblings.
  • What happens in The Dice Game and Draupadi's Disrobing?

    Staked and lost at dice, Draupadi is dragged by the hair into the Kaurava hall, where Duhshasana tries to strip her before the court.
    Source

    Source

    • The Mahabharata: A Modern Rendering (2 Vols.)
    • Mahabharata
    • Mahabharata: The Greatest Spiritual Epic of All Time
    • The Puffin Mahabharata
    • Mahabharata Vol. 2 (Penguin Translated Texts)
  • What happens in Draupadi's Swayamvara and Her Choice?

    At the contest for her hand, Draupadi refused to let Karna shoot, telling him she would not marry a charioteer's son.
    Source

    Source

    • Mahabharata: The Greatest Spiritual Epic of All Time
    • The Great Golden Sacrifice of the Mahabharata
    • Mahabharata
02Family
Drupada
DraupadiDhṛṣṭadyumnaŚikhaṇḍī

with Arjuna, Bhīma, Nakula, Sahadeva, Yudhiṣṭhira

PrativindhyaShrutakarmaSutasoma
03The names

Krishna

the name given her at birth, for her dark colouring

SourceMahabharata Vol. 1 (Penguin Translated Texts)

Panchali

the name she was known by after rising from the fire

SourceMahabharata Vol. 1 (Penguin Translated Texts)

Yajnaseni

the name Satyabhama uses for her in their private conversation

SourceMahabharata Vol. 3 (Penguin Translated Texts)

Sairandhri

the name she takes as a disguised handmaiden at Virata's court

SourceThe Puffin Mahabharata

04The myths

10 myths, with sources recorded for each, with 5 reviewed modern reworks linked where the evidence supports it.

Fire gave Drupada more than he asked for. He had prayed to the priests Yaja and Upayaja for a son who could kill Drona, the teacher who had humiliated him, and the rite produced one: a youth in armour who stepped from the flames already dressed for battle. Then the fire produced a second gift nobody had asked for. A young woman rose from the same blaze, dark skinned, her hair blue black and smelling of blue lotus, so striking that no man who saw her could look away. Drupada meant her as a bride for Arjuna, the Pandava he hoped would kill Drona in his son's place. As she stood there, a voice spoke from the sky with no body attached to it, and it did not bless her. It said she would be the finest of women and, in the same breath, that she would cause the ruin of the kshatriya order. The priests named her Krishna, for her dark colouring, and the court called her Panchali, after the kingdom the fire had given her to.

One reference work, titled World Mythology, states that Draupadi was betrothed to Arjuna as soon as she rose from the flame, as though the outcome of the story had already been decided before the story began. The fuller tellings do not settle her marriage there. Her brother, the fire born prince Dhrishtadyumna, is raised by Drona himself, so that the man trained to be his family's weapon studies for years at the hand of the man he is destined to kill. Nobody in the hall that day, watching a girl and a boy step out of one blaze, could have said which of the two prophecies, war or marriage, would answer first.

Draupadi's Birth from the Sacrificial Fire, a MythSource painting of the scene

6 sources· checked 2026-09-02

  1. 1MahabharataT1
  2. 2The Mahabharata: A Modern Rendering (2 Vols.)T1
  3. 3Mahabharata: The Greatest Spiritual Epic of All TimeT1
  4. 4Mahabharata Vol. 1 (Penguin Translated Texts)T1
  5. 5Mahabharata Vol. 1 (Penguin Translated Texts)T1
  6. 6World MythologyT1

Kings filled the hall at Panchala to win Draupadi by stringing a bow that nobody else could lift, let alone bend, and sending five arrows through a revolving target while watching only its reflection. One by one they failed and sat down in shame. Karna came forward next, and got as far as bending the bow, his hand already drawing the string, when Draupadi rose and spoke before he could shoot. She would not marry a suta's son, she said, and the hall fell silent around the refusal. Karna set the bow down and walked back to his seat without another word. A young brahmin who had been sitting with the crowd of priests then stood. He bowed to the bow, prostrated before it, and smiled slightly before he lifted it. He strung it, sent his five arrows through the ring in a single moment, and the target fell.

The hall erupted. Flowers rained down from no visible hand, and conches sounded from every side. With the walk of a swan, Draupadi crossed to where the young brahmin stood and set the marriage garland around his neck. She had no way of knowing yet that she had chosen Arjuna in his brahmin's disguise, only that a stranger had done what every king in Panchala could not. Duryodhana and the assembled kings, cheated of a princess by a man in priest's robes, rose in fury and moved on Drupada, and it was Bhima and Arjuna, still dressed as brahmins, who stood between the king and the crowd until the danger passed. Draupadi left the hall on the arm of a man whose name she did not yet know for certain.

Draupadi's Swayamvara and Her Choice, a MythSource painting of the scene

In the modern world

Sri Krishna Pandaveeyam (1966)

Film

Keeps Arjuna, disguised as a young brahmin, winning the archery contest and Draupadi's hand, and Kunti's misunderstanding leading to her marrying all five brothers.

4 sources· checked 2026-09-02

  1. 1Mahabharata: The Greatest Spiritual Epic of All TimeT1
  2. 2The Great Golden Sacrifice of the MahabharataT1
  3. 3MahabharataT1
  4. 4The Great Golden Sacrifice of the MahabharataT1

Drupada was appalled when his daughter's wedding began to look like five weddings. One husband was custom; five brothers sharing one wife was not, and he said as much the moment the arrangement was proposed. The sage Vyasa asked to speak with him alone, and led him into a private chamber while the wedding party waited outside. There Vyasa told a story from far earlier than this one. A rishi's daughter, beautiful but unable to find a husband despite years of austerity, had once pleased the god Shiva enough that he offered her a boon. She asked him for a husband. Pleased, he granted it and vanished, but she called him back and asked again. He granted it again. Five times she asked the same request in the same words, unable to stop herself, and five times Shiva granted it, until he finally told her plainly that she had asked so often she would now have five husbands instead of one.

That woman, Vyasa told Drupada, had been reborn as his own daughter, and the five husbands promised to her long ago were the five Pandava brothers waiting outside. He added that she was, besides that old debt, an expansion of the goddess Lakshmi herself, born from the fire to become the Pandavas' wife because they too had been gods before this life. Hearing that the marriage carried a sanction older than his own objections, Drupada gave way. On an auspicious day, with the moon standing in the constellation Rohini, the wedding went ahead as five ceremonies for one bride, and the alliance it created gave the Pandavas the backing of Panchala and the Yadava lords of Krishna's own house.

The Boon That Gave Draupadi Five Husbands, a MythSource painting of the scene

5 sources· checked 2026-09-02

  1. 1Mahabharata: The Greatest Spiritual Epic of All TimeT1
  2. 2The Mahabharata: A Modern Rendering (2 Vols.)T1
  3. 3Mahabharata Vol. 1 (Penguin Translated Texts)T1
  4. 4MahabharataT1
  5. 5Mahabharata Vol. 1 (Penguin Translated Texts)T1

Yudhishthira lost himself at dice before he staked Draupadi, so when he lost her too the Kauravas argued that she now belonged to a man who had already gambled away his own right to wager anything. Duryodhana sent for her anyway. She refused to come on a servant's word alone, and Duhshasana went to fetch her himself, catching her by the hair and dragging her into the hall with her sari coming loose and her tears still wet on her face. In front of the assembled Kuru elders, weeping openly while Bhishma and Drona looked away, Duryodhana ordered the Pandavas stripped of their upper garments as newly won slaves, and in one telling it is Karna who names Draupadi among them and tells Duhshasana to take her silks as well. Duhshasana pulled at the last cloth she had left. It came away in his hands, and another length of the same cloth appeared beneath it in its place. He pulled again, and it happened again, cloth after cloth piling at his feet while Draupadi stood with her palms folded and her eyes shut, calling on Krishna's name as her last resort.

The hall could not agree on what it was watching. Vikarna, one of the younger Kauravas, stood to argue that Yudhishthira had no right to stake a wife shared by five brothers without asking the other four, and for a moment the assembly seemed to side with him before Karna talked the room back around. Bhima swore in front of everyone that he would tear Duhshasana's chest open and drink his blood for this, an oath the room heard and did not forget. Only when the cloth kept renewing itself, plainly beyond any ordinary explanation, did Dhritarashtra step in and call a halt. He offered Draupadi a boon to make amends, then a second, and through them freed Yudhishthira and his brothers from the slavery the dice had put them in, sending the Pandavas home with their weapons and their kingdom restored rather than lost.

The Dice Game and Draupadi's Disrobing, a MythSource painting of the scene

In the modern world

Draupadi

Film

Keeps Arjuna winning her at the swayamvara, the dice game costing the Pandavas their kingdom and then Draupadi herself, and Krishna saving her from Duhshasana with a sari that never runs out.

Draupadi Vastrapaharanam (1934)

Film

Keeps the dice game costing the Pandavas their kingdom and Draupadi, and the disrobing attempt in the Kaurava court that follows.

Shri Krishna (1993)

Television

Keeps Draupadi's disrobing as a named episode within Krishna's story.

10 sources· checked 2026-09-02

  1. 1The Mahabharata: A Modern Rendering (2 Vols.)T1
  2. 2MahabharataT1
  3. 3Mahabharata: The Greatest Spiritual Epic of All TimeT1
  4. 4The Puffin MahabharataT1
  5. 5The Mahabharata: A Modern Rendering (2 Vols.)T1
  6. 6Mahabharata Vol. 2 (Penguin Translated Texts)T1
  7. 7Mahabharata: The Greatest Spiritual Epic of All TimeT1
  8. 8The Mahabharata: A Modern Rendering (2 Vols.)T1
  9. 9MahabharataT1
  10. 10The Puffin MahabharataT1

Duhshasana caught Draupadi by her long hair, still washed and dressed from the royal sacrifice, and dragged her through the passage toward the Kuru court while she twisted to get free of him. Once inside, that same hair, seized and pulled loose in front of the assembled kings, became the mark of the day nobody in the hall stopped him. Draupadi refused to bind it up again afterwards. For thirteen years of exile she wore it hanging loose, and when the exile ended and war still had not been declared, she went to Krishna and lifted the same hair in her hands. This, she told him, was what Duhshasana had seized, and she would not know peace again until his hand was torn from his arm. If her own husbands would not fight for that, she said, her father and her sons would.

Bhima had already sworn what would happen once battle came. In the same hall, the day the hair was pulled, he had promised in front of everyone that he would tear open Duhshasana's chest and drink his blood, and he repeated that oath again when Draupadi asked Krishna for war. He kept it on the battlefield years later. He beat Duhshasana down, cut off the hand that had gripped her hair, and split his chest open with a sword, then drank the blood as it ran, calling it sweeter than milk. Kauravas who had cheered the dragging thirteen years before now fled the sight or fell where they stood. Krishna had already told Draupadi, before the killing came, that the men she was angry at were already as good as destroyed, and that she would live to see their wives weep as she had wept.

Draupadi's Unbound Hair and Its Vow, a MythSource painting of the scene

7 sources· checked 2026-09-02

  1. 1The Mahabharata: A Modern Rendering (2 Vols.)T1
  2. 2MahabharataT1
  3. 3The Mahabharata: A Modern Rendering (2 Vols.)T1
  4. 4Mahabharata: The Greatest Spiritual Epic of All TimeT1
  5. 5The Great Golden Sacrifice of the MahabharataT1
  6. 6Mahabharata: The Greatest Spiritual Epic of All TimeT1
  7. 7The Mahabharata: A Modern Rendering (2 Vols.)T1

Draupadi was serving Queen Sudeshna as a handmaiden, hiding her identity along with her five husbands during their year in disguise, when the queen's brother Kichaka first saw her carrying wine and decided he wanted her. He courted her with promises of gold and comfort, certain a servant would be easy to win, and would not stop when she told him plainly that she was already married. He grabbed her arm in the queen's own chambers; she pulled free and ran, and he chased her into Virata's open court, catching her in front of the throne and kicking her down at the king's feet while the hall watched. Bhima was present, disguised as the palace cook, and had to be held back by Yudhishthira with a look rather than a word, since revealing his strength there would have ended the Pandavas' disguise along with their exile.

Draupadi went to Bhima that night in the kitchen and told him she had arranged to meet Kichaka alone in the dancing hall, on the promise that she would finally accept him. Kichaka arrived groomed and perfumed, expecting her in the dark, and found Bhima instead. In one telling Bhima dresses in women's clothes so that Kichaka mistakes him for her and moves in to embrace him; in another he simply waits concealed and reveals himself the moment Kichaka calls out her name. Either way the fight that follows is short. Bhima crushes him in his arms, throws him to the floor, and beats him until there is nothing recognisable left of him. Draupadi watched the whole of it with something close to joy, and the next morning nobody at Virata's court could work out who had killed their general or why.

Kichaka's Assault on Draupadi at Virata's Court, a MythSource painting of the scene

In the modern world

Sairandhri (1933)

Film

Keeps Draupadi hiding as the maid Sairandhri at Virata's court, Kichaka's pursuit of her, and Bhima killing him after taking her place.

11 sources· checked 2026-09-02

  1. 1Mahabharata: The Greatest Spiritual Epic of All TimeT1
  2. 2Mahabharata: Volume 4T1
  3. 3The Puffin MahabharataT1
  4. 4Mahabharata: The Greatest Spiritual Epic of All TimeT1
  5. 5Mahabharata: The Greatest Spiritual Epic of All TimeT1
  6. 6The Mahabharata: A Modern Rendering (2 Vols.)T1
  7. 7Mahabharata: Volume 4T1
  8. 8Mahabharata: The Greatest Spiritual Epic of All TimeT1
  9. 9Mahabharata: The Greatest Spiritual Epic of All TimeT1
  10. 10The Puffin MahabharataT1
  11. 11Mahabharata: The Greatest Spiritual Epic of All TimeT1

The Pandavas left Draupadi at the hermitage with the priest Dhaumya and went out hunting, and while they were gone King Jayadratha of Sindhu passed by on his way to another marriage entirely. He saw her gathering flowers and forgot the bride he had been travelling toward. He sent his companion to ask her name, and when he learned she was Draupadi, wife to five men living in the forest without a kingdom between them, he decided their poverty made them no match for him. He told her to leave her husbands and come with him as a queen deserved to live. She refused him outright and reminded him whose sister-in-law she was, since his own wife Dussala was the Pandavas' own kin, but he would not be shamed out of what he wanted. He picked her up and carried her to his chariot despite Dhaumya's protests, and drove off with his army around him while she cried out for her husbands by name.

The Pandavas read the signs of it in the birds and animals fleeing the forest before they even reached the empty hermitage, and set off after him at once. They caught his army within the day. Bhima beat Jayadratha down, tied him, and dragged him back to Yudhishthira as a captive with five tufts of hair shaved from his head, a mark meant to humiliate a king in front of his own men rather than kill him. Yudhishthira ordered him freed the moment he saw him. Draupadi, coming out to find her captor kneeling and ruined, thought of her husbands' sister married to this man and asked that he be let go rather than punished further. Jayadratha left alive, having lost his dignity in front of the men he had tried to rob, while Draupadi returned to the hermitage with nothing changed except the fright of it.

Jayadratha's Abduction of Draupadi, a MythSource painting of the scene

12 sources· checked 2026-09-02

  1. 1The Mahabharata: A Modern Rendering (2 Vols.)T1
  2. 2Mahabharata: The Greatest Spiritual Epic of All TimeT1
  3. 3MahabharataT1
  4. 4Mahabharata: The Greatest Spiritual Epic of All TimeT1
  5. 5The Puffin MahabharataT1
  6. 6Mahabharata: The Greatest Spiritual Epic of All TimeT1
  7. 7Mahabharata: The Greatest Spiritual Epic of All TimeT1
  8. 8Mahabharata Vol. 3 (Penguin Translated Texts)T1
  9. 9The Great Golden Sacrifice of the MahabharataT1
  10. 10Mahabharata: The Greatest Spiritual Epic of All TimeT1
  11. 11Mahabharata: The Greatest Spiritual Epic of All TimeT1
  12. 12Mahabharata: The Greatest Spiritual Epic of All TimeT1

The Pandavas came back from their victory in the great war to find their camp lit by fire and littered with bodies, and when they searched the tents they found their five sons dead, killed in their sleep with their heads cut off. Draupadi arrived by chariot and collapsed the moment she saw them, and had to be carried by Bhima while she shook and could not speak. When words came back to her they came as a vow. She sat down in a fixed position and said she would not move, would not eat, would not live as she had before, until the man who had killed her sons while they slept, Ashvatthama, was brought to her dead or made to pay in blood for it. Yudhishthira tried to comfort her; she answered him by asking Bhima directly to hunt Ashvatthama down the way Indra had once killed the demon Shambara.

Bhima and Arjuna found him and brought him back bound, dragging him before Yudhishthira and Draupadi to ask what should be done with him. Seeing him sitting with his head down, a brahmin despite everything he had done, Draupadi's anger gave way. She asked that he be released rather than killed, since he was Drona's son and the son was as good as the father, and since killing a brahmin, whatever his crime, would bring a curse down on whoever did it that no victory could undo. Bhima wanted him dead anyway and had to be held back a second time, this time by Krishna's hand on his shoulder. Krishna resolved it by having Arjuna cut the jewel that had protected Ashvatthama's life since birth from his hair, a killing of sorts without a killing, and Ashvatthama was let go, stripped of the one thing that had made him safe.

The Slaying of Draupadi's Sons and Her Reckoning with Ashwatthama, a MythSource painting of the scene

8 sources· checked 2026-09-02

  1. 1Mahabharata: The Greatest Spiritual Epic of All TimeT1
  2. 2MahabharataT1
  3. 3The Mahabharata: A Modern Rendering (2 Vols.)T1
  4. 4Mahabharata: The Greatest Spiritual Epic of All TimeT1
  5. 5Mahabharata: The Greatest Spiritual Epic of All TimeT1
  6. 6Mahabharata: The Greatest Spiritual Epic of All TimeT1
  7. 7Mahabharata: Volume 8T1
  8. 8The Mahabharata: A Modern Rendering (2 Vols.)T1

Krishna brought his wife Satyabhama to see the Pandavas during their exile, and while the men talked among themselves Satyabhama drew Draupadi aside to ask her something she had clearly been wondering for a while. All five Pandava brothers looked to Draupadi and answered to her, Satyabhama said, and she wanted to know how any one woman managed that with five husbands at once. Draupadi told her plainly that she was not being asked about the practices of evil women, and that no wife could hold a husband through charms or potions slipped into food, since a man who learned his wife dealt in such things would fear her the way he would fear a snake in the house. Those who used them, she said, were their husbands' enemies in every sense, causing sickness, blindness and worse in the men they claimed to love.

The real method she described was plainer than magic and harder to keep up. She served her five husbands and their other wives without complaint, never bathed, slept or ate before them, and kept jealousy down by staying occupied rather than staying angry. She rose before anyone else in the household, saw to the running of the whole estate down to the cowherds and the accounts, and gave up her own comfort whenever her husbands were away performing a sacrifice or a duty that mattered more than her ease. That devotion, not any spell, was the reason her husbands trusted her with everything they owned. When she finished, Satyabhama embraced her, and Krishna, before their chariot left, told Draupadi that the wives of the men who had wronged her would soon be weeping in her place.

Draupadi's Counsel to Satyabhama, a MythSource painting of the scene

9 sources· checked 2026-09-02

  1. 1Mahabharata: The Greatest Spiritual Epic of All TimeT1
  2. 2Mahabharata: The Greatest Spiritual Epic of All TimeT1
  3. 3Mahabharata Vol. 3 (Penguin Translated Texts)T1
  4. 4Mahabharata Vol. 3 (Penguin Translated Texts)T1
  5. 5Mahabharata Vol. 3 (Penguin Translated Texts)T1
  6. 6Mahabharata Vol. 3 (Penguin Translated Texts)T1
  7. 7Mahabharata Vol. 3 (Penguin Translated Texts)T1
  8. 8Mahabharata Vol. 3 (Penguin Translated Texts)T1
  9. 9Mahabharata: The Greatest Spiritual Epic of All TimeT1

Before the walk north began, the fire god Agni appeared in front of the Pandavas and asked Arjuna to give back the bow Varuna had once lent him for the war, the Gandiva, since its use was finished. Arjuna wept as he returned it, and watched it sink into the sea along with its quiver of unending arrows. With their kingdom already given up and their weapons now gone as well, the five brothers and Draupadi turned north and walked toward the great range of the Himalayas. They crossed the mountains and came within sight of Mount Meru. There, without warning, Draupadi fell.

One version, titled simply Mahabharata, has Yudhishthira name the cause outright when Bhima asks why she fell: she loved Arjuna more than her other husbands, and that was her only fault. The Puffin Mahabharata records the same fall as a faint from which she never woke, without giving that reason. Bhima, stunned either way, could not understand why a woman who had been faultless the whole time he had known her should be the first of them to fall. They left her body where she fell and walked on. Sahadeva was next to fall, then Nakula, and the climb went on taking the Pandavas one at a time.

Draupadi's Fall on the Final Journey, a MythSource painting of the scene

2 sources· checked 2026-09-02

  1. 1MahabharataT1
  2. 2The Puffin MahabharataT1

Works that draw on more of the mythology than any single story: full retellings of the saga, and worlds built out of the material.

Mahabharat (1965)

Film

The plot covers Karna's abandonment, Kunti's request that unintentionally marries Draupadi to all five brothers, her humiliation of Duryodhana at the Maya hall, the dice game, and Duhshasana disrobing her with no one intervening, across the film's full run to…

Mahabharat (1988 TV series)

Television

Ninety four episodes carry the story from the founding dynasty through the dice game, exile and the war to its aftermath, covering her arc from marriage to widowhood rather than any single episode.

Parva

Book

The 1979 Kannada novel retells the epic through the reminiscences of several principal characters, Draupadi among them alongside Kunti, Bhima and Arjuna, framed around the onset of the Kurukshetra War rather than any one incident.

The Mahabharata (Peter Brook, 1989 film)

Film

This is the filmed record of Brook's stage production, abridged to just under six hours from a nine hour play, covering the epic conflict between the Pandavas and Kauravas across its full span rather than one incident.

The Palace of Illusions

Book

The 2008 novel follows Panchaali from her fire birth through her education, swayamvara marriage, the shared marriage to five brothers, the dice game loss, thirteen years of exile, the war and its aftermath, telling the whole epic from her point of view rather…

Yajnaseni

Book

Pratibha Ray's 1984 Odia novel is built around Draupadi, its title naming her fire birth, and it has been translated into ten languages and adapted into a television series and a Nepali stage play.

05Different accounts
›One reference work, titled World Mythology, states that Draupadi was betrothed to Arjuna as soon as she rose from the fire; the fuller tellings leave her marriage to be settled later, at a contest open to any suitor who could string the bow.

    The accounts that differ: World Mythology, Chapter 5

    From “Draupadi's Birth from the Sacrificial Fire”

    ›One retelling has Karna name Draupadi among the Pandavas to be stripped and tell Duhshasana to take her silks along with theirs; others have Duhshasana act on Duryodhana's summons without that instruction from Karna.

      The accounts that differ: The Mahabharata: A Modern Rendering (2 Vols.); Mahabharata: The Greatest Spiritual Epic of All Time, Chapter Twenty.  Draupadi Dragged to the Assembly; Mahabharata, Part Of The Way With The Pandavas And Bade Them Farewell.

      From “The Dice Game and Draupadi's Disrobing”

      ›One retelling has Duhshasana catch her in a private passage near Gandhari's apartments before dragging her to the hall; another has her hair seized as she is brought directly into the assembly, with no private chase beforehand.

        The accounts that differ: The Mahabharata: A Modern Rendering (2 Vols.); Mahabharata, Part Of The Way With The Pandavas And Bade Them Farewell.

        From “Draupadi's Unbound Hair and Its Vow”

        ›One retelling has Bhima dress as a woman so Kichaka mistakes him for Draupadi in the dark hall; another has him simply hide and announce himself the moment Kichaka calls out.

          The accounts that differ: The Puffin Mahabharata; Mahabharata: The Greatest Spiritual Epic of All Time, Chapter Thirty-six.  Draupadi Again Insulted

          From “Kichaka's Assault on Draupadi at Virata's Court”

          ›One retelling has Draupadi answer with a plain list of daily practices, from rising before her husbands to keeping their household in order. Another has her first reject outright the idea that any woman can control a husband through spells or potions, naming those who try as their husbands' enemies, before giving the same counsel of service.

            The accounts that differ: Mahabharata: The Greatest Spiritual Epic of All Time, Chapter Thirty.  Krishna Visits the Pandavas; Mahabharata Vol. 3 (Penguin Translated Texts), Section Thirty-Eight

            From “Draupadi's Counsel to Satyabhama”

            ›One version, titled simply Mahabharata, has Yudhishthira name the cause outright when Bhima asks why she fell: she loved Arjuna more than her other husbands, and that was her only fault. The Puffin Mahabharata records the same fall as a faint from which she never woke, without giving that reason.

              The accounts that differ: Mahabharata, Part Of You. Leave It As It Is And Go And Join Your Brothers". Yudhishthira; The Puffin Mahabharata

              From “Draupadi's Fall on the Final Journey”