Shiva in Indian tradition
Shiva is one of the principal deities of Hinduism. His name means 'auspicious one', and for Shaivas, the devotees who centre their worship on him, he is the principal manifestation of ultimate divinity. He is often described as the destroyer, but destruction is only part of the picture: his role is also bound to generation, death and renewal. Many of his myths concern the Goddess, his consort, whose forms include Parvati, Durga and Kali. Other stories connect him with fellow deities through events such as the descent of the Ganges.
SourceThe Oxford Companion to World Mythology: SHIVA entry
- Shiva is described as the destroyer in the Hindu trimurti.
SourceThe Oxford Companion to World Mythology: SHIVA entry
- Shiva's destruction is tied to generation, death and renewal.
SourceThe Oxford Companion to World Mythology: SHIVA entry
- Shiva is also described as a yogi-ascetic and ultimate guru.
SourceThe Oxford Companion to World Mythology: SHIVA entry
Context
Roles
In Ramesh Menon's modern retelling of the Mahabharata, the name Pasupati is explained through Shiva's care for animals: he creates them, loves them and plays with them. The same passage calls him Maheswara because he brings joy to the world.
SourceThe Mahabharata: A Modern Rendering (2 Vols.): Volume II, Book 7, Drona Parva, Shiva description following the Arjuna-Vyasa transition
Worship and practice
Shiva is worshipped in several forms. As Nataraja, the lord of the dance, his dance represents the process of the universe; as a guru, he is a model for yogis and ascetics. The Oxford Companion also describes worship through the linga, a sacred phallic form associated with generation.
SourceThe Oxford Companion to World Mythology: SHIVA entry
Variants
In Ramesh Menon's modern Ramayana retelling, Sampati recalls that Shiva drank Halahala, and that the poison burned his throat blue, giving him the name Nilakanta. David Leeming's Oxford Companion entry on the Churning of the Ocean of Milk tells the same outcome in a different account: Shiva takes the poison into his throat to save the universe, and this is why his throat is blue.
SourceThe Ramayana: Kishkinda Kanda, 18. Sampati· The Oxford Companion to World Mythology: CHURNING OF THE OCEAN OF MILK
The quick answers
Who is Shiva?
Shiva is an Indian deity.Source
Source
- The Oxford Companion to World Mythology: SHIVA entry
- Mahabharata: Volume 8, translated by Bibek Debroy
- Mahabharata Vol. 3 (Penguin Translated Texts)
- Mahabharata Vol. 6 (Penguin Translated Texts)
What family links are recorded for Shiva?
Spouse: Parvati, 2 children. These are the relationships in the accounts cited below.Source
Source
- The Oxford Companion to World Mythology: SHIVA entry
- The Oxford Companion to World Mythology: SATI
- The Oxford Companion to World Mythology: GANESH
- The Oxford Companion to World Mythology: Karttikeya entry
- The Oxford Companion to World Mythology: AGNI
Shiva’s family, at a glance
with Parvati, Sati
Consorts
Parvati: The Oxford SHIVA entry describes Parvati as Shiva's consort.
SourceThe Oxford Companion to World Mythology: SHIVA entry
Sati: The Oxford SATI entry describes Sati as Daksha's daughter and a consort of Shiva; related tellings may differ.
SourceThe Oxford Companion to World Mythology: SATI
Children
Ganesha: The Oxford SHIVA entry calls Ganesh Parvati's son, and the GANESH entry recounts Shiva restoring Parvati's child with an elephant head.
SourceThe Oxford Companion to World Mythology: SHIVA entry· The Oxford Companion to World Mythology: GANESH
Kartikeya: The Oxford Karttikeya entry calls him Shiva's son adopted by Parvati. Its Agni entry says the gods asked Agni to father Skanda and records that some accounts name Shiva as father.
SourceThe Oxford Companion to World Mythology: Karttikeya entry· The Oxford Companion to World Mythology: AGNI
The names Shiva answers to
Rudra
the name used for Shiva throughout the Mahabharata passages translated here, including the destruction of the sacrifice and the planting of the linga.
SourceMahabharata: Volume 8, translated by Bibek Debroy
Sthanu
the name used for Shiva at the moment the gods leave him out of the sacrifice's shares.
SourceMahabharata: Volume 8, translated by Bibek Debroy
Sharva
a name for Shiva used when Brahma addresses him directly, and in the accounts of Ganga's descent and the burning of Tripura.
SourceMahabharata: Volume 8, translated by Bibek Debroy
Ishana
a name for Shiva used in the account of Ganga's descent, as he takes his place in the Himalayas to receive her.
SourceMahabharata Vol. 3 (Penguin Translated Texts)
Tryambaka
a name for Shiva used at the moment he tears the arms, eyes and teeth from the gods after shooting the sacrifice.
SourceMahabharata: Volume 8, translated by Bibek Debroy
Shitikantha
a name for Shiva used as he drives off the gods after destroying the sacrifice.
SourceMahabharata: Volume 8, translated by Bibek Debroy
Krittivasa
a name for Shiva used when he makes the bow he shoots the sacrifice with.
SourceMahabharata: Volume 8, translated by Bibek Debroy
Kapardi
a second name for Shiva used in the same passage, for the same act of making the bow.
SourceMahabharata: Volume 8, translated by Bibek Debroy
Bhava
a name for Shiva used in the hymn that recalls his destruction of the sacrifice.
SourceMahabharata Vol. 6 (Penguin Translated Texts)
Maheshvara
a name for Shiva used in the accounts of both the sacrifice's destruction and the burning of Tripura.
SourceMahabharata Vol. 6 (Penguin Translated Texts)
Nilakantha
a name given to Shiva in the hymn that follows his destruction of the sacrifice.
SourceMahabharata Vol. 6 (Penguin Translated Texts)
Mahadeva
a name for Shiva used across several of the accounts translated here, including the mounting of the chariot against Tripura.
SourceMahabharata Vol. 6 (Penguin Translated Texts)
The myths of Shiva
7 myths, with sources recorded for each.
The Burning of Kama
Parvati, the mountain's daughter, grew weary of Shiva's endless asceticism. She waited patiently beside him in adoration, but lost in his meditation at a hermitage by the meeting of two rivers, Shiva did not notice her at all. To draw him out of it, the gods sent Kama, the god of love, and his wife Pleasure, one spring day. Kama found his chance as Parvati came forward to worship Shiva, and he aimed his flower arrows at him.
For a moment, Menon's rendering has Shiva fall under the arrow's spell and reach for Parvati before he catches what has happened, turns, and finds Kama hiding nearby. By contrast, Larousse has Shiva see Kama the instant before the arrow leaves the bow and does not wait to be struck at all. Either way, Shiva opened his third eye, and its flash consumed the god of love where he stood, burning him to ash. Menon's rendering says the wind scattered what was left of him.
The accounts then diverge. In Larousse, a voice promises Pleasure that Shiva will restore Kama’s body after marrying Parvati. Coleman instead says that Kama is reborn as Pradyumna, son of Krishna and Rukmini. In Larousse’s telling, the burned god is called Ananga, the one deprived of limbs.

3 sources· checked 2026-09-05
- 1Larousse Encyclopedia of Mythology (ed. Félix Guirand, 1959)T1
- 2Dictionary of MythologyT1
- 3The RamayanaT1
Ganga's Descent into Shiva's Hair
Bhagiratha asked Shiva to bear the fall of the river Ganga from the sky, for the sake of his ancestors, and Shiva agreed. He went to the Himalayas and took his place there, telling Bhagiratha to ask the river herself to come down. Bhagiratha bowed and gave himself to meditation, and as he meditated Ganga was shaken loose from the sky.
Menon's rendering has her fall onto Shiva's head, where she is lost at once in his matted hair, piled as high as the Himalayas themselves. She could not find her way out to the ground, and she wandered inside his hair, confused, for years beyond counting. She roared and screamed and rose into floods that spun like the orbits of the planets searching for a way out, but there was none: Shiva's will held her as no more than a lake caught at the root of a single strand of his hair, and she trembled whenever he laughed.
Bhagiratha did not find her on the earth, and he set himself to a second long spell of worship, afraid that Shiva might never let her go. In Menon's rendering, Shiva relented at last and released her drop by drop from the root of the hair that had held her. A pool formed high on the Himalayan ground, catching the light of the rising sun, and it grew into a lake that broke into seven streams: three ran west, three ran east down the Himalaya, and one followed Bhagiratha's own path south. Gods, sages, gandharvas and siddhas gathered in chariots as large as cities to watch her come down, and the water's fall was thunderous as it struck the ground.

4 sources· checked 2026-09-05
- 1The Ramayana, abridged translation by Arshia SattarT1
- 2Valmiki's RamayanaT1
- 3The RamayanaT1
- 4Mahabharata Vol. 3 (Penguin Translated Texts)T1
The Destruction of the Gods' Sacrifice
When the gods held a great sacrifice, they shared out its offerings among themselves and left no share for Rudra, though they knew him and his nature well. Rudra would not accept the slight. He made himself a bow from the elements, five cubits long, meaning to take a share by force, and with an arrow from it he shot the sacrifice itself through the heart.
The wounded sacrifice took the shape of a deer and ran, carrying its own fire with it into the sky, and Rudra chased it through the heavens. The gods watching lost their wits entirely. Using the curved end of his bow, Rudra tore off Savita's arms, gouged out Bhaga's eyes, and broke out Pushana's teeth. The rest of the gods fled with what was left of the sacrifice, and he drove them off and laughed. He used the ends of his bow to trap and hold them where they stood, until the gods cried out in terror and his own bowstring snapped.
In the end the gods came to him, together with what remained of the sacrifice, and begged him for shelter. Once his anger had cooled, he restored the sacrifice whole again. Because of what he did that day, the gods have been afraid of him ever since.

4 sources· checked 2026-09-05
- 1Mahabharata: Volume 8, translated by Bibek DebroyT1
- 2Mahabharata: Volume 8, translated by Bibek DebroyT1
- 3Mahabharata Vol. 6 (Penguin Translated Texts)T1
- 4Mahabharata Vol. 6 (Penguin Translated Texts)T1
The Burning of the Three Cities
Three flying cities belonged to the asuras: an iron one ruled by Tarakaksha, a silver one ruled by Kamalaksha, and a golden one ruled by Vidyunmali. Not even Maghavan could break into them with all his weapons. Oppressed, the gods went to Rudra and asked him to bring the cities down, promising him the slaughtered offerings of every rite as his own share. He agreed, and for the welfare of the gods he stayed motionless for a thousand years, waiting for the moment the three cities would come together as one in the sky.
When his moment came, Shiva armed himself: divine armour, his own sword, his own bow and arrow, and celestial arrows drawn from Soma, Vishnu and Agni besides. The gods had the wind carry sacred fragrances before him. He mounted his chariot, and the earth and the heavens shook under him as he rose. He strung a bow given to him by the gods themselves, set the pashupata weapon to it, and fixed his mind on Tripura. At that, the three cities came together and stood as one, and the gods and sages cried out in triumph at the sight.
Shiva drew the bow and loosed his arrow. It swallowed the mass of asuras inside the three cities and flung them into the western ocean, and Tripura burned. Menon's rendering adds that Dharma had already left those cities when Shiva burned them. Once the asuras were ash, Shiva calmed the flames that his own fury had raised.

6 sources· checked 2026-09-05
- 1Mahabharata Vol. 6 (Penguin Translated Texts)T1
- 2Mahabharata: Volume 7, translated by Bibek DebroyT1
- 3The Ramayana, abridged translation by Arshia SattarT1
- 4Mahabharata: Volume 7, translated by Bibek DebroyT1
- 5Valmiki's RamayanaT1
- 6The Mahabharata: A Modern Rendering (2 Vols.)T1
Rudra Passed Over as Creator
In Chapter 1300(17) of Debroy's Volume 8 translation of the Mahabharata, Brahma asks Rudra to create beings. Rudra sees that beings will have defects, so the immensely ascetic god submerges himself in water and gives himself to austerities. Brahma waits, then creates another being through his mental powers. That being creates seven Prajapatis, including Daksha. The seven Prajapatis create the four kinds of beings. The new beings are hungry and rush at the Prajapatis, hoping to devour them. The Prajapatis flee to Brahma and ask him for protection and a means of sustenance. He assigns them the forests, the herbs and all immobile objects, while the strong among mobile beings may feed on the weak. Satisfied, the beings return to their places and multiply within their own kinds.
When the beings prosper, Brahma is pleased. Rudra then rises from the waters and sees many kinds of beings extending through their own energies. They have been created without him. In anger he plants his linga so that it penetrates the earth and remains fixed there. Brahma tries to pacify him and asks why he stayed in the water so long and why he made the linga enter the earth. Rudra answers that someone else has created the beings, leaving him nothing to do. He tells Brahma that his own austerities have created food for beings, and that the herbs and beings will continue to multiply. Still cheerless, Rudra leaves and resumes his austerities on the foothills of Mount Munjavat.

2 sources· checked 2026-09-05
- 1Mahabharata: Volume 8, translated by Bibek DebroyT1
- 2Mahabharata: Volume 8, translated by Bibek DebroyT1
Shiva Swallows the Halahala Poison
Chapter Eight of Arshia Sattar's abridged translation of Valmiki's Ramayana tells how the powerful sons of Diti and the fortunate, heroic, righteous sons of Aditi sought freedom from sickness and old age. They decided to churn the ocean of milk for the nectar of immortality. They used the serpent Vāsuki as a rope and Mount Mandara as the churning pole. These events take place in the age called the kritayuga.
After a thousand years, Vāsuki felt agony as he crushed rocks and stones between his teeth, then vomited the terrible halāhala poison. It rose from the sea like a flame and scorched the entire universe, threatening gods, asuras and humans. The gods sought refuge with Shiva. They appeased him with songs of praise and cried for rescue. Vishnu arrived bearing his discus and conch. Smiling, he told Shiva that whatever arose first belonged to him because he was the foremost of the gods, then urged him to accept the halāhala as his due for being first born. Vishnu disappeared. Shiva saw that the gods were truly terrified, obeyed Vishnu's words and swallowed the poison.

1 source· checked 2026-09-05
- 1Valmiki's RamayanaT1
The Birth and Beheading of Ganesha
David Leeming's Oxford Companion recounts a version from the Brhaddharma Purana. Parvati wanted a child, but Shiva mocked the wish. He was a yogi-ascetic and an immortal who had no need of descendants. When he saw how unhappy his wife was, he agreed, while keeping his distance from the child's conception. He tore a piece from Parvati's dress and told her to make the baby from it. She did so, and the child soon nursed at her breasts.
Shiva then took a dislike to the child. A curse, Shiva's evil gaze, or Shiva's direct act is given as the cause of the decapitation. Shiva could not restore the detached head to the body, so he sent Nandin, his bull attendant, to find another. Nandin took the head of Indra's elephant Airavata after a terrible struggle with Indra and the other gods. Shiva placed that elephant head on Parvati's son. The child was now short and fat, with a red face, but he was beautiful in a deeper sense.
He was named Ganesh, Lord of his father's hosts, by Brahma and was given a rat as his mount. The entry also names him as Vyasa's scribe for the Mahabharata.

1 source· checked 2026-09-05
- 1The Oxford Companion to World MythologyT1
The wider mythology
Works that draw on more of the mythology than any single story: full retellings of the saga, and worlds built out of the material.
Bala Shiva (2022)
Television
Keeps Shiva as a child bound to a doting mother figure amid celestial conflicts involving Parvati and the Tridev, but the story is an original chapter invented for the show rather than a retelling of any one old story.
Devon Ke Dev...Mahadev
Television
An 820-episode series following "his journey from being an ascetic to a family man", dramatising Sati's story and sacrifice, his long meditation, his courtship of Parvati after her 3,000-year penance, her transformations into Kali and other forms, and numerous…
Finders, Keepers
Book
Treats Shiva as one of the 'ancient beings' whose legend underpins a modern secret sect and a hidden lineage of protectors, rather than retelling a single old story about him.
Om Namah Shivay
Television
Dramatises Shiva's marriage to Sati, her death, his marriage to Parvati, the creation of the twelve Jyotirlingas, and his blessing of Arjuna, moving in sequence through Puranic and epic material rather than retelling one single old story.
Rudra: A Tale of Time (2023)
Game
Casts its hero as Rudra travelling through the four Yugas, unlocking chakras and mantras, fighting Pishachas, Rakshasas and Asuras and wielding the gods' gift Varunastra - Hindu cosmology and figures reworked at large rather than any single old story.
Sati
Book
Retells Sati's marriage to Shiva, her death at Daksha's sacrifice, the birth of Virabhadra and his fight against the gods, and Daksha's curse - a real Shiva myth, but the Puranic one, not the Mahabharata-based sacrifice story on file for this figure.
The Immortals of Meluha
Book
Keeps Shiva as a figure whose deeds in a human life were mistaken for the acts of a god, rebuilt as a Tibetan-immigrant warrior who arrives in Meluha and is hailed as the prophesied Neelkanth saviour.
The Oath of the Vayuputras
Book
Closes the same saga, keeping Shiva as a mortal-turned-deity who wages a holy war and is ultimately deified for his deeds.
The Secret of the Nagas
Book
Continues the same reimagined-history saga, keeping Shiva as the Neelkanth investigating the Nagas and searching for his wife Sati.
Also mentioned in
Stories elsewhere on MythSource that mention Shiva, each on that figure’s page.
- The Penance on Mount Indrakila and the Winning of the Pashupata · on Arjuna
- The Boon That Gave Draupadi Five Husbands · on Draupadi
- Indra's Capture by Indrajit · on Indra
- The Bhagavad Gita · on Krishna
- Mankanaka’s Dance Is Stopped by Shiva · on Mankanaka
- The Breaking of Shiva's Bow · on Rama
- Ravana Lifts Mount Kailash · on Ravana
- Ravana's Penance and Brahma's Boon · on Ravana
Different accounts
›The Ramayana (Menon) has Shiva fall briefly under the arrow's spell and reach for Parvati before he turns in anger and burns Kama; the Larousse Encyclopedia has him see Kama and burn him with his third eye before the arrow is even loosed, with no spell taking effect at all.
The accounts that differ: The Ramayana; Larousse Encyclopedia of Mythology (ed. Félix Guirand, 1959), Religion Of Siva
From “The Burning of Kama”
›Larousse says a voice promises that Shiva will restore Kama's body when he weds Parvati, while the Dictionary of Mythology says that Kama is reborn as Pradyumna, son of Krishna and Rukmini.
The accounts that differ: Larousse Encyclopedia of Mythology (ed. Félix Guirand, 1959), Religion Of Siva; Dictionary of Mythology, Eabc8972-576D-4878-8C33-C9Ebd9D6F5A9
From “The Burning of Kama”
›Mahabharata Vol. 6 (Debroy) describes the shot as a single arrow with three barbs and three joints, while Mahabharata Vol. 7 (Debroy) has Shiva string the pashupata weapon onto his bow and draw further celestial arrows generated from Soma, Vishnu and Agni before the shot, without mentioning barbs or joints.
The accounts that differ: Mahabharata Vol. 6 (Penguin Translated Texts), Section Seventy-Two; Mahabharata: Volume 7, translated by Bibek Debroy, Chapter 1174(24)
From “The Burning of the Three Cities”
27 works catalogued
This catalogue brings together reviewed connections and candidates for Shiva: reworks first, then references, then names used as atmosphere. A row is not proof by itself. Reviewed connections appear in Overview, beneath a story or under The wider mythology.
Best known from
- SmiteGameTurns up across 8 figures on this site
- Record of RagnarokComicsTurns up across 6 figures on this site
Showing 27 of 27 works.
Film7
- OMG 2Rework
- Asuragana RudraReference
- God Shiva (1955)Reference
- Kamen Rider Rudra (1997)Reference
- shiva (2003)Reference
- Shiva (2015)Reference
- Shiva Ree (1968)Reference
Television4
- Devon Ke Dev...MahadevRework
- Bala Shiva (2022)Reference
- Legends Of Shiva With Amish (2025)Reference
- Om Namah ShivayReference
Game3
- SmiteReference
- Raji: An Ancient EpicReference
- Rudra: A Tale of Time (2023)Reference
Book6
- Bhairava's Oath & The Hidden Rites of TimeReference
- Finders, KeepersReference
- SatiReference
- The Immortals of MeluhaReference
- The Oath of the VayuputrasReference
- The Secret of the NagasReference
Comics1
- Record of RagnarokRework
Other6
- Deity - Shiva & ParvatiReference
- Devi & Dancing SivaReference
- Lord ShivaReference
- Shiva and DeviReference
- Shiva- Lord of WaterReference
- Tripurari (Shiva), 1997Reference
A catalogue row is not proof by itself. Reviewed connections appear in Overview, beneath a story or under The wider mythology.
What this page is built from
About this page
Written and maintained by MythSource. Last reviewed September 2, 2026. How a page gets built.
11 sources are cited on this page and listed below.
Cite this page
MythSource. (September 2, 2026). Shiva. https://www.mythsource.com/figures/shiva
"Shiva." MythSource, Sep. 2, 2026, www.mythsource.com/figures/shiva.
"Shiva." MythSource. Last modified September 2, 2026. https://www.mythsource.com/figures/shiva.
Source details
- Mahabharata: Volume 7. Bibek Debroy, translator. Penguin English translation; ebook edition identifier under review.
- The Ramayana. Traditionally attributed to Valmiki; abridged and translated by Arshia Sattar. Penguin abridged English translation; ebook edition identifier under review.
The mythology summaries and identity fields on this page are grounded in the sources listed above. The appearance table records candidates separately; only confirmed connections are presented as modern retellings in Overview.




